The Project Gutenberg EBook of Poor White, by Sherwood Anderson #4 in our series by Sherwood Anderson

Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.

Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.

**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****

Title: Poor White

Author: Sherwood Anderson

Release Date: February, 2005 [EBook #7414] [Yes, we are more than one year ahead of schedule] [This file was first posted on April 26, 2003]

Edition: 10

Language: English

*** START OF THE PROJECT GUTENBERG EBOOK POOR WHITE ***

Produced by Eric Eldred, William Flis and the Online Distributed Proofreading Team

[Note: The evident misprint of Book Six for Book Five in the original is preserved here.]

POOR WHITE

A NOVEL BY

SHERWOOD ANDERSON

AUTHOR OF

WINESBURG, OHIO

TO

TENNESSEE MITCHELL ANDERSON

BOOK I

CHAPTER I

Hugh McVey was born in a little hole of a town stuck on a mud bank on the western shore of the Mississippi River in the State of Missouri. It was a miserable place in which to be born. With the exception of a narrow strip of black mud along the river, the land for ten miles back from the town—called in derision by river men "Mudcat Landing"—was almost entirely worthless and unproductive. The soil, yellow, shallow and stony, was tilled, in Hugh's time, by a race of long gaunt men who seemed as exhausted and no-account as the land on which they lived. They were chronically discouraged, and the merchants and artisans of the town were in the same state. The merchants, who ran their stores—poor tumble-down ramshackle affairs—on the credit system, could not get pay for the goods they handed out over their counters and the artisans, the shoemakers, carpenters and harnessmakers, could not get pay for the work they did. Only the town's two saloons prospered. The saloon keepers sold their wares for cash and, as the men of the town and the farmers who drove into town felt that without drink life was unbearable, cash always could be found for the purpose of getting drunk.

Hugh McVey's father, John McVey, had been a farm hand in his youth but before Hugh was born had moved into town to find employment in a tannery. The tannery ran for a year or two and then failed, but John McVey stayed in town. He also became a drunkard. It was the easy obvious thing for him to do. During the time of his employment in the tannery he had been married and his son had been born. Then his wife died and the idle workman took his child and went to live in a tiny fishing shack by the river. How the boy lived through the next few years no one ever knew. John McVey loitered in the streets and on the river bank and only awakened out of his habitual stupor when, driven by hunger or the craving for drink, he went for a day's work in some farmer's field at harvest time or joined a number of other idlers for an adventurous trip down river on a lumber raft. The baby was left shut up in the shack by the river or carried about wrapped in a soiled blanket. Soon after he was old enough to walk he was compelled to find work in order that he might eat. The boy of ten went listlessly about town at the heels of his father. The two found work, which the boy did while the man lay sleeping in the sun. They cleaned cisterns, swept out stores and saloons and at night went with a wheelbarrow and a box to remove and dump in the river the contents of out-houses. At fourteen Hugh was as tall as his father and almost without education. He could read a little and could write his own name, had picked up these accomplishments from other boys who came to fish with him in the river, but he had never been to school. For days sometimes he did nothing but lie half asleep in the shade of a bush on the river bank. The fish he caught on his more industrious days he sold for a few cents to some housewife, and thus got money to buy food for his big growing indolent body. Like an animal that has come to its maturity he turned away from his father, not because of resentment for his hard youth, but because he thought it time to begin to go his own way.

In his fourteenth year and when the boy was on the point of sinking into the sort of animal-like stupor in which his father had lived, something happened to him. A railroad pushed its way down along the river to his town and he got a job as man of all work for the station master. He swept out the station, put trunks on trains, mowed the grass in the station yard and helped in a hundred odd ways the man who held the combined jobs of ticket seller, baggage master and telegraph operator at the little out-of-the-way place.

Hugh began a little to awaken. He lived with his employer, Henry Shepard, and his wife, Sarah Shepard, and for the first time in his life sat down regularly at table. His life, lying on the river bank through long summer afternoons or sitting perfectly still for endless hours in a boat, had bred in him a dreamy detached outlook on life. He found it hard to be definite and to do definite things, but for all his stupidity the boy had a great store of patience, a heritage perhaps from his mother. In his new place the station master's wife, Sarah Shepard, a sharp-tongued, good-natured woman, who hated the town and the people among whom fate had thrown her, scolded at him all day long. She treated him like a child of six, told him how to sit at table, how to hold his fork when he ate, how to address people who came to the house or to the station. The mother in her was aroused by Hugh's helplessness and, having no children of her own, she began to take the tall awkward boy to her heart. She was a small woman and when she stood in the house scolding the great stupid boy who stared down at her with his small perplexed eyes, the two made a picture that afforded endless amusement to her husband, a short fat bald-headed man who went about clad in blue overalls and a blue cotton shirt. Coming to the back door of his house, that was within a stone's throw of the station, Henry Shepard stood with his hand on the door-jamb and watched the woman and the boy. Above the scolding voice of the woman his own voice arose. "Look out, Hugh," he called. "Be on the jump, lad! Perk yourself up. She'll be biting you if you don't go mighty careful in there."

Hugh got little money for his work at the railroad station but for the first time in his life he began to fare well. Henry Shepard bought the boy clothes, and his wife, Sarah, who was a master of the art of cooking, loaded the table with good things to eat. Hugh ate until both the man and woman declared he would burst if he did not stop. Then when they were not looking he went into the station yard and crawling under a bush went to sleep. The station master came to look for him. He cut a switch from the bush and began to beat the boy's bare feet. Hugh awoke and was overcome with confusion. He got to his feet and stood trembling, half afraid he was to be driven away from his new home. The man and the confused blushing boy confronted each other for a moment and then the man adopted the method of his wife and began to scold. He was annoyed at what he thought the boy's indolence and found a hundred little tasks for him to do. He devoted himself to finding tasks for Hugh, and when he could think of no new ones, invented them. "We will have to keep the big lazy fellow on the jump. That's the secret of things," he said to his wife.

The boy learned to keep his naturally indolent body moving and his clouded sleepy mind fixed on definite things. For hours he plodded straight ahead, doing over and over some appointed task. He forgot the purpose of the job he had been given to do and did it because it was a job and would keep him awake. One morning he was told to sweep the station platform and as his employer had gone away without giving him additional tasks and as he was afraid that if he sat down he would fall into the odd detached kind of stupor in which he had spent so large a part of his life, he continued to sweep for two or three hours. The station platform was built of rough boards and Hugh's arms were very powerful. The broom he was using began to go to pieces. Bits of it flew about and after an hour's work the platform looked more uncleanly than when he began. Sarah Shepard came to the door of her house and stood watching. She was about to call to him and to scold him again for his stupidity when a new impulse came to her. She saw the serious determined look on the boy's long gaunt face and a flash of understanding came to her. Tears came into her eyes and her arms ached to take the great boy and hold him tightly against her breast. With all her mother's soul she wanted to protect Hugh from a world she was sure would treat him always as a beast of burden and would take no account of what she thought of as the handicap of his birth. Her morning's work was done and without saying anything to Hugh, who continued to go up and down the platform laboriously sweeping, she went out at the front door of the house and to one of the town stores. There she bought a half dozen books, a geography, an arithmetic, a speller and two or three readers. She had made up her mind to become Hugh McVey's school teacher and with characteristic energy did not put the matter off, but went about it at once. When she got back to her house and saw the boy still going doggedly up and down the platform, she did not scold but spoke to him with a new gentleness in her manner. "Well, my boy, you may put the broom away now and come to the house," she suggested. "I've made up my mind to take you for my own boy and I don't want to be ashamed of you. If you're going to live with me I can't have you growing up to be a lazy good-for-nothing like your father and the other men in this hole of a place. You'll have to learn things and I suppose I'll have to be your teacher.

"Come on over to the house at once," she added sharply, making a quick motion with her hand to the boy who with the broom in his hands stood stupidly staring. "When a job is to be done there's no use putting it off. It's going to be hard work to make an educated man of you, but it has to be done. We might as well begin on your lessons at once."

* * * * *

Hugh McVey lived with Henry Shepard and his wife until he became a grown man. After Sarah Shepard became his school teacher things began to go better for him. The scolding of the New England woman, that had but accentuated his awkwardness and stupidity, came to an end and life in his adopted home became so quiet and peaceful that the boy thought of himself as one who had come into a kind of paradise. For a time the two older people talked of sending him to the town school, but the woman objected. She had begun to feel so close to Hugh that he seemed a part of her own flesh and blood and the thought of him, so huge and ungainly, sitting in a school room with the children of the town, annoyed and irritated her. In imagination she saw him being laughed at by other boys and could not bear the thought. She did not like the people of the town and did not want Hugh to associate with them.

Sarah Shepard had come from a people and a country quite different in its aspect from that in which she now lived. Her own people, frugal New Englanders, had come West in the year after the Civil War to take up cut-over timber land in the southern end of the state of Michigan. The daughter was a grown girl when her father and mother took up the westward journey, and after they arrived at the new home, had worked with her father in the fields. The land was covered with huge stumps and was difficult to farm but the New Englanders were accustomed to difficulties and were not discouraged. The land was deep and rich and the people who had settled upon it were poor but hopeful. They felt that every day of hard work done in clearing the land was like laying up treasure against the future. In New England they had fought against a hard climate and had managed to find a living on stony unproductive soil. The milder climate and the rich deep soil of Michigan was, they felt, full of promise. Sarah's father like most of his neighbors had gone into debt for his land and for tools with which to clear and work it and every year spent most of his earnings in paying interest on a mortgage held by a banker in a nearby town, but that did not discourage him. He whistled as he went about his work and spoke often of a future of ease and plenty. "In a few years and when the land is cleared we'll make money hand over fist," he declared.

When Sarah grew into young womanhood and went about among the young people in the new country, she heard much talk of mortgages and of the difficulty of making ends meet, but every one spoke of the hard conditions as temporary. In every mind the future was bright with promise. Throughout the whole Mid-American country, in Ohio, Northern Indiana and Illinois, Wisconsin and Iowa a hopeful spirit prevailed. In every breast hope fought a successful war with poverty and discouragement. Optimism got into the blood of the children and later led to the same kind of hopeful courageous development of the whole western country. The sons and daughters of these hardy people no doubt had their minds too steadily fixed on the problem of the paying off of mortgages and getting on in the world, but there was courage in them. If they, with the frugal and sometimes niggardly New Englanders from whom they were sprung, have given modern American life a too material flavor, they have at least created a land in which a less determinedly materialistic people may in their turn live in comfort.

In the midst of the little hopeless community of beaten men and yellow defeated women on the bank of the Mississippi River, the woman who had become Hugh McVey's second mother and in whose veins flowed the blood of the pioneers, felt herself undefeated and unbeatable. She and her husband would, she felt, stay in the Missouri town for a while and then move on to a larger town and a better position in life. They would move on and up until the little fat man was a railroad president or a millionaire. It was the way things were done. She had no doubt of the future. "Do everything well," she said to her husband, who was perfectly satisfied with his position in life and had no exalted notions as to his future. "Remember to make your reports out neatly and clearly. Show them you can do perfectly the task given you to do, and you will be given a chance at a larger task. Some day when you least expect it something will happen. You will be called up into a position of power. We won't be compelled to stay in this hole of a place very long."

The ambitious energetic little woman, who had taken the son of the indolent farm hand to her heart, constantly talked to him of her own people. Every afternoon when her housework was done she took the boy into the front room of the house and spent hours laboring with him over his lessons. She worked upon the problem of rooting the stupidity and dullness out of his mind as her father had worked at the problem of rooting the stumps out of the Michigan land. After the lesson for the day had been gone over and over until Hugh was in a stupor of mental weariness, she put the books aside and talked to him. With glowing fervor she made for him a picture of her own youth and the people and places where she had lived. In the picture she represented the New Englanders of the Michigan farming community as a strong god-like race, always honest, always frugal, and always pushing ahead. His own people she utterly condemned. She pitied him for the blood in his veins. The boy had then and all his life certain physical difficulties she could never understand. The blood did not flow freely through his long body. His feet and hands were always cold and there was for him an almost sensual satisfaction to be had from just lying perfectly still in the station yard and letting the hot sun beat down on him.

Sarah Shepard looked upon what she called Hugh's laziness as a thing of the spirit. "You have got to get over it," she declared. "Look at your own people—poor white trash—how lazy and shiftless they are. You can't be like them. It's a sin to be so dreamy and worthless."

Swept along by the energetic spirit of the woman, Hugh fought to overcome his inclination to give himself up to vaporous dreams. He became convinced that his own people were really of inferior stock, that they were to be kept away from and not to be taken into account. During the first year after he came to live with the Shepards, he sometimes gave way to a desire to return to his old lazy life with his father in the shack by the river. People got off steamboats at the town and took the train to other towns lying back from the river. He earned a little money by carrying trunks filled with clothes or traveling men's samples up an incline from the steamboat landing to the railroad station. Even at fourteen the strength in his long gaunt body was so great that he could out-lift any man in town, and he put one of the trunks on his shoulder and walked slowly and stolidly away with it as a farm horse might have walked along a country road with a boy of six perched on his back.

The money earned in this way Hugh for a time gave to his father, and when the man had become stupid with drink he grew quarrelsome and demanded that the boy return to live with him. Hugh had not the spirit to refuse and sometimes did not want to refuse. When neither the station master nor his wife was about he slipped away and went with his father to sit for a half day with his back against the wall of the fishing shack, his soul at peace. In the sunlight he sat and stretched forth his long legs. His small sleepy eyes stared out over the river. A delicious feeling crept over him and for the moment he thought of himself as completely happy and made up his mind that he did not want to return again to the railroad station and to the woman who was so determined to arouse him and make of him a man of her own people.

Hugh looked at his father asleep and snoring in the long grass on the river bank. An odd feeling of disloyalty crept over him and he became uncomfortable. The man's mouth was open and he snored lustily. From his greasy and threadbare clothing arose the smell of fish. Flies gathered in swarms and alighted on his face. Disgust took possession of Hugh. A flickering but ever recurring light came into his eyes. With all the strength of his awakening soul he struggled against the desire to give way to the inclination to stretch himself out beside the man and sleep. The words of the New England woman, who was, he knew, striving to lift him out of slothfulness and ugliness into some brighter and better way of life, echoed dimly in his mind. When he arose and went back along the street to the station master's house and when the woman there looked at him reproachfully and muttered words about the poor white trash of the town, he was ashamed and looked at the floor.

Hugh began to hate his own father and his own people. He connected the man who had bred him with the dreaded inclination toward sloth in himself. When the farmhand came to the station and demanded the money he had earned by carrying trunks, he turned away and went across a dusty road to the Shepard's house. After a year or two he paid no more attention to the dissolute farmhand who came occasionally to the station to mutter and swear at him; and, when he had earned a little money, gave it to the woman to keep for him. "Well," he said, speaking slowly and with the hesitating drawl characteristic of his people, "if you give me time I'll learn. I want to be what you want me to be. If you stick to me I'll try to make a man of myself."

* * * * *

Hugh McVey lived in the Missouri town under the tutelage of Sarah Shepard until he was nineteen years old. Then the station master gave up railroading and went back to Michigan. Sarah Shepard's father had died after having cleared one hundred and twenty acres of the cut-over timber land and it had been left to her. The dream that had for years lurked in the back of the little woman's mind and in which she saw bald-headed, good-natured Henry Shepard become a power in the railroad world had begun to fade. In newspapers and magazines she read constantly of other men who, starting from a humble position in the railroad service, soon became rich and powerful, but nothing of the kind seemed likely to happen to her husband. Under her watchful eye he did his work well and carefully but nothing came of it. Officials of the railroad sometimes passed through the town riding in private cars hitched to the end of one of the through trains, but the trains did not stop and the officials did not alight and, calling Henry out of the station, reward his faithfulness by piling new responsibilities upon him, as railroad officials did in such cases in the stories she read. When her father died and she saw a chance to again turn her face eastward and to live again among her own people, she told her husband to resign his position with the air of one accepting an undeserved defeat. The station master managed to get Hugh appointed in his place, and the two people went away one gray morning in October, leaving the tall ungainly young man in charge of affairs. He had books to keep, freight waybills to make out, messages to receive, dozens of definite things to do. Early in the morning before the train that was to take her away, came to the station, Sarah Shepard called the young man to her and repeated the instructions she had so often given her husband. "Do everything neatly and carefully," she said. "Show yourself worthy of the trust that has been given you."

The New England woman wanted to assure the boy, as she had so often assured her husband, that if he would but work hard and faithfully promotion would inevitably come; but in the face of the fact that Henry Shepard had for years done without criticism the work Hugh was to do and had received neither praise nor blame from those above him, she found it impossible to say the words that arose to her lips. The woman and the son of the people among whom she had lived for five years and had so often condemned, stood beside each other in embarrassed silence. Stripped of her assurance as to the purpose of life and unable to repeat her accustomed formula, Sarah Shepard had nothing to say. Hugh's tall figure, leaning against the post that supported the roof of the front porch of the little house where she had taught him his lessons day after day, seemed to her suddenly old and she thought his long solemn face suggested a wisdom older and more mature than her own. An odd revulsion of feeling swept over her. For the moment she began to doubt the advisability of trying to be smart and to get on in life. If Hugh had been somewhat smaller of frame so that her mind could have taken hold of the fact of his youth and immaturity, she would no doubt have taken him into her arms and said words regarding her doubts. Instead she also became silent and the minutes slipped away as the two people stood before each other and stared at the floor of the porch. When the train on which she was to leave blew a warning whistle, and Henry Shepard called to her from the station platform, she put a hand on the lapel of Hugh's coat and drawing his face down, for the first time kissed him on the cheek. Tears came into her eyes and into the eyes of the young man. When he stepped across the porch to get her bag Hugh stumbled awkwardly against a chair. "Well, you do the best you can here," Sarah Shepard said quickly and then out of long habit and half unconsciously did repeat her formula. "Do little things well and big opportunities are bound to come," she declared as she walked briskly along beside Hugh across the narrow road and to the station and the train that was to bear her away.

After the departure of Sarah and Henry Shepard Hugh continued to struggle with his inclination to give way to dreams. It seemed to him a struggle it was necessary to win in order that he might show his respect and appreciation of the woman who had spent so many long hours laboring with him. Although, under her tutelage, he had received a better education than any other young man of the river town, he had lost none of his physical desire to sit in the sun and do nothing. When he worked, every task had to be consciously carried on from minute to minute. After the woman left, there were days when he sat in the chair in the telegraph office and fought a desperate battle with himself. A queer determined light shone in his small gray eyes. He arose from the chair and walked up and down the station platform. Each time as he lifted one of his long feet and set it slowly down a special little effort had to be made. To move about at all was a painful performance, something he did not want to do. All physical acts were to him dull but necessary parts of his training for a vague and glorious future that was to come to him some day in a brighter and more beautiful land that lay in the direction thought of rather indefinitely as the East. "If I do not move and keep moving I'll become like father, like all of the people about here," Hugh said to himself. He thought of the man who had bred him and whom he occasionally saw drifting aimlessly along Main Street or sleeping away a drunken stupor on the river bank. He was disgusted with him and had come to share the opinion the station master's wife had always held concerning the people of the Missouri village. "They're a lot of miserable lazy louts," she had declared a thousand times, and Hugh, agreed with her, but sometimes wondered if in the end he might not also become a lazy lout. That possibility he knew was in him and for the sake of the woman as well as for his own sake he was determined it should not be so.

The truth is that the people of Mudcat Landing were totally unlike any of the people Sarah Shepard had ever known and unlike the people Hugh was to know during his mature life. He who had come from a people not smart was to live among smart energetic men and women and be called a big man by them without in the least understanding what they were talking about.

Practically all of the people of Hugh's home town were of Southern origin. Living originally in a land where all physical labor was performed by slaves, they had come to have a deep aversion to physical labor. In the South their fathers, having no money to buy slaves of their own and being unwilling to compete with slave labor, had tried to live without labor. For the most part they lived in the mountains and the hill country of Kentucky and Tennessee, on land too poor and unproductive to be thought worth cultivating by their rich slave-owning neighbors of the valleys and plains. Their food was meager and of an enervating sameness and their bodies degenerate. Children grew up long and gaunt and yellow like badly nourished plants. Vague indefinite hungers took hold of them and they gave themselves over to dreams. The more energetic among them, sensing dimly the unfairness of their position in life, became vicious and dangerous. Feuds started among them and they killed each other to express their hatred of life. When, in the years preceding the Civil War, a few of them pushed north along the rivers and settled in Southern Indiana and Illinois and in Eastern Missouri and Arkansas, they seemed to have exhausted their energy in making the voyage and slipped quickly back into their old slothful way of life. Their impulse to emigrate did not carry them far and but a few of them ever reached the rich corn lands of central Indiana, Illinois or Iowa or the equally rich land back from the river in Missouri or Arkansas. In Southern Indiana and Illinois they were merged into the life about them and with the infusion of new blood they a little awoke. They have tempered the quality of the peoples of those regions, made them perhaps less harshly energetic than their forefathers, the pioneers. In many of the Missouri and Arkansas river towns they have changed but little. A visitor to these parts may see them there to-day, long, gaunt, and lazy, sleeping their lives away and awakening out of their stupor only at long intervals and at the call of hunger.

As for Hugh McVey, he stayed in his home town and among his own people for a year after the departure of the man and woman who had been father and mother to him, and then he also departed. All through the year he worked constantly to cure himself of the curse of indolence. When he awoke in the morning he did not dare lie in bed for a moment for fear indolence would overcome him and he would not be able to arise at all. Getting out of bed at once he dressed and went to the station. During the day there was not much work to be done and he walked for hours up and down the station platform. When he sat down he at once took up a book and put his mind to work. When the pages of the book became indistinct before his eyes and he felt within him the inclination to drift off into dreams, he again arose and walked up and down the platform. Having accepted the New England woman's opinion of his own people and not wanting to associate with them, his life became utterly lonely and his loneliness also drove him to labor.

Something happened to him. Although his body would not and never did become active, his mind began suddenly to work with feverish eagerness. The vague thoughts and feelings that had always been a part of him but that had been indefinite, ill-defined things, like clouds floating far away in a hazy sky, began to grow definite. In the evening after his work was done and he had locked the station for the night, he did not go to the town hotel where he had taken a room and where he ate his meals, but wandered about town and along the road that ran south beside the great mysterious river. A hundred new and definite desires and hungers awoke in him. He began to want to talk with people, to know men and most of all to know women, but the disgust for his fellows in the town, engendered in him by Sarah Shepard's words and most of all by the things in his nature that were like their natures, made him draw back. When in the fall at the end of the year after the Shepards had left and he began living alone, his father was killed in a senseless quarrel with a drunken river man over the ownership of a dog, a sudden, and what seemed to him at the moment heroic resolution came to him. He went early one morning to one of the town's two saloon keepers, a man who had been his father's' nearest approach to a friend and companion, and gave him money to bury the dead man. Then he wired to the headquarters of the railroad company telling them to send a man to Mudcat Landing to take his place. On the afternoon of the day on which his father was buried, he bought himself a handbag and packed his few belongings. Then he sat down alone on the steps of the railroad station to wait for the evening train that would bring the man who was to replace him and that would at the same time take him away. He did not know where he intended to go, but knew that he wanted to push out into a new land and get among new people. He thought he would go east and north. He remembered the long summer evenings in the river town when the station master slept and his wife talked. The boy who listened had wanted to sleep also, but with the eyes of Sarah Shepard fixed on him, had not dared to do so. The woman had talked of a land dotted with towns where the houses were all painted in bright colors, where young girls dressed in white dresses went about in the evening, walking under trees beside streets paved with bricks, where there was no dust or mud, where stores were gay bright places filled with beautiful wares that the people had money to buy in abundance and where every one was alive and doing things worth while and none was slothful and lazy. The boy who had now become a man wanted to go to such a place. His work in the railroad station had given him some idea of the geography of the country and, although he could not have told whether the woman who had talked so enticingly had in mind her childhood in New England or her girlhood in Michigan, he knew in a general way that to reach the land and the people who were to show him by their lives the better way to form his own life, he must go east. He decided that the further east he went the more beautiful life would become, and that he had better not try going too far in the beginning. "I'll go into the northern part of Indiana or Ohio," he told himself. "There must be beautiful towns in those places."

Hugh was boyishly eager to get on his way and to become at once a part of the life in a new place. The gradual awakening of his mind had given him courage, and he thought of himself as armed and ready for association with men. He wanted to become acquainted with and be the friend of people whose lives were beautifully lived and who were themselves beautiful and full of significance. As he sat on the steps of the railroad station in the poor little Missouri town with his bag beside him, and thought of all the things he wanted to do in life, his mind became so eager and restless that some of its restlessness was transmitted to his body. For perhaps the first time in his life he arose without conscious effort and walked up and down the station platform out of an excess of energy. He thought he could not bear to wait until the train came and brought the man who was to take his place. "Well, I'm going away, I'm going away to be a man among men," he said to himself over and over. The saying became a kind of refrain and he said it unconsciously. As he repeated the words his heart beat high in anticipation of the future he thought lay before him.

CHAPTER II

Hugh McVey left the town of Mudcat Landing in early September of the year eighteen eighty-six. He was then twenty years old and was six feet and four inches tall. The whole upper part of his body was immensely strong but his long legs were ungainly and lifeless. He secured a pass from the railroad company that had employed him, and rode north along the river in the night train until he came to a large town named Burlington in the State of Iowa. There a bridge went over the river, and the railroad tracks joined those of a trunk line and ran eastward toward Chicago; but Hugh did not continue his journey on that night. Getting off the train he went to a nearby hotel and took a room for the night.

It was a cool clear evening and Hugh was restless. The town of Burlington, a prosperous place in the midst of a rich farming country, overwhelmed him with its stir and bustle. For the first time he saw brick-paved streets and streets lighted with lamps. Although it was nearly ten o'clock at night when he arrived, people still walked about in the streets and many stores were open.

The hotel where he had taken a room faced the railroad tracks and stood at the corner of a brightly lighted street. When he had been shown to his room Hugh sat for a half hour by an open window, and then as he could not sleep, decided to go for a walk. For a time he walked in the streets where the people stood about before the doors of the stores but, as his tall figure attracted attention and he felt people staring at him, he went presently into a side street.

In a few minutes he became utterly lost. He went through what seemed to him miles of streets lined with frame and brick houses, and occasionally passed people, but was too timid and embarrassed to ask his way. The street climbed upward and after a time he got into open country and followed a road that ran along a cliff overlooking the Mississippi River. The night was clear and the sky brilliant with stars. In the open, away from the multitude of houses, he no longer felt awkward and afraid, and went cheerfully along. After a time he stopped and stood facing the river. Standing on a high cliff and with a grove of trees at his back, the stars seemed to have all gathered in the eastern sky. Below him the water of the river reflected the stars. They seemed to be making a pathway for him into the East.

The tall Missouri countryman sat down on a log near the edge of the cliff and tried to see the water in the river below. Nothing was visible but a bed of stars that danced and twinkled in the darkness. He had made his way to a place far above the railroad bridge, but presently a through passenger train from the West passed over it and the lights of the train looked also like stars, stars that moved and beckoned and that seemed to fly like flocks of birds out of the West into the East.

For several hours Hugh sat on the log in the darkness. He decided that it was hopeless for him to find his way back to the hotel, and was glad of the excuse for staying abroad. His body for the first time in his life felt light and strong and his mind was feverishly awake. A buggy in which sat a young man and woman went along the road at his back, and after the voices had died away silence came, broken only at long intervals during the hours when he sat thinking of his future by the barking of a dog in some distant house or the churning of the paddle-wheels of a passing river boat.

All of the early formative years of Hugh McVey's life had been spent within sound of the lapping of the waters of the Mississippi River. He had seen it in the hot summer when the water receded and the mud lay baked and cracked along the edge of the water; in the spring when the floods raged and the water went whirling past, bearing tree logs and even parts of houses; in the winter when the water looked deathly cold and ice floated past; and in the fall when it was quiet and still and lovely, and seemed to have sucked an almost human quality of warmth out of the red trees that lined its shores. Hugh had spent hours and days sitting or lying in the grass beside the river. The fishing shack in which he had lived with his father until he was fourteen years old was within a half dozen long strides of the river's edge, and the boy had often been left there alone for a week at a time. When his father had gone for a trip on a lumber raft or to work for a few days on some farm in the country back from the river, the boy, left often without money and with but a few loaves of bread, went fishing when he was hungry and when he was not did nothing but idle the days away in the grass on the river bank. Boys from the town came sometimes to spend an hour with him, but in their presence he was embarrassed and a little annoyed. He wanted to be left alone with his dreams. One of the boys, a sickly, pale, undeveloped lad of ten, often stayed with him through an entire summer afternoon. He was the son of a merchant in the town and grew quickly tired when he tried to follow other boys about. On the river bank he lay beside Hugh in silence. The two got into Hugh's boat and went fishing and the merchant's son grew animated and talked. He taught Hugh to write his own name and to read a few words. The shyness that kept them apart had begun to break down, when the merchant's son caught some childhood disease and died.

In the darkness above the cliff that night in Burlington Hugh remembered things concerning his boyhood that had not come back to his mind in years. The very thoughts that had passed through his mind during those long days of idling on the river bank came streaming back.

After his fourteenth year when he went to work at the railroad station Hugh had stayed away from the river. With his work at the station, and in the garden back of Sarah Shepard's house, and the lessons in the afternoons, he had little idle time. On Sundays however things were different. Sarah Shepard did not go to church after she came to Mudcat Landing, but she would have no work done on Sundays. On Sunday afternoons in the summer she and her husband sat in chairs beneath a tree beside the house and went to sleep. Hugh got into the habit of going off by himself. He wanted to sleep also, but did not dare. He went along the river bank by the road that ran south from the town, and when he had followed it two or three miles, turned into a grove of trees and lay down in the shade.

The long summer Sunday afternoons had been delightful times for Hugh, so delightful that he finally gave them up, fearing they might lead him to take up again his old sleepy way of life. Now as he sat in the darkness above the same river he had gazed on through the long Sunday afternoons, a spasm of something like loneliness swept over him. For the first time he thought about leaving the river country and going into a new land with a keen feeling of regret.

On the Sunday afternoons in the woods south of Mudcat Landing Hugh had lain perfectly still in the grass for hours. The smell of dead fish that had always been present about the shack where he spent his boyhood, was gone and there were no swarms of flies. Above his head a breeze played through the branches of the trees, and insects sang in the grass. Everything about him was clean. A lovely stillness pervaded the river and the woods. He lay on his belly and gazed down over the river out of sleep-heavy eyes into hazy distances. Half formed thoughts passed like visions through his mind. He dreamed, but his dreams were unformed and vaporous. For hours the half dead, half alive state into which he had got, persisted. He did not sleep but lay in a land between sleeping and waking. Pictures formed in his mind. The clouds that floated in the sky above the river took on strange, grotesque shapes. They began to move. One of the clouds separated itself from the others. It moved swiftly away into the dim distance and then returned. It became a half human thing and seemed to be marshaling the other clouds. Under its influence they became agitated and moved restlessly about. Out of the body of the most active of the clouds long vaporous arms were extended. They pulled and hauled at the other clouds making them also restless and agitated.

Hugh's mind, as he sat in the darkness on the cliff above the river that night in Burlington, was deeply stirred. Again he was a boy lying in the woods above his river, and the visions that had come to him there returned with startling clearness. He got off the log and lying in the wet grass, closed his eyes. His body became warm.

Hugh thought his mind had gone out of his body and up into the sky to join the clouds and the stars, to play with them. From the sky he thought he looked down on the earth and saw rolling fields, hills and forests. He had no part in the lives of the men and women of the earth, but was torn away from them, left to stand by himself. From his place in the sky above the earth he saw the great river going majestically along. For a time it was quiet and contemplative as the sky had been when he was a boy down below lying on his belly in the wood. He saw men pass in boats and could hear their voices dimly. A great quiet prevailed and he looked abroad beyond the wide expanse of the river and saw fields and towns. They were all hushed and still. An air of waiting hung over them. And then the river was whipped into action by some strange unknown force, something that had come out of a distant place, out of the place to which the cloud had gone and from which it had returned to stir and agitate the other clouds.

The river now went tearing along. It overflowed its banks and swept over the land, uprooting trees and forests and towns. The white faces of drowned men and children, borne along by the flood, looked up into the mind's eye of the man Hugh, who, in the moment of his setting out into the definite world of struggle and defeat, had let himself slip back into the vaporous dreams of his boyhood.

As he lay in the wet grass in the darkness on the cliff Hugh tried to force his way back to consciousness, but for a long time was unsuccessful. He rolled and writhed about and his lips muttered words. It was useless. His mind also was swept away. The clouds of which he felt himself a part flew across the face of the sky. They blotted out the sun from the earth, and darkness descended on the land, on the troubled towns, on the hills that were torn open, on the forests that were destroyed, on the peace and quiet of all places. In the country stretching away from the river where all had been peace and quiet, all was now agitation and unrest. Houses were destroyed and instantly rebuilt. People gathered in whirling crowds.

The dreaming man felt himself a part of something significant and terrible that was happening to the earth and to the peoples of the earth. Again he struggled to awake, to force himself back out of the dream world into consciousness. When he did awake, day was breaking and he sat on the very edge of the cliff that looked down upon the Mississippi River, gray now in the dim morning light.

* * * * *

The towns in which Hugh lived during the first three years after he began his eastward journey were all small places containing a few hundred people, and were scattered through Illinois, Indiana and western Ohio. All of the people among whom he worked and lived during that time were farmers and laborers. In the spring of the first year of his wandering he passed through the city of Chicago and spent two hours there, going in and out at the same railroad station.

He was not tempted to become a city man. The huge commercial city at the foot of Lake Michigan, because of its commanding position in the very center of a vast farming empire, had already become gigantic. He never forgot the two hours he spent standing in the station in the heart of the city and walking in the street adjoining the station. It was evening when he came into the roaring, clanging place. On the long wide plains west of the city he saw farmers at work with their spring plowing as the train went flying along. Presently the farms grew small and the whole prairie dotted with towns. In these the train did not stop but ran into a crowded network of streets filled with multitudes of people. When he got into the big dark station Hugh saw thousands of people rushing about like disturbed insects. Unnumbered thousands of people were going out of the city at the end of their day of work and trains waited to take them to towns on the prairies. They came in droves, hurrying along like distraught cattle, over a bridge and into the station. The in-bound crowds that had alighted from through trains coming from cities of the East and West climbed up a stairway to the street, and those that were out-bound tried to descend by the same stairway and at the same time. The result was a whirling churning mass of humanity. Every one pushed and crowded his way along. Men swore, women grew angry, and children cried. Near the doorway that opened into the street a long line of cab drivers shouted and roared.

Hugh looked at the people who were whirled along past him, and shivered with the nameless fear of multitudes, common to country boys in the city. When the rush of people had a little subsided he went out of the station and, walking across a narrow street, stood by a brick store building. Presently the rush of people began again, and again men, women, and boys came hurrying across the bridge and ran wildly in at the doorway leading into the station. They came in waves as water washes along a beach during a storm. Hugh had a feeling that if he were by some chance to get caught in the crowd he would be swept away into some unknown and terrible place. Waiting until the rush had a little subsided, he went across the street and on to the bridge to look at the river that flowed past the station. It was narrow and filled with ships, and the water looked gray and dirty. A pall of black smoke covered the sky. From all sides of him and even in the air above his head a great clatter and roar of bells and whistles went on.

With the air of a child venturing into a dark forest Hugh went a little way into one of the streets that led westward from the station. Again he stopped and stood by a building. Near at hand a group of young city roughs stood smoking and talking before a saloon. Out of a nearby building came a young girl who approached and spoke to one of them. The man began to swear furiously. "You tell her I'll come in there in a minute and smash her face," he said, and, paying no more attention to the girl, turned to stare at Hugh. All of the young men lounging before the saloon turned to stare at the tall countryman. They began to laugh and one of them walked quickly toward him.

Hugh ran along the street and into the station followed by the shouts of the young roughs. He did not venture out again, and when his train was ready, got aboard and went gladly out of the great complex dwelling-place of modern Americans.

Hugh went from town to town always working his way eastward, always seeking the place where happiness was to come to him and where he was to achieve companionship with men and women. He cut fence posts in a forest on a large farm in Indiana, worked in the fields, and in one place was a section hand on the railroad.

On a farm in Indiana, some forty miles east of Indianapolis, he was for the first time powerfully touched by the presence of a woman. She was the daughter of the farmer who was Hugh's employer, and was an alert, handsome woman of twenty-four who had been a school teacher but had given up the work because she was about to be married. Hugh thought the man who was to marry her the most fortunate being in the world. He lived in Indianapolis and came by train to spend the week-ends at the farm. The woman prepared for his coming by putting on a white dress and fastening a rose in her hair. The two people walked about in an orchard beside the house or went for a ride along the country roads. The young man, who, Hugh had been told, worked in a bank, wore stiff white collars, a black suit and a black derby hat.

On the farm Hugh worked in the field with the farmer and ate at table with his family, but did not get acquainted with them. On Sunday when the young man came he took the day off and went into a nearby town. The courtship became a matter very close to him and he lived through the excitement of the weekly visits as though he had been one of the principals. The daughter of the house, sensing the fact that the silent farm hand was stirred by her presence, became interested in him. Sometimes in the evening as he sat on a little porch before the house, she came to join him, and sat looking at him with a peculiarly detached and interested air. She tried to make talk, but Hugh answered all her advances so briefly and with such a half frightened manner that she gave up the attempt. One Saturday evening when her sweetheart had come she took him for a ride in the family carriage, and Hugh concealed himself in the hay loft of the barn to wait for their return.

Hugh had never seen or heard a man express in any way his affection for a woman. It seemed to him a terrifically heroic thing to do and he hoped by concealing himself in the barn to see it done. It was a bright moonlight night and he waited until nearly eleven o'clock before the lovers returned. In the hayloft there was an opening high up under the roof. Because of his great height he could reach and pull himself up, and when he had done so, found a footing on one of the beams that formed the framework of the barn. The lovers stood unhitching the horse in the barnyard below. When the city man had led the horse into the stable he hurried quickly out again and went with the farmer's daughter along a path toward the house. The two people laughed and pulled at each other like children. They grew silent and when they had come near the house, stopped by a tree to embrace. Hugh saw the man take the woman into his arms and hold her tightly against his body. He was so excited that he nearly fell off the beam. His imagination was inflamed and he tried to picture himself in the position of the young city man. His fingers gripped the boards to which he clung and his body trembled. The two figures standing in the dim light by the tree became one. For a long time they clung tightly to each other and then drew apart. They went into the house and Hugh climbed down from his place on the beam and lay in the hay. His body shook as with a chill and he was half ill of jealousy, anger, and an overpowering sense of defeat. It did not seem to him at the moment that it was worth while for him to go further east or to try to find a place where he would be able to mingle freely with men and women, or where such a wonderful thing as had happened to the man in the barnyard below might happen to him.

Hugh spent the night in the hayloft and at daylight crept out and went into a nearby town. He returned to the farmhouse late on Monday when he was sure the city man had gone away. In spite of the protest of the farmer he packed his clothes at once and declared his intention of leaving. He did not wait for the evening meal but hurried out of the house. When he got into the road and had started to walk away, he looked back and saw the daughter of the house standing at an open door and looking at him. Shame for what he had done on the night before swept over him. For a moment he stared at the woman who, with an intense, interested air stared back at him, and then putting down his head he hurried away. The woman watched him out of sight and later, when her father stormed about the house, blaming Hugh for leaving so suddenly and declaring the tall Missourian was no doubt a drunkard who wanted to go off on a drunk, she had nothing to say. In her own heart she knew what was the matter with her father's farm hand and was sorry he had gone before she had more completely exercised her power over him.

* * * * *

None of the towns Hugh visited during his three years of wandering approached realization of the sort of life Sarah Shepard had talked to him about. They were all very much alike. There was a main street with a dozen stores on each side, a blacksmith shop, and perhaps an elevator for the storage of grain. All day the town was deserted, but in the evening the citizens gathered on Main Street. On the sidewalks before the stores young farm hands and clerks sat on store boxes or on the curbing. They did not pay any attention to Hugh who, when he went to stand near them, remained silent and kept himself in the background. The farm hands talked of their work and boasted of the number of bushels of corn they could pick in a day, or of their skill in plowing. The clerks were intent upon playing practical jokes which pleased the farm hands immensely. While one of them talked loudly of his skill in his work a clerk crept out at the door of one of the stores and approached him. He held a pin in his hand and with it jabbed the talker in the back. The crowd yelled and shouted with delight. If the victim became angry a quarrel started, but this did not often happen. Other men came to join the party and the joke was told to them. "Well, you should have seen the look on his face. I thought I would die," one of the bystanders declared.

Hugh got a job with a carpenter who specialized in the building of barns and stayed with him all through one fall. Later he went to work as a section hand on a railroad. Nothing happened to him. He was like one compelled to walk through life with a bandage over his eyes. On all sides of him, in the towns and on the farms, an undercurrent of life went on that did not touch him. In even the smallest of the towns, inhabited only by farm laborers, a quaint interesting civilization was being developed. Men worked hard but were much in the open air and had time to think. Their minds reached out toward the solution of the mystery of existence. The schoolmaster and the country lawyer read Tom Paine's "Age of Reason" and Bellamy's "Looking Backward." They discussed these books with their fellows. There was a feeling, ill expressed, that America had something real and spiritual to offer to the rest of the world. Workmen talked to each other of the new tricks of their trades, and after hours of discussion of some new way to cultivate corn, shape a horseshoe or build a barn, spoke of God and his intent concerning man. Long drawn out discussions of religious beliefs and the political destiny of America were carried on.

And across the background of these discussions ran tales of action in a sphere outside the little world in which the inhabitants of the towns lived. Men who had been in the Civil War and who had climbed fighting over hills and in the terror of defeat had swum wide rivers, told the tale of their adventures.

In the evening, after his day of work in the field or on the railroad with the section hands, Hugh did not know what to do with himself. That he did not go to bed immediately after the evening meal was due to the fact that he looked upon his tendency to sleep and to dream as an enemy to his development; and a peculiarly persistent determination to make something alive and worth while out of himself—the result of the five years of constant talking on the subject by the New England woman—had taken possession of him. "I'll find the right place and the right people and then I'll begin," he continually said to himself.

And then, worn out with weariness and loneliness, he went to bed in one of the little hotels or boarding houses where he lived during those years, and his dreams returned. The dream that had come that night as he lay on the cliff above the Mississippi River near the town of Burlington, came back time after time. He sat upright in bed in the darkness of his room and after he had driven the cloudy, vague sensation out of his brain, was afraid to go to sleep again. He did not want to disturb the people of the house and so got up and dressed and without putting on his shoes walked up and down in the room. Sometimes the room he occupied had a low ceiling and he was compelled to stoop. He crept out of the house carrying his shoes in his hand and sat down on the sidewalk to put them on. In all the towns he visited, people saw him walking alone through the streets late at night or in the early hours of the morning. Whispers concerning the matter ran about. The story of what was spoken of as his queerness came to the men with whom he worked, and they found themselves unable to talk freely and naturally in his presence. At the noon hour when the men ate the lunch they had carried to work, when the boss was gone and it was customary among the workers to talk of their own affairs, they went off by themselves. Hugh followed them about. They went to sit under a tree, and when Hugh came to stand nearby, they became silent or the more vulgar and shallow among them began to show off. While he worked with a half dozen other men as a section hand on the railroad, two men did all the talking. Whenever the boss went away an old man who had a reputation as a wit told stories concerning his relations with women. A young man with red hair took the cue from him. The two men talked loudly and kept looking at Hugh. The younger of the two wits turned to another workman who had a weak, timid face. "Well, you," he cried, "what about your old woman? What about her? Who is the father of your son? Do you dare tell?"

In the towns Hugh walked about in the evening and tried always to keep his mind fixed on definite things. He felt that humanity was for some unknown reason drawing itself away from him, and his mind turned back to the figure of Sarah Shepard. He remembered that she had never been without things to do. She scrubbed her kitchen floor and prepared food for cooking; she washed, ironed, kneaded dough for bread, and mended clothes. In the evening, when she made the boy read to her out of one of the school books or do sums on a slate, she kept her hands busy knitting socks for him or for her husband. Except when something had crossed her so that she scolded and her face grew red, she was always cheerful. When the boy had nothing to do at the station and had been sent by the station master to work about the house, to draw water from the cistern for a family washing, or pull weeds in the garden, he heard the woman singing as she went about the doing of her innumerable petty tasks. Hugh decided that he also must do small tasks, fix his mind upon definite things. In the town where he was employed as a section hand, the cloud dream in which the world became a whirling, agitated center of disaster came to him almost every night. Winter came on and he walked through the streets at night in the darkness and through the deep snow. He was almost frozen; but as the whole lower part of his body was habitually cold he did not much mind the added discomfort, and so great was the reserve of strength in his big frame that the loss of sleep did not affect his ability to labor all day without effort.

Hugh went into one of the residence streets of the town and counted the pickets in the fences before the houses. He returned to the hotel and made a calculation as to the number of pickets in all the fences in town. Then he got a rule at the hardware store and carefully measured the pickets. He tried to estimate the number of pickets that could be cut out of certain sized trees and that gave his mind another opening. He counted the number of trees in every street in town. He learned to tell at a glance and with relative accuracy how much lumber could be cut out of a tree. He built imaginary houses with lumber cut from the trees that lined the streets. He even tried to figure out a way to utilize the small limbs cut from the tops of the trees, and one Sunday went into the wood back of the town and cut a great armful of twigs, which he carried to his room and later with great patience wove into the form of a basket.

BOOK TWO

CHAPTER III

Bidwell, Ohio, was an old town as the ages of towns go in the Central West, long before Hugh McVey, in his search for a place where he could penetrate the wall that shut him off from humanity, went there to live and to try to work out his problem. It is a busy manufacturing town now and has a population of nearly a hundred thousand people; but the time for the telling of the story of its sudden and surprising growth has not yet come.

From the beginning Bidwell has been a prosperous place. The town lies in the valley of a deep, rapid-flowing river that spreads out just above the town, becomes for the time wide and shallow, and goes singing swiftly along over stones. South of the town the river not only spreads out, but the hills recede. A wide flat valley stretches away to the north. In the days before the factories came the land immediately about town was cut up into small farms devoted to fruit and berry raising, and beyond the area of small farms lay larger tracts that were immensely productive and that raised huge crops of wheat, corn, and cabbage.

When Hugh was a boy sleeping away his days in the grass beside his father's fishing shack by the Mississippi River, Bidwell had already emerged out of the hardships of pioneer days. On the farms that lay in the wide valley to the north the timber had been cut away and the stumps had all been rooted out of the ground by a generation of men that had passed. The soil was easy to cultivate and had lost little of its virgin fertility. Two railroads, the Lake Shore and Michigan Central—later a part of the great New York Central System—and a less important coal-carrying road, called the Wheeling and Lake Erie, ran through the town. Twenty-five hundred people lived then in Bidwell. They were for the most part descendants of the pioneers who had come into the country by boat through the Great Lakes or by wagon roads over the mountains from the States of New York and Pennsylvania.

The town stood on a sloping incline running up from the river, and the Lake Shore and Michigan Central Railroad had its station on the river bank at the foot of Main Street. The Wheeling Station was a mile away to the north. It was to be reached by going over a bridge and along a piked road that even then had begun to take on the semblance of a street. A dozen houses had been built facing Turner's Pike and between these were berry fields and an occasional orchard planted to cherry, peach or apple trees. A hard path went down to the distant station beside the road, and in the evening this path, wandering along under the branches of the fruit trees that extended out over the farm fences, was a favorite walking place for lovers.

The small farms lying close about the town of Bidwell raised berries that brought top prices in the two cities, Cleveland and Pittsburgh, reached by its two railroads, and all of the people of the town who were not engaged in one of the trades—in shoe making, carpentry, horse shoeing, house painting or the like—or who did not belong to the small merchant and professional classes, worked in summer on the land. On summer mornings, men, women and children went into the fields. In the early spring when planting went on and all through late May, June and early July when berries and fruit began to ripen, every one was rushed with work and the streets of the town were deserted. Every one went to the fields. Great hay wagons loaded with children, laughing girls, and sedate women set out from Main Street at dawn. Beside them walked tall boys, who pelted the girls with green apples and cherries from the trees along the road, and men who went along behind smoking their morning pipes and talking of the prevailing prices of the products of their fields. In the town after they had gone a Sabbath quiet prevailed. The merchants and clerks loitered in the shade of the awnings before the doors of the stores, and only their wives and the wives of the two or three rich men in town came to buy and to disturb their discussions of horse racing, politics and religion.

In the evening when the wagons came home, Bidwell awoke. The tired berry pickers walked home from the fields in the dust of the roads swinging their dinner pails. The wagons creaked at their heels, piled high with boxes of berries ready for shipment. In the stores after the evening meal crowds gathered. Old men lit their pipes and sat gossiping along the curbing at the edge of the sidewalks on Main Street; women with baskets on their arms did the marketing for the next day's living; the young men put on stiff white collars and their Sunday clothes, and girls, who all day had been crawling over the fields between the rows of berries or pushing their way among the tangled masses of raspberry bushes, put on white dresses and walked up and down before the men. Friendships begun between boys and girls in the fields ripened into love. Couples walked along residence streets under the trees and talked with subdued voices. They became silent and embarrassed. The bolder ones kissed. The end of the berry picking season brought each year a new outbreak of marriages to the town of Bidwell.

In all the towns of mid-western America it was a time of waiting. The country having been cleared and the Indians driven away into a vast distant place spoken of vaguely as the West, the Civil War having been fought and won, and there being no great national problems that touched closely their lives, the minds of men were turned in upon themselves. The soul and its destiny was spoken of openly on the streets. Robert Ingersoll came to Bidwell to speak in Terry's Hall, and after he had gone the question of the divinity of Christ for months occupied the minds of the citizens. The ministers preached sermons on the subject and in the evening it was talked about in the stores. Every one had something to say. Even Charley Mook, who dug ditches, who stuttered so that not a half dozen people in town could understand him, expressed his opinion.

In all the great Mississippi Valley each town came to have a character of its own, and the people who lived in the towns were to each other like members of a great family. The individual idiosyncrasies of each member of the great family stood forth. A kind of invisible roof beneath which every one lived spread itself over each town. Beneath the roof boys and girls were born, grew up, quarreled, fought, and formed friendships with their fellows, were introduced into the mysteries of love, married, and became the fathers and mothers of children, grew old, sickened, and died.

Within the invisible circle and under the great roof every one knew his neighbor and was known to him. Strangers did not come and go swiftly and mysteriously and there was no constant and confusing roar of machinery and of new projects afoot. For the moment mankind seemed about to take time to try to understand itself.

In Bidwell there was a man named Peter White who was a tailor and worked hard at his trade, but who once or twice a year got drunk and beat his wife. He was arrested each time and had to pay a fine, but there was a general understanding of the impulse that led to the beating. Most of the women knowing the wife sympathized with Peter. "She is a noisy thing and her jaw is never still," the wife of Henry Teeters, the grocer, said to her husband. "If he gets drunk it's only to forget he's married to her. Then he goes home to sleep it off and she begins jawing at him. He stands it as long as he can. It takes a fist to shut up that woman. If he strikes her it's the only thing he can do."

Allie Mulberry the half-wit was one of the highlights of life in the town. He lived with his mother in a tumble-down house at the edge of town on Medina Road. Beside being a half-wit he had something the matter with his legs. They were trembling and weak and he could only move them with great difficulty. On summer afternoons when the streets were deserted, he hobbled along Main Street with his lower jaw hanging down. Allie carried a large club, partly for the support of his weak legs and partly to scare off dogs and mischievous boys. He liked to sit in the shade with his back against a building and whittle, and he liked to be near people and have his talent as a whittler appreciated. He made fans out of pieces of pine, long chains of wooden beads, and he once achieved a singular mechanical triumph that won him wide renown. He made a ship that would float in a beer bottle half filled with water and laid on its side. The ship had sails and three tiny wooden sailors who stood at attention with their hands to their caps in salute. After it was constructed and put into the bottle it was too large to be taken out through the neck. How Allie got it in no one ever knew. The clerks and merchants who crowded about to watch him at work discussed the matter for days. It became a never-ending wonder among them. In the evening they spoke of the matter to the berry pickers who came into the stores, and in the eyes of the people of Bidwell Allie Mulberry became a hero. The bottle, half-filled with water and securely corked, was laid on a cushion in the window of Hunter's Jewelry Store. As it floated about on its own little ocean crowds gathered to look at it. Over the bottle was a sign with the words—"Carved by Allie Mulberry of Bidwell"—prominently displayed. Below these words a query had been printed. "How Did He Get It Into The Bottle?" was the question asked. The bottle stayed in the window for months and merchants took the traveling men who visited them, to see it. Then they escorted their guests to where Allie, with his back against the wall of a building and his club beside him, was at work on some new creation of the whittler's art. The travelers were impressed and told the tale abroad. Allie's fame spread to other towns. "He has a good brain," the citizen of Bidwell said, shaking his head. "He don't appear to know very much, but look what he does! He must be carrying all sorts of notions around inside of his head."

Jane Orange, widow of a lawyer, and with the single exception of Thomas Butterworth, a farmer who owned over a thousand acres of land and lived with his daughter on a farm a mile south of town, the richest person in town, was known to every one in Bidwell, but was not liked. She was called stingy and it was said that she and her husband had cheated every one with whom they had dealings in order to get their start in life. The town ached for the privilege of doing what they called "bringing them down a peg." Jane's husband had once been the Bidwell town attorney and later had charge of the settlement of an estate belonging to Ed Lucas, a farmer who died leaving two hundred acres of land and two daughters. The farmer's daughters, every one said, "came out at the small end of the horn," and John Orange began to grow rich. It was said he was worth fifty thousand dollars. All during the latter part of his life the lawyer went to the city of Cleveland on business every week, and when he was at home and even in the hottest weather he went about dressed in a long black coat. When she went to the stores to buy supplies for her house Jane Orange was watched closely by the merchants. She was suspected of carrying away small articles that could be slipped into the pockets of her dress. One afternoon in Toddmore's grocery, when she thought no one was looking, she took a half dozen eggs out of a basket and looking quickly around to be sure she was unobserved, put them into her dress pocket. Harry Toddmore, the grocer's son who had seen the theft, said nothing, but went unobserved out at the back door. He got three or four clerks from other stores and they waited for Jane Orange at a corner. When she came along they hurried out and Harry Toddmore fell against her. Throwing out his hand he struck the pocket containing the eggs a quick, sharp blow. Jane Orange turned and hurried away toward home, but as she half ran through Main Street clerks and merchants came out of the stores, and from the assembled crowd a voice called attention to the fact that the contents of the stolen eggs having run down the inside of her dress and over her stockings began to make a stream on the sidewalk. A pack of town dogs excited by the shouts of the crowd ran at her heels, barking and sniffing at the yellow stream that dripped from her shoes.

An old man with a long white beard came to Bidwell to live. He had been a carpet-bag Governor of a southern state in the reconstruction days after the Civil War and had made money. He bought a house on Turner's Pike close beside the river and spent his days puttering about in a small garden. In the evening he came across the bridge into Main Street and went to loaf in Birdie Spink's drug store. He talked with great frankness and candor of his life in the South during the terrible time when the country was trying to emerge from the black gloom of defeat, and brought to the Bidwell men a new point of view on their old enemies, the "Rebs."

The old man—the name by which he had introduced himself in Bidwell was that of Judge Horace Hanby—believed in the manliness and honesty of purpose of the men he had for a time governed and who had fought a long grim war with the North, with the New Englanders and sons of New Englanders from the West and Northwest. "They're all right," he said with a grin. "I cheated them and made some money, but I liked them. Once a crowd of them came to my house and threatened to kill me and I told them that I did not blame them very much, so they let me alone." The judge, an ex-politician from the city of New York who had been involved in some affair that made it uncomfortable for him to return to live in that city, grew prophetic and philosophic after he came to live in Bidwell. In spite of the doubt every one felt concerning his past, he was something of a scholar and a reader of books, and won respect by his apparent wisdom. "Well, there's going to be a new war here," he said. "It won't be like the Civil War, just shooting off guns and killing peoples' bodies. At first it's going to be a war between individuals to see to what class a man must belong; then it is going to be a long, silent war between classes, between those who have and those who can't get. It'll be the worst war of all."

The talk of Judge Hanby, carried along and elaborated almost every evening before a silent, attentive group in the drug store, began to have an influence on the minds of Bidwell young men. At his suggestion several of the town boys, Cliff Bacon, Albert Small, Ed Prawl, and two or three others, began to save money for the purpose of going east to college. Also at his suggestion Tom Butterworth the rich farmer sent his daughter away to school. The old man made many prophecies concerning what would happen in America. "I tell you, the country isn't going to stay as it is," he said earnestly. "In eastern towns the change has already come. Factories are being built and every one is going to work in the factories. It takes an old man like me to see how that changes their lives. Some of the men stand at one bench and do one thing not only for hours but for days and years. There are signs hung up saying they mustn't talk. Some of them make more money than they did before the factories came, but I tell you it's like being in prison. What would you say if I told you all America, all you fellows who talk so big about freedom, are going to be put in a prison, eh?

"And there's something else. In New York there are already a dozen men who are worth a million dollars. Yes, sir, I tell you it's true, a million dollars. What do you think of that, eh?"

Judge Hanby grew excited and, inspired by the absorbed attention of his audience, talked of the sweep of events. In England, he explained, the cities were constantly growing larger, and already almost every one either worked in a factory or owned stock in a factory. "In New England it is getting the same way fast," he explained. "The same thing'll happen here. Farming'll be done with tools. Almost everything now done by hand'll be done by machinery. Some'll grow rich and some poor. The thing is to get educated, yes, sir, that's the thing, to get ready for what's coming. It's the only way. The younger generation has got to be sharper and shrewder."

The words of the old man, who had been in many places and had seen men and cities, were repeated in the streets of Bidwell. The blacksmith and the wheelwright repeated his words when they stopped to exchange news of their affairs before the post-office. Ben Peeler, the carpenter, who had been saving money to buy a house and a small farm to which he could retire when he became too old to climb about on the framework of buildings, used the money instead to send his son to Cleveland to a new technical school. Steve Hunter, the son of Abraham Hunter the Bidwell jeweler, declared that he was going to get up with the times, and when he went into a factory, would go into the office, not into the shop. He went to Buffalo, New York, to attend a business college.

The air of Bidwell began to stir with talk of new times. The evil things said of the new life coming were soon forgotten. The youth and optimistic spirit of the country led it to take hold of the hand of the giant, industrialism, and lead him laughing into the land. The cry, "get on in the world," that ran all over America at that period and that still echoes in the pages of American newspapers and magazines, rang in the streets of Bidwell.

In the harness shop belonging to Joseph Wainsworth it one day struck a new note. The harness maker was a tradesman of the old school and was vastly independent. He had learned his trade after five years' service as apprentice, and had spent an additional five years in going from place to place as a journeyman workman, and felt that he knew his business. Also he owned his shop and his home and had twelve hundred dollars in the bank. At noon one day when he was alone in the shop, Tom Butterworth came in and told him he had ordered four sets of farm work harness from a factory in Philadelphia. "I came in to ask if you'll repair them if they get out of order," he said.

Joe Wainsworth began to fumble with the tools on his bench. Then he turned to look the farmer in the eye and to do what he later spoke of to his cronies as "laying down the law." "When the cheap things begin to go to pieces take them somewhere else to have them repaired," he said sharply. He grew furiously angry. "Take the damn things to Philadelphia where you got 'em," he shouted at the back of the farmer who had turned to go out of the shop.

Joe Wainsworth was upset and thought about the incident all the afternoon.
When farmer-customers came in and stood about to talk of their affairs
he had nothing to say. He was a talkative man and his apprentice, Will
Sellinger, son of the Bidwell house painter, was puzzled by his silence.

When the boy and the man were alone in the shop, it was Joe Wainsworth's custom to talk of his days as a journeyman workman when he had gone from place to place working at his trade. If a trace were being stitched or a bridle fashioned, he told how the thing was done at a shop where he had worked in the city of Boston and in another shop at Providence, Rhode Island. Getting a piece of paper he made drawings illustrating the cuts of leather that were made in the other places and the methods of stitching. He claimed to have worked out his own method for doing things, and that his method was better than anything he had seen in all his travels. To the men who came into the shop to loaf during winter afternoons he presented a smiling front and talked of their affairs, of the price of cabbage in Cleveland or the effect of a cold snap on the winter wheat, but alone with the boy, he talked only of harness making. "I don't say anything about it. What's the good bragging? Just the same, I could learn something to all the harness makers I've ever seen, and I've seen the best of them," he declared emphatically.

During the afternoon, after he had heard of the four factory-made work harnesses brought into what he had always thought of as a trade that belonged to him by the rights of a first-class workman, Joe remained silent for two or three hours. He thought of the words of old Judge Hanby and the constant talk of the new times now coming. Turning suddenly to his apprentice, who was puzzled by his long silence and who knew nothing of the incident that had disturbed his employer, he broke forth into words. He was defiant and expressed his defiance. "Well, then, let 'em go to Philadelphia, let 'em go any damn place they please," he growled, and then, as though his own words had re-established his self-respect, he straightened his shoulders and glared at the puzzled and alarmed boy. "I know my trade and do not have to bow down to any man," he declared. He expressed the old tradesman's faith in his craft and the rights it gave the craftsman. "Learn your trade. Don't listen to talk," he said earnestly. "The man who knows his trade is a man. He can tell every one to go to the devil."

CHAPTER IV

Hugh McVey was twenty-three years old when he went to live in Bidwell. The position of telegraph operator at the Wheeling station a mile north of town became vacant and, through an accidental encounter with a former resident of a neighboring town, he got the place.

The Missourian had been at work during the winter in a sawmill in the country near a northern Indiana town. During the evenings he wandered on country roads and in the town streets, but he did not talk to any one. As had happened to him in other places, he had the reputation of being queer. His clothes were worn threadbare and, although he had money in his pockets, he did not buy new ones. In the evening when he went through the town streets and saw the smartly dressed clerks standing before the stores, he looked at his own shabby person and was ashamed to enter. In his boyhood Sarah Shepard had always attended to the buying of his clothes, and he made up his mind that he would go to the place in Michigan to which she and her husband had retired, and pay her a visit. He wanted Sarah Shepard to buy him a new outfit of clothes, but wanted also to talk with her.

Out of the three years of going from place to place and working with other men as a laborer, Hugh had got no big impulse that he felt would mark the road his life should take; but the study of mathematical problems, taken up to relieve his loneliness and to cure his inclination to dreams, was beginning to have an effect on his character. He thought that if he saw Sarah Shepard again he could talk to her and through her get into the way of talking to others. In the sawmill where he worked he answered the occasional remarks made to him by his fellow workers in a slow, hesitating drawl, and his body was still awkward and his gait shambling, but he did his work more quickly and accurately. In the presence of his foster-mother and garbed in new clothes, he believed he could now talk to her in a way that had been impossible during his youth. She would see the change in his character and would be encouraged about him. They would get on to a new basis and he would feel respect for himself in another.

Hugh went to the railroad station to make inquiry regarding the fare to the Michigan town and there had the adventure that upset his plans. As he stood at the window of the ticket office, the ticket seller, who was also the telegraph operator, tried to engage him in conversation. When he had given the information asked, he followed Hugh out of the building and into the darkness of a country railroad station at night, and the two men stopped and stood together beside an empty baggage truck. The ticket agent spoke of the loneliness of life in the town and said he wished he could go back to his own place and be again with his own people. "It may not be any better in my own town, but I know everybody there," he said. He was curious concerning Hugh as were all the people of the Indiana town, and hoped to get him into talk in order that he might find out why he walked alone at night, why he sometimes worked all evening over books and figures in his room at the country hotel, and why he had so little to say to his fellows. Hoping to fathom Hugh's silence he abused the town in which they both lived. "Well," he began, "I guess I understand how you feel. You want to get out of this place." He explained his own predicament in life. "I got married," he said. "Already I have three children. Out here a man can make more money railroading than he can in my state, and living is pretty cheap. Just to-day I had an offer of a job in a good town near my own place in Ohio, but I can't take it. The job only pays forty a month. The town's all right, one of the best in the northern part of the State, but you see the job's no good. Lord, I wish I could go. I'd like to live again among people such as live in that part of the country."

The railroad man and Hugh walked along the street that ran from the station up into the main street of the town. Wanting to meet the advances that had been made by his companion and not knowing how to go about it, Hugh adopted the method he had heard his fellow laborers use with one another. "Well," he said slowly, "come have a drink."

The two men went into a saloon and stood by the bar. Hugh made a tremendous effort to overcome his embarrassment. As he and the railroad man drank foaming glasses of beer he explained that he also had once been a railroad man and knew telegraphy, but that for several years he had been doing other work. His companion looked at his shabby clothes and nodded his head. He made a motion with his head to indicate that he wanted Hugh to come with him outside into the darkness. "Well, well," he exclaimed, when they had again got outside and had started along the street toward the station. "I understand now. They've all been wondering about you and I've heard lots of talk. I won't say anything, but I'm going to do something for you."

Hugh went to the station with his new-found friend and sat down in the lighted office. The railroad man got out a sheet of paper and began to write a letter. "I'm going to get you that job," he said. "I'm writing the letter now and I'll get it off on the midnight train. You've got to get on your feet. I was a boozer myself, but I cut it all out. A glass of beer now and then, that's my limit."

He began to talk of the town in Ohio where he proposed to get Hugh the job that would set him up in the world and save him from the habit of drinking, and described it as an earthly paradise in which lived bright, clear-thinking men and beautiful women. Hugh was reminded sharply of the talk he had heard from the lips of Sarah Shepard, when in his youth she spent long evenings telling him of the wonder of her own Michigan and New England towns and people, and contrasted the life lived there with that lived by the people of his own place.

Hugh decided not to try to explain away the mistake made by his new acquaintance, and to accept the offer of assistance in getting the appointment as telegraph operator.

The two men walked out of the station and stood again in the darkness. The railroad man felt like one who has been given the privilege of plucking a human soul out of the darkness of despair. He was full of words that poured from his lips and he assumed a knowledge of Hugh and his character entirely unwarranted by the circumstances. "Well," he exclaimed heartily, "you see I've given you a send-off. I have told them you're a good man and a good operator, but that you will take the place with its small salary because you've been sick and just now can't work very hard." The excited man followed Hugh along the street. It was late and the store lights had been put out. From one of the town's two saloons that lay in their way arose a clatter of voices. The old boyhood dream of finding a place and a people among whom he could, by sitting still and inhaling the air breathed by others, come into a warm closeness with life, came back to Hugh. He stopped before the saloon to listen to the voices within, but the railroad man plucked at his coat sleeve and protested. "Now, now, you're going to cut it out, eh?" he asked anxiously and then hurriedly explained his anxiety. "Of course I know what's the matter with you. Didn't I tell you I've been there myself? You've been working around. I know why that is. You don't have to tell me. If there wasn't something the matter with him, no man who knows telegraphy would work in a sawmill.

"Well, there's no good talking about it," he added thoughtfully. "I've given you a send-off. You're going to cut it out, eh?"

Hugh tried to protest and to explain that he was not addicted to the habit of drinking, but the Ohio man would not listen. "It's all right," he said again, and then they came to the hotel where Hugh lived and he turned to go back to the station and wait for the midnight train that would carry the letter away and that would, he felt, carry also his demand that a fellow-human, who had slipped from the modern path of work and progress should be given a new chance. He felt magnanimous and wonderfully gracious. "It's all right, my boy," he said heartily. "No use talking to me. To-night when you came to the station to ask the fare to that hole of a place in Michigan I saw you were embarrassed. 'What's the matter with that fellow?' I said to myself. I got to thinking. Then I came up town with you and right away you bought me a drink. I wouldn't have thought anything about that if I hadn't been there myself. You'll get on your feet. Bidwell, Ohio, is full of good men. You get in with them and they'll help you and stick by you. You'll like those people. They've got get-up to them. The place you'll work at there is far out of town. It's away out about a mile at a little kind of outside-like place called Pickleville. There used to be a saloon there and a factory for putting up cucumber pickles, but they've both gone now. You won't be tempted to slip in that place. You'll have a chance to get on your feet. I'm glad I thought of sending you there."

* * * * *

The Wheeling and Lake Erie ran along a little wooded depression that cut across the wide expanse of open farm lands north of the town of Bidwell. It brought coal from the hill country of West Virginia and southeastern Ohio to ports on Lake Erie, and did not pay much attention to the carrying of passengers. In the morning a train consisting of a combined express and baggage car and two passenger coaches went north and west toward the lake, and in the evening the same train returned, bound southeast into the Hills, The Bidwell station of the road was, in an odd way, detached from the town's life. The invisible roof under which the life of the town and the surrounding country was lived did not cover it. As the Indiana railroad man had told Hugh, the station itself stood on a spot known locally as Pickleville. Back of the station there was a small building for the storage of freight and near at hand four or five houses facing Turner's Pike. The pickle factory, now deserted and with its windows gone, stood across the tracks from the station and beside a small stream that ran under a bridge and across country through a grove of trees to the river. On hot summer days a sour, pungent smell arose from the old factory, and at night its presence lent a ghostly flavor to the tiny corner of the world in which lived perhaps a dozen people.

All day and at night an intense persistent silence lay over Pickleville, while in Bidwell a mile away the stir of new life began. In the evenings and on rainy afternoons when men could not work in the fields, old Judge Hanby went along Turner's Pike and across the wagon bridge into Bidwell and sat in a chair at the back of Birdie Spink's drug store. He talked. Men came in to listen to him and went out. New talk ran through the town. A new force that was being born into American life and into life everywhere all over the world was feeding on the old dying individualistic life. The new force stirred and aroused the people. It met a need that was universal. It was meant to seal men together, to wipe out national lines, to walk under seas and fly through the air, to change the entire face of the world in which men lived. Already the giant that was to be king in the place of old kings was calling his servants and his armies to serve him. He used the methods of old kings and promised his followers booty and gain. Everywhere he went unchallenged, surveying the land, raising a new class of men to positions of power. Railroads had already been pushed out across the plains; great coal fields from which was to be taken food to warm the blood in the body of the giant were being opened up; iron fields were being discovered; the roar and clatter of the breathing of the terrible new thing, half hideous, half beautiful in its possibilities, that was for so long to drown the voices and confuse the thinking of men, was heard not only in the towns but even in lonely farm houses, where its willing servants, the newspapers and magazines, had begun to circulate in ever increasing numbers. At the town of Gibsonville, near Bidwell, Ohio, and at Lima and Finley, Ohio, oil and gas fields were discovered. At Cleveland, Ohio, a precise, definite-minded man named Rockefeller bought and sold oil. From the first he served the new thing well and he soon found others to serve with him. The Morgans, Fricks, Goulds, Carnegies, Vanderbilts, servants of the new king, princes of the new faith, merchants all, a new kind of rulers of men, defied the world-old law of class that puts the merchant below the craftsman, and added to the confusion of men by taking on the air of creators. They were merchants glorified and dealt in giant things, in the lives of men and in mines, forests, oil and gas fields, factories, and railroads.

And all over the country, in the towns, the farm houses, and the growing cities of the new country, people stirred and awakened. Thought and poetry died or passed as a heritage to feeble fawning men who also became servants of the new order. Serious young men in Bidwell and in other American towns, whose fathers had walked together on moonlight nights along Turner's Pike to talk of God, went away to technical schools. Their fathers had walked and talked and thoughts had grown up in them. The impulse had reached back to their father's fathers on moonlit roads of England, Germany, Ireland, France, and Italy, and back of these to the moonlit hills of Judea where shepherds talked and serious young men, John and Matthew and Jesus, caught the drift of the talk and made poetry of it; but the serious-minded sons of these men in the new land were swept away from thinking and dreaming. From all sides the voice of the new age that was to do definite things shouted at them. Eagerly they took up the cry and ran with it. Millions of voices arose. The clamor became terrible, and confused the minds of all men. In making way for the newer, broader brotherhood into which men are some day to emerge, in extending the invisible roofs of the towns and cities to cover the world, men cut and crushed their way through the bodies of men.

And while the voices became louder and more excited and the new giant walked about making a preliminary survey of the land, Hugh spent his days at the quiet, sleepy railroad station at Pickleville and tried to adjust his mind to the realization of the fact that he was not to be accepted as fellow by the citizens of the new place to which he had come. During the day he sat in the tiny telegraph office or, pulling an express truck to the open window near his telegraph instrument, lay on his back with a sheet of paper propped on his bony knees and did sums. Farmers driving past on Turner's Pike saw him there and talked of him in the stores in town. "He's a queer silent fellow," they said. "What do you suppose he's up to?"

Hugh walked in the streets of Bidwell at night as he had walked in the streets of towns in Indiana and Illinois. He approached groups of men loafing on a street corner and then went hurriedly past them. On quiet streets as he went along under the trees, he saw women sitting in the lamplight in the houses and hungered to have a house and a woman of his own. One afternoon a woman school teacher came to the station to make inquiry regarding the fare to a town in West Virginia. As the station agent was not about Hugh gave her the information she sought and she lingered for a few moments to talk with him. He answered the questions she asked with monosyllables and she soon went away, but he was delighted and looked upon the incident as an adventure. At night he dreamed of the school teacher and when he awoke, pretended she was with him in his bedroom. He put out his hand and touched the pillow. It was soft and smooth as he imagined the cheek of a woman would be. He did not know the school teacher's name but invented one for her. "Be quiet, Elizabeth. Do not let me disturb your sleep," he murmured into the darkness. One evening he went to the house where the school teacher boarded and stood in the shadow of a tree until he saw her come out and go toward Main Street. Then he went by a roundabout way and walked past her on the sidewalk before the lighted stores. He did not look at her, but in passing her dress touched his arm and he was so excited later that he could not sleep and spent half the night walking about and thinking of the wonderful thing that had happened to him.

The ticket, express, and freight agent for the Wheeling and Lake Erie at Bidwell, a man named George Pike, lived in one of the houses near the station, and besides attending to his duties for the railroad company, owned and worked a small farm. He was a slender, alert, silent man with a long drooping mustache. Both he and his wife worked as Hugh had never seen a man and woman work before. Their arrangement of the division of labor was not based on sex but on convenience. Sometimes Mrs. Pike came to the station to sell tickets, load express boxes and trunks on the passenger trains and deliver heavy boxes of freight to draymen and farmers, while her husband worked in the fields back of his house or prepared the evening meal, and sometimes the matter was reversed and Hugh did not see Mrs. Pike for several days at a time.

During the day there was little for the station agent or his wife to do at the station and they disappeared. George Pike had made an arrangement of wires and pulleys connecting the station with a large bell hung on top of his house, and when some one came to the station to receive or deliver freight Hugh pulled at the wire and the bell began to ring. In a few minutes either George Pike or his wife came running from the house or fields, dispatched the business and went quickly away again.

Day after day Hugh sat in a chair by a desk in the station or went outside and walked up and down the station platform. Engines pulling long caravans of coal cars ground past. The brakemen waved their hands to him and then the train disappeared into the grove of trees that grew beside the creek along which the tracks of the road were laid. In Turner's Pike a creaking farm wagon appeared and then disappeared along the tree-lined road that led to Bidwell. The farmer turned on his wagon seat to stare at Hugh but unlike the railroad men did not wave his hand. Adventurous boys came out along the road from town and climbed, shouting and laughing, over the rafters in the deserted pickle factory across the tracks or went to fish in the creek in the shade of the factory walls. Their shrill voices added to the loneliness of the spot. It became almost unbearable to Hugh. In desperation he turned from the rather meaningless doing of sums and working out of problems regarding the number of fence pickets that could be cut from a tree or the number of steel rails or railroad ties consumed in building a mile of railroad, the innumerable petty problems with which he had been keeping his mind busy, and turned to more definite and practical problems. He remembered an autumn he had put in cutting corn on a farm in Illinois and, going into the station, waved his long arms about, imitating the movements of a man in the act of cutting corn. He wondered if a machine might not be made that would do the work, and tried to make drawings of the parts of such a machine. Feeling his inability to handle so difficult a problem he sent away for books and began the study of mechanics. He joined a correspondence school started by a man in Pennsylvania, and worked for days on the problems the man sent him to do. He asked questions and began a little to understand the mystery of the application of power. Like the other young men of Bidwell he began to put himself into touch with the spirit of the age, but unlike them he did not dream of suddenly acquired wealth. While they embraced new and futile dreams he worked to destroy the tendency to dreams in himself.

Hugh came to Bidwell in the early spring and during May, June and July the quiet station at Pickleville awoke for an hour or two each evening. A certain percentage of the sudden and almost overwhelming increase in express business that came with the ripening of the fruit and berry crop came to the Wheeling, and every evening a dozen express trucks, piled high with berry boxes, waited for the south bound train. When the train came into the station a small crowd had assembled. George Pike and his stout wife worked madly, throwing the boxes in at the door of the express car. Idlers standing about became interested and lent a hand. The engineer climbed out of his locomotive, stretched his legs and crossing a narrow road got a drink from the pump in George Pike's yard.

Hugh walked to the door of his telegraph office and standing in the shadows watched the busy scene. He wanted to take part in it, to laugh and talk with the men standing about, to go to the engineer and ask questions regarding the locomotive and its construction, to help George Pike and his wife, and perhaps cut through their silence and his own enough to become acquainted with them. He thought of all these things but stayed in the shadow of the door that led to the telegraph office until, at a signal given by the train conductor, the engineer climbed into his engine and the train began to move away into the evening darkness. When Hugh came out of his office the station platform was deserted again. In the grass across the tracks and beside the ghostly looking old factory, crickets sang. Tom Wilder, the Bidwell hack driver, had got a traveling man off the train and the dust left by the heels of his team still hung in the air over Turner's Pike. From the darkness that brooded over the trees that grew along the creek beyond the factory came the hoarse croak of frogs. On Turner's Pike a half dozen Bidwell young men accompanied by as many town girls walked along the path beside the road under the trees. They had come to the station to have somewhere to go, had made up a party to come, but now the half unconscious purpose of their coming was apparent. The party split itself up into couples and each strove to get as far away as possible from the others. One of the couples came back along the path toward the station and went to the pump in George Pike's yard. They stood by the pump, laughing and pretending to drink out of a tin cup, and when they got again into the road the others had disappeared. They became silent. Hugh went to the end of the platform and watched as they walked slowly along. He became furiously jealous of the young man who put his arm about the waist of his companion and then, when he turned and saw Hugh staring at him, took it away again.

The telegraph operator went quickly along the platform until he was out of range of the young man's eyes, and, when he thought the gathering darkness would hide him, returned and crept along the path beside the road after him. Again a hungry desire to enter into the lives of the people about him took possession of the Missourian. To be a young man dressed in a stiff white collar, wearing neatly made clothes, and in the evening to walk about with young girls seemed like getting on the road to happiness. He wanted to run shouting along the path beside the road until he had overtaken the young man and woman, to beg them to take him with them, to accept him as one of themselves, but when the momentary impulse had passed and he returned to the telegraph office and lighted a lamp, he looked at his long awkward body and could not conceive of himself as ever by any chance becoming the thing he wanted to be. Sadness swept over him and his gaunt face, already cut and marked with deep lines, became longer and more gaunt. The old boyhood notion, put into his mind by the words of his foster-mother, Sarah Shepard, that a town and a people could remake him and erase from his body the marks of what he thought of as his inferior birth, began to fade. He tried to forget the people about him and turned with renewed energy to the study of the problems in the books that now lay in a pile upon his desk. His inclination to dreams, balked by the persistent holding of his mind to definite things, began to reassert itself in a new form, and his brain played no more with pictures of clouds and men in agitated movement but took hold of steel, wood, and iron. Dumb masses of materials taken out of the earth and the forests were molded by his mind into fantastic shapes. As he sat in the telegraph office during the day or walked alone through the streets of Bidwell at night, he saw in fancy a thousand new machines, formed by his hands and brain, doing the work that had been done by the hands of men. He had come to Bidwell, not only in the hope that there he would at last find companionship, but also because his mind was really aroused and he wanted leisure to begin trying to do tangible things. When the citizens of Bidwell would not take him into their town life but left him standing to one side, as the tiny dwelling place for men called Pickleville where he lived stood aside out from under the invisible roof of the town, he decided to try to forget men and to express himself wholly in work.

CHAPTER V

Hugh's first inventive effort stirred the town of Bidwell deeply. When word of it ran about, the men who had been listening to the talk of Judge Horace Hanby and whose minds had turned toward the arrival of the new forward-pushing impulse in American life thought they saw in Hugh the instrument of its coming to Bidwell. From the day of his coming to live among them, there had been much curiosity in the stores and houses regarding the tall, gaunt, slow-speaking stranger at Pickleville. George Pike had told Birdie Spinks the druggist how Hugh worked all day over books, and how he made drawings for parts of mysterious machines and left them on his desk in the telegraph office. Birdie Spinks told others and the tale grew. When Hugh walked alone in the streets during the evening and thought no one took account of his presence, hundreds of pairs of curious eyes followed him about.

A tradition in regard to the telegraph operator began to grow up. The tradition made Hugh a gigantic figure, one who walked always on a plane above that on which other men lived. In the imagination of his fellow citizens of the Ohio town, he went about always thinking great thoughts, solving mysterious and intricate problems that had to do with the new mechanical age Judge Hanby talked about to the eager listeners in the drug-store. An alert, talkative people saw among them one who could not talk and whose long face was habitually serious, and could not think of him as having daily to face the same kind of minor problems as themselves.

The Bidwell young man who had come down to the Wheeling station with a group of other young men, who had seen the evening train go away to the south, who had met at the station one of the town girls and had, in order to escape the others and be alone with her, taken her to the pump in George Pike's yard on the pretense of wanting a drink, walked away with her into the darkness of the summer evening with his mind fixed on Hugh. The young man's name was Ed Hall and he was apprentice to Ben Peeler, the carpenter who had sent his son to Cleveland to a technical school. He wanted to marry the girl he had met at the station and did not see how he could manage it on his salary as a carpenter's apprentice. When he looked back and saw Hugh standing on the station platform, he took the arm he had put around the girl's waist quickly away and began to talk. "I'll tell you what," he said earnestly, "if things don't pretty soon get on the stir around here I'm going to get out. I'll go over by Gibsonburg and get a job in the oil fields, that's what I'll do. I got to have more money." He sighed heavily and looked over the girl's head into the darkness. "They say that telegraph fellow back there at the station is up to something," he ventured. "It's all the talk. Birdie Spinks says he is an inventor; says George Pike told him; says he is working all the time on new inventions to do things by machinery; that his passing off as a telegraph operator is only a bluff. Some think maybe he was sent here to see about starting a factory to make one of his inventions, sent by rich men maybe in Cleveland or some other place. Everybody says they'll bet there'll be factories here in Bidwell before very long now. I wish I knew. I don't want to go away if I don't have to, but I got to have more money. Ben Peeler won't never give me a raise so I can get married or nothing. I wish I knew that fellow back there so I could ask him what's up. They say he's smart. I suppose he wouldn't tell me nothing. I wish I was smart enough to invent something and maybe get rich. I wish I was the kind of fellow they say he is."

Ed Hall again put his arm about the girl's waist and walked away. He forgot Hugh and thought of himself and of how he wanted to marry the girl whose young body nestled close to his own—wanted her to be utterly his. For a few hours he passed out of Hugh's growing sphere of influence on the collective thought of the town, and lost himself in the immediate deliciousness of kisses.

And as he passed out of Hugh's influence others came in. On Main Street in the evening every one speculated on the Missourian's purpose in coming to Bidwell. The forty dollars a month paid him by the Wheeling railroad could not have tempted such a man. They were sure of that. Steve Hunter the jeweler's son had returned to town from a course in a business college at Buffalo, New York, and hearing the talk became interested. Steve had in him the making of a live man of affairs, and he decided to investigate. It was not, however, Steve's method to go at things directly, and he was impressed by the notion, then abroad in Bidwell, that Hugh had been sent to town by some one, perhaps by a group of capitalists who intended to start factories there.

Steve thought he would go easy. In Buffalo, where he had gone to the business college, he had met a girl whose father, E. P. Horn, owned a soap factory; had become acquainted with her at church and had been introduced to her father. The soap maker, an assertive positive man who manufactured a product called Horn's Household Friend Soap, had his own notion of what a young man should be and how he should make his way in the world, and had taken pleasure in talking to Steve. He told the Bidwell jeweler's son of how he had started his own factory with but little money and had succeeded and gave Steve many practical hints on the organization of companies. He talked a great deal of a thing called "control." "When you get ready to start for yourself keep that in mind," he said. "You can sell stock and borrow money at the bank, all you can get, but don't give up control. Hang on to that. That's the way I made my success. I always kept the control."

Steve wanted to marry Ernestine Horn, but felt that he should show what he could do as a business man before he attempted to thrust himself into so wealthy and prominent a family. When he returned to his own town and heard the talk regarding Hugh McVey and his inventive genius, he remembered the soap maker's words regarding control, and repeated them to himself. One evening he walked along Turner's Pike and stood in the darkness by the old pickle factory. He saw Hugh at work under a lamp in the telegraph office and was impressed. "I'll lay low and see what he's up to," he told himself. "If he's got an invention, I'll get up a company. I'll get money in and I'll start a factory. The people here'll tumble over each other to get into a thing like that. I don't believe any one sent him here. I'll bet he's just an inventor. That kind always are queer. I'll keep my mouth shut and watch my chance. If there is anything starts, I'll start it and I'll get into control, that's what I'll do, I'll get into control."

* * * * *

In the country stretching away north beyond the fringe of small berry farms lying directly about town, were other and larger farms. The land that made up these larger farms was also rich and raised big crops. Great stretches of it were planted to cabbage for which a market had been built up in Cleveland, Pittsburgh, and Cincinnati. Bidwell was often in derision called Cabbageville by the citizens of nearby towns. One of the largest of the cabbage farms belonged to a man named Ezra French, and was situated on Turner's Pike, two miles from town and a mile beyond the Wheeling station.

On spring evenings when it was dark and silent about the station and when the air was heavy with the smell of new growth and of land fresh-turned by the plow, Hugh got out of his chair in the telegraph office and walked in the soft darkness. He went along Turner's Pike to town, saw groups of men standing on the sidewalks before the stores and young girls walking arm in arm along the street, and then came back to the silent station. Into his long and habitually cold body the warmth of desire began to creep. The spring rains came and soft winds blew down from the hill country to the south. One evening when the moon shone he went around the old pickle factory to where the creek went chattering under leaning willow trees, and as he stood in the heavy shadows by the factory wall, tried to imagine himself as one who had become suddenly clean-limbed, graceful, and agile. A bush grew beside the stream near the factory and he took hold of it with his powerful hands and tore it out by the roots. For a moment the strength in his shoulders and arms gave him an intense masculine satisfaction. He thought of how powerfully he could hold the body of a woman against his body and the spark of the fires of spring that had touched him became a flame. He felt new-made and tried to leap lightly and gracefully across the stream, but stumbled and fell in the water. Later he went soberly back to the station and tried again to lose himself in the study of the problems he had found in his books.

The Ezra French farm lay beside Turner's Pike a mile north of the Wheeling station and contained two hundred acres of land of which a large part was planted to cabbages. It was a profitable crop to raise and required no more care than corn, but the planting was a terrible task. Thousands of plants that had been raised from seeds planted in a seed-bed back of the barn had to be laboriously transplanted. The plants were tender and it was necessary to handle them carefully. The planter crawled slowly and painfully along, and from the road looked like a wounded beast striving to make his way to a hole in a distant wood. He crawled forward a little and then stopped and hunched himself up into a ball-like mass. Taking the plant, dropped on the ground by one of the plant droppers, he made a hole in the soft ground with a small three-cornered hoe, and with his hands packed the earth about the plant roots. Then he crawled on again.

Ezra the cabbage farmer had come west from one of the New England states and had grown comfortably wealthy, but he would not employ extra labor for the plant setting and the work was done by his sons and daughters. He was a short, bearded man whose leg had been broken in his youth by a fall from the loft of a barn. As it had not mended properly he could do little work and limped painfully about. To the men of Bidwell he was known as something of a wit, and in the winter he went to town every afternoon to stand in the stores and tell the Rabelaisian stories for which he was famous; but when spring came he became restlessly active, and in his own house and on the farm, became a tyrant. During the time of the cabbage setting he drove his sons and daughters like slaves. When in the evening the moon came up, he made them go back to the fields immediately after supper and work until midnight. They went in sullen silence, the girls to limp slowly along dropping the plants out of baskets carried on their arms, and the boys to crawl after them and set the plants. In the half darkness the little group of humans went slowly up and down the long fields. Ezra hitched a horse to a wagon and brought the plants from the seed-bed behind the barn. He went here and there swearing and protesting against every delay in the work. When his wife, a tired little old woman, had finished the evening's work in the house, he made her come also to the fields. "Come, come," he said, sharply, "we need every pair of hands we can get." Although he had several thousand dollars in the Bidwell bank and owned mortgages on two or three neighboring farms, Ezra was afraid of poverty, and to keep his family at work pretended to be upon the point of losing all his possessions. "Now is our chance to save ourselves," he declared. "We must get in a big crop. If we do not work hard now we'll starve." When in the field his sons found themselves unable to crawl longer without resting, and stood up to stretch their tired bodies, he stood by the fence at the field's edge and swore. "Well, look at the mouths I have to feed, you lazies!" he shouted. "Keep at the work. Don't be idling around. In two weeks it'll be too late for planting and then you can rest. Now every plant we set will help to save us from ruin. Keep at the job. Don't be idling around."

In the spring of his second year in Bidwell, Hugh went often in the evening to watch the plant setters at work in the moonlight on the French farm. He did not make his presence known but hid himself in a fence corner behind bushes and watched the workers. As he saw the stooped misshapen figures crawling slowly along and heard the words of the old man driving them like cattle, his heart was deeply touched and he wanted to protest. In the dim light the slowly moving figures of women appeared, and after them came the crouched crawling men. They came down the long row toward him, wriggling into his line of sight like grotesquely misshapen animals driven by some god of the night to the performance of a terrible task. An arm went up. It came down again swiftly. The three-cornered hoe sank into the ground. The slow rhythm of the crawler was broken. He reached with his disengaged hand for the plant that lay on the ground before him and lowered it into the hole the hoe had made. With his fingers he packed the earth about the roots of the plant and then again began the slow crawl forward. There were four of the French boys and the two older ones worked in silence. The younger boys complained. The three girls and their mother, who were attending to the plant dropping, came to the end of the row and turning, went away into the darkness. "I'm going to quit this slavery," one of the younger boys said. "I'll get a job over in town. I hope it's true what they say, that factories are coming."

The four young men came to the end of the row and, as Ezra was not in sight, stood a moment by the fence near where Hugh was concealed. "I'd rather be a horse or a cow than what I am," the complaining voice went on. "What's the good being alive if you have to work like this?"

For a moment as he listened to the voices of the complaining workers, Hugh wanted to go to them and ask them to let him share in their labor. Then another thought came. The crawling figures came sharply into his line of vision. He no longer heard the voice of the youngest of the French boys that seemed to come out of the ground. The machine-like swing of the bodies of the plant setters suggested vaguely to his mind the possibility of building a machine that would do the work they were doing. His mind took eager hold of that thought and he was relieved. There had been something in the crawling figures and in the moonlight out of which the voices came that had begun to awaken in his mind the fluttering, dreamy state in which he had spent so much of his boyhood. To think of the possibility of building a plant-setting machine was safer. It fitted into what Sarah Shepard had so often told him was the safe way of life. As he went back through the darkness to the railroad station, he thought about the matter and decided that to become an inventor would be the sure way of placing his feet at last upon the path of progress he was trying to find.

Hugh became absorbed in the notion of inventing a machine that would do the work he had seen the men doing in the field. All day he thought about it. The notion once fixed in his mind gave him something tangible to work upon. In the study of mechanics, taken up in a purely amateur spirit, he had not gone far enough to feel himself capable of undertaking the actual construction of such a machine, but thought the difficulty might be overcome by patience and by experimenting with combinations of wheels, gears and levers whittled out of pieces of wood. From Hunter's Jewelry Store he got a cheap clock and spent days taking it apart and putting it together again. He dropped the doing of mathematical problems and sent away for books describing the construction of machines. Already the flood of new inventions, that was so completely to change the methods of cultivating the soil in America, had begun to spread over the country, and many new and strange kinds of agricultural implements arrived at the Bidwell freight house of the Wheeling railroad. There Hugh saw a harvesting machine for cutting grain, a mowing machine for cutting hay and a long-nosed strange-looking implement that was intended to root potatoes out of the ground very much after the method pursued by energetic pigs. He studied these carefully. For a time his mind turned away from the hunger for human contact and he was content to remain an isolated figure, absorbed in the workings of his own awakening mind.

An absurd and amusing thing happened. After the impulse to try to invent a plant-setting machine came to him, he went every evening to conceal himself in the fence corner and watch the French family at their labors. Absorbed in watching the mechanical movements of the men who crawled across the fields in the moonlight, he forgot they were human. After he had watched them crawl into sight, turn at the end of the rows, and crawl away again into the hazy light that had reminded him of the dim distances of his own Mississippi River country, he was seized with a desire to crawl after them and to try to imitate their movements. Certain intricate mechanical problems, that had already come into his mind in connection with the proposed machine, he thought could be better understood if he could get the movements necessary to plant setting into his own body. His lips began to mutter words and getting out of the fence corner where he had been concealed he began to crawl across the field behind the French boys. "The down stroke will go so," he muttered, and bringing up his arm swung it above his head. His fist descended into the soft ground. He had forgotten the rows of new set plants and crawled directly over them, crushing them into the soft ground. He stopped crawling and waved his arm about. He tried to relate his arms to the mechanical arms of the machine that was being created in his mind. Holding one arm stiffly in front of him he moved it up and down. "The stroke will be shorter than that. The machine must be built close to the ground. The wheels and the horses will travel in paths between the rows. The wheels must be broad to provide traction. I will gear from the wheels to get power for the operation of the mechanism," he said aloud.

Hugh arose and stood in the moonlight in the cabbage field, his arms still going stiffly up and down. The great length of his figure and his arms was accentuated by the wavering uncertain light. The laborers, aware of some strange presence, sprang to their feet and stood listening and looking. Hugh advanced toward them, still muttering words and waving his arms. Terror took hold of the workers. One of the woman plant droppers screamed and ran away across the field, and the others ran crying at her heels. "Don't do it. Go away," the older of the French boys shouted, and then he with his brothers also ran.

Hearing the voices Hugh stopped and stared about. The field was empty. Again he lost himself in his mechanical calculations. He went back along the road to the Wheeling station and to the telegraph office where he worked half the night on a rude drawing he was trying to make of the parts of his plant setting machine, oblivious to the fact that he had created a myth that would run through the whole countryside. The French boys and their sisters stoutly declared that a ghost had come into the cabbage fields and had threatened them with death if they did not go away and quit working at night. In a trembling voice their mother backed up their assertion. Ezra French, who had not seen the apparition and did not believe the tale, scented a revolution. He swore. He threatened the entire family with starvation. He declared that a lie had been invented to deceive and betray him.

However, the work at night in the cabbage fields on the French farm was at an end. The story was told in the town of Bidwell, and as the entire French family except Ezra swore to its truth, was generally believed. Tom Foresby, an old citizen who was a spiritualist, claimed to have heard his father say that there had been in early days an Indian burying-ground on the Turner Pike.

The cabbage field on the French farm became locally famous. Within a year two other men declared they had seen the figure of a gigantic Indian dancing and singing a funeral dirge in the moonlight. Farmer boys, who had been for an evening in town and were returning late at night to lonely farmhouses, whipped their horses into a run when they came to the farm. When it was far behind them they breathed more freely. Although he continued to swear and threaten, Ezra never again succeeded in getting his family into the fields at night. In Bidwell he declared that the story of the ghost invented by his lazy sons and daughters had ruined his chance for making a decent living out of his farm.

CHAPTER VI

Steve Hunter decided that it was time something was done to wake up his native town. The call of the spring wind awoke something in him as in Hugh. It came up from the south bringing rain followed by warm fair days. Robins hopped about on the lawns before the houses on the residence streets of Bidwell, and the air was again sweet with the pregnant sweetness of new-plowed ground. Like Hugh, Steve walked about alone through the dark, dimly lighted residence streets during the spring evenings, but he did not try awkwardly to leap over creeks in the darkness or pull bushes out of the ground, nor did he waste his time dreaming of being physically young, clean-limbed and beautiful.

Before the coming of his great achievements in the industrial field, Steve had not been highly regarded in his home town. He had been a noisy boastful youth and had been spoiled by his father. When he was twelve years old what were called safety bicycles first came into use and for a long time he owned the only one in town. In the evening he rode it up and down Main Street, frightening the horses and arousing the envy of the town boys. He learned to ride without putting his hands on the handle-bars and the other boys began to call him Smarty Hunter and later, because he wore a stiff, white collar that folded down over his shoulders, they gave him a girl's name. "Hello, Susan," they shouted, "don't fall and muss your clothes."

In the spring that marked the beginning of his great industrial adventure, Steve was stirred by the soft spring winds into dreaming his own kind of dreams. As he walked about through the streets, avoiding the other young men and women, he remembered Ernestine, the daughter of the Buffalo soap maker, and thought a great deal about the magnificence of the big stone house in which she lived with her father. His body ached for her, but that was a matter he felt could be managed. How he could achieve a financial position that would make it possible for him to ask for her hand was a more difficult problem. Since he had come back from the business college to live in his home town, he had secretly, and at the cost of two new five dollar dresses, arranged a physical alliance with a girl named Louise Trucker whose father was a farm laborer, and that left his mind free for other things. He intended to become a manufacturer, the first one in Bidwell, to make himself a leader in the new movement that was sweeping over the country. He had thought out what he wanted to do and it only remained to find something for him to manufacture to put his plans through. First of all he had selected with great care certain men he intended to ask to go in with him. There was John Clark the banker, his own father, E. H. Hunter the town jeweler, Thomas Butterworth the rich farmer, and young Gordon Hart, who had a job as assistant cashier in the bank. For a month he had been dropping hints to these men of something mysterious and important about to happen. With the exception of his father who had infinite faith in the shrewdness and ability of his son, the men he wanted to impress were only amused. One day Thomas Butterworth went into the bank and stood talking the matter over with John Clark. "The young squirt was always a Smart-Aleck and a blow-hard," he said. "What's he up to now? What's he nudging and whispering about?"

As he walked in the main street of Bidwell, Steve began to acquire that air of superiority that later made him so respected and feared. He hurried along with a peculiarly intense absorbed look in his eyes. He saw his fellow townsmen as through a haze, and sometimes did not see them at all. As he went along he took papers from his pocket, read them hurriedly, and then quickly put them away again. When he did speak—perhaps to a man who had known him from boyhood—there was in his manner something gracious to the edge of condescension. One morning in March he met Zebe Wilson the town shoemaker on the sidewalk before the post-office. Steve stopped and smiled. "Well, good morning, Mr. Wilson," he said, "and how is the quality of leather you are getting from the tanneries now?"

Word regarding this strange salutation ran about among the merchants and artisans. "What's he up to now?" they asked each other. "Mr. Wilson, indeed! Now what's wrong between that young squirt and Zebe Wilson?"

In the afternoon, four clerks from the Main Street stores and Ed Hall the carpenter's apprentice, who had a half day off because of rain, decided to investigate. One by one they went along Hamilton Street to Zebe Wilson's shop and stepped inside to repeat Steve Hunter's salutation. "Well, good afternoon, Mr. Wilson," they said, "and how is the quality of leather you are getting from the tanneries now?" Ed Hall, the last of the five who went into the shop to repeat the formal and polite inquiry, barely escaped with his life. Zebe Wilson threw a shoemaker's hammer at him and it went through the glass in the upper part of the shop door.

Once when Tom Butterworth and John Clark the banker were talking of the new air of importance he was assuming, and half indignantly speculated on what he meant by his whispered suggestion of something significant about to happen, Steve came along Main Street past the front door of the bank. John Clark called him in. The three men confronted each other and the jeweler's son sensed the fact that the banker and the rich farmer were amused by his pretensions. At once he proved himself to be what all Bidwell later acknowledged him to be, a man who could handle men and affairs. Having at that time nothing to support his pretensions he decided to put up a bluff. With a wave of his hand and an air of knowing just what he was about, he led the two men into the back room of the bank and shut the door leading into the large room to which the general public was admitted. "You would have thought he owned the place," John Clark afterward said with a note of admiration in his voice to young Gordon Hart when he described what took place in the back room.

Steve plunged at once into what he had to say to the two solid moneyed citizens of his town. "Well, now, look here, you two," he began earnestly. "I'm going to tell you something, but you got to keep still." He went to the window that looked out upon an alleyway and glanced about as though fearful of being overheard, then sat down in the chair usually occupied by John Clark on the rare occasions when the directors of the Bidwell bank held a meeting. Steve looked over the heads of the two men who in spite of themselves were beginning to be impressed. "Well," he began, "there is a fellow out at Pickleville. You have maybe heard things said about him. He's telegraph operator out there. Perhaps you have heard how he is always making drawings of parts of machines. I guess everybody in town has been wondering what he's up to."

Steve looked at the two men and then got nervously out of the chair and walked about the room. "That fellow is my man. I put him there," he declared. "I didn't want to tell any one yet."

The two men nodded and Steve became lost in the notion created in his fancy. It did not occur to him that what he had just said was untrue. He began to scold the two men. "Well, I suppose I'm on the wrong track there," he said. "My man has made an invention that will bring millions in profits to those who get into it. In Cleveland and Buffalo I'm already in touch with big bankers. There's to be a big factory built, but you see yourself how it is, here I'm at home. I was raised as a boy here."

The excited young man plunged into an exposition of the spirit of the new times. He grew bold and scolded the older men. "You know yourself that factories are springing up everywhere, in towns all over the State," he said. "Will Bidwell wake up? Will we have factories here? You know well enough we won't, and I know why. It's because a man like me who was raised here has to go to a city to get money to back his plans. If I talked to you fellows you would laugh at me. In a few years I might make you more money than you have made in your whole lives, but what's the use talking? I'm Steve Hunter; you knew me when I was a kid. You'd laugh. What's the use my trying to tell you fellows my plans?"

Steve turned as though to go out of the room, but Tom Butterworth took hold of his arm and led him back to a chair. "Now, you tell us what you're up to," he demanded. In turn he grew indignant. "If you've got something to manufacture you can get backing here as well as any place," he said. He became convinced that the jeweler's son was telling the truth. It did not occur to him that a Bidwell young man would dare lie to such solid men as John Clark and himself. "You let them city bankers alone," he said emphatically. "You tell us your story. What you got to tell?"

In the silent little room the three men stared at each other. Tom Butterworth and John Clark in their turn began to have dreams. They remembered the tales they had heard of vast fortunes made quickly by men who owned new and valuable inventions. The land was at that time full of such tales. They were blown about on every wind. Quickly they realized that they had made a mistake in their attitude toward Steve, and were anxious to win his regard. They had called him into the bank to bully him and to laugh at him. Now they were sorry. As for Steve, he only wanted to get away—to get by himself and think. An injured look crept over his face. "Well," he said, "I thought I'd give Bidwell a chance. There are three or four men here. I have spoken to all of you and dropped a hint of something in the wind, but I'm not ready to be very definite yet."

Seeing the new look of respect in the eyes of the two men Steve became bold. "I was going to call a meeting when I was ready," he said pompously. "You two do what I've been doing. You keep your mouths shut. Don't go near that telegraph operator and don't talk to a soul. If you mean business I'll give you a chance to make barrels of money, more'n you ever dreamed of, but don't be in a hurry." He took a bundle of letters out of his inside coat pocket, and beat with them on the edge of the table that occupied the center of the room. Another bold thought came into his mind.

"I've got letters here offering me big money to take my factory either to Cleveland or Buffalo," he declared emphatically. "It isn't money that's hard to get. I can tell you men that. What a man wants in his home town is respect. He don't want to be looked on as a fool because he tries to do something to rise in the world."

* * * * *

Steve walked boldly out of the bank and into Main Street. When he had got out of the presence of the two men he was frightened. "Well, I've done it. I've made a fool of myself," he muttered aloud. In the bank he had said that Hugh McVey the telegraph operator was his man, that he had brought the fellow to Bidwell. What a fool he had been. In his anxiety to impress the two older men he had told a story, the falsehood of which could be discovered in a few minutes. Why had he not kept his dignity and waited? There had been no occasion for being so definite. He had gone too far, had been carried away. To be sure he had told the two men not to go near the telegraph operator, but that would no doubt but serve to arouse their suspicions of the thinness of his story. They would talk the matter over and start an investigation of their own. Then they would find out he had lied. He imagined the two men as already engaged in a whispered conversation regarding the probability of his tale. Like most shrewd men he had an exalted notion regarding the shrewdness of others. He walked a little away from the bank and then turned to look back. A shiver ran over his body. Into his mind came the sickening fear that the telegraph operator at Pickleville was not an inventor at all. The town was full of tales, and in the bank he had taken advantage of that fact to make an impression; but what proof had he? No one had seen one of the inventions supposed to have been worked out by the mysterious stranger from Missouri. There had after all been nothing but whispered suspicions, old wives' tales, fables invented by men who had nothing to do but loaf in the drug-store and make up stories.

The thought that Hugh McVey might not be an inventor overpowered him and he put it quickly aside. He had something more immediate to think about. The story of the bluff he had just made in the bank would be found out and the whole town would rock with laughter at his expense. The young men of the town did not like him. They would roll the story over on their tongues. Ribald old fellows who had nothing else to do would take up the story with joy and would elaborate it. Fellows like the cabbage farmer, Ezra French, who had a talent for saying cutting things would exercise it. They would make up imaginary inventions, grotesque, absurd inventions. Then they would get young fellows to come to him and propose that he take them up, promote them, and make every one rich. Men would shout jokes at him as he went along Main Street. His dignity would be gone forever. He would be made a fool of by the very school boys as he had been in his youth when he bought the bicycle and rode it about before the eyes of other boys in the evenings.

Steve hurried out of Main Street and went over the bridge that crossed the river into Turner's Pike. He did not know what he intended to do, but felt there was much at stake and that he would have to do something at once. It was a warm, cloudy day and the road that led to Pickleville was muddy. During the night before it had rained and more rain was promised. The path beside the road was slippery, and so absorbed was he that as he plunged along, his feet slipped out from under him and he sat down in a small pool of water. A farmer driving past along the road turned to laugh at him. "You go to hell," Steve shouted. "You just mind your own business and go to hell."

The distracted young man tried to walk sedately along the path. The long grass that grew beside the path wet his shoes, and his hands were wet and muddy. Farmers turned on their wagon seats to stare at him. For some obscure reason he could not himself understand, he was terribly afraid to face Hugh McVey. In the bank he had been in the presence of men who were trying to get the best of him, to make a fool of him, to have fun at his expense. He had felt that and had resented it. The knowledge had given him a certain kind of boldness; it had enabled his mind to make up the story of the inventor secretly employed at his own expense and the city bankers anxious to furnish him capital. Although he was terribly afraid of discovery, he felt a little glow of pride at the thought of the boldness with which he had taken the letters out of his pocket and had challenged the two men to call his bluff.

Steve, however, felt there was something different about the man in the telegraph office in Pickleville. He had been in town for nearly two years and no one knew anything about him. His silence might be indicative of anything. He was afraid the tall silent Missourian might decide to have nothing to do with him, and pictured himself as being brushed rudely aside, being told to mind his own business.

Steve knew instinctively how to handle business men. One simply created the notion of money to be made without effort. He had done that to the two men in the bank and it had worked. After all he had succeeded in making them respect him. He had handled the situation. He wasn't such a fool at that kind of a thing. The other thing he had to face might be very different. Perhaps after all Hugh McVey was a big inventor, a man with a powerful creative mind. It was possible he had been sent to Bidwell by a big business man of some city. Big business men did strange, mysterious things; they put wires out in all directions, controlled a thousand little avenues for the creation of wealth.

Just starting out on his own career as a man of affairs, Steve had an overpowering respect for what he thought of as the subtlety of men of affairs. With all the other American youths of his generation he had been swept off his feet by the propaganda that then went on and is still going on, and that is meant to create the illusion of greatness in connection with the ownership of money. He did not then know and, in spite of his own later success and his own later use of the machinery by which illusion is created, he never found out that in an industrial world reputations for greatness of mind are made as a Detroit manufacturer would make automobiles. He did not know that men are employed to bring up the name of a politician so that he may be called a statesman, as a new brand of breakfast food that it may be sold; that most modern great men are mere illusions sprung out of a national hunger for greatness. Some day a wise man, one who has not read too many books but who has gone about among men, will discover and set forth a very interesting thing about America. The land is vast and there is a national hunger for vastness in individuals. One wants an Illinois-sized man for Illinois, an Ohio-sized man for Ohio, and a Texas-sized man for Texas.

To be sure, Steve Hunter had no notion of all this. He never did get a notion of it. The men he had already begun to think of as great and to try to imitate were like the strange and gigantic protuberances that sometimes grow on the side of unhealthy trees, but he did not know it. He did not know that throughout the country, even in that early day, a system was being built up to create the myth of greatness. At the seat of the American Government at Washington, hordes of somewhat clever and altogether unhealthy young men were already being employed for the purpose. In a sweeter age many of these young men might have become artists, but they had not been strong enough to stand against the growing strength of dollars. They had become instead newspaper correspondents and secretaries to politicians. All day and every day they used their minds and their talents as writers in the making of puffs and the creating of myths concerning the men by whom they were employed. They were like the trained sheep that are used at great slaughter-houses to lead other sheep into the killing pens. Having befouled their own minds for hire, they made their living by befouling the minds of others. Already they had found out that no great cleverness was required for the work they had to do. What was required was constant repetition. It was only necessary to say over and over that the man by whom they were employed was a great man. No proof had to be brought forward to substantiate the claims they made; no great deeds had to be done by the men who were thus made great, as brands of crackers or breakfast food are made salable. Stupid and prolonged and insistent repetition was what was necessary.

As the politicians of the industrial age have created a myth about themselves, so also have the owners of dollars, the big bankers, the railroad manipulators, the promoters of industrial enterprise. The impulse to do so is partly sprung from shrewdness but for the most part it is due to a hunger within to be of some real moment in the world. Knowing that the talent that had made them rich is but a secondary talent, and being a little worried about the matter, they employ men to glorify it. Having employed a man for the purpose, they are themselves children enough to believe the myth they have paid money to have created. Every rich man in the country unconsciously hates his press agent.

Although he had never read a book, Steve was a constant reader of the newspapers and had been deeply impressed by the stories he had read regarding the shrewdness and ability of the American captains of industry. To him they were supermen and he would have crawled on his knees before a Gould or a Cal Price—the commanding figures among moneyed men of that day. As he went down along Turner's Pike that day when industry was born in Bidwell, he thought of these men and of lesser rich men of Cleveland and Buffalo, and was afraid that in approaching Hugh he might be coming into competition with one of these men. As he hurried along under the gray sky, he however realized that the time for action had come and that he must at once put the plans that he had formed in his mind to the test of practicability; that he must at once see Hugh McVey, find out if he really did have an invention that could be manufactured, and if he did try to secure some kind of rights of ownership over it. "If I do not act at once, either Tom Butterworth or John Clark will get in ahead of me," he thought. He knew they were both shrewd capable men. Had they not become well-to-do? Even during the talk in the bank, when they had seemed to be impressed by his words, they might well have been making plans to get the better of him. They would act, but he must act first.

Steve hadn't the courage of the lie he had told. He did not have imagination enough to understand how powerful a thing is a lie. He walked quickly along until he came to the Wheeling Station at Pickleville, and then, not having the courage to confront Hugh at once, went past the station and crept in behind the deserted pickle factory that stood across the tracks. Through a broken window at the back he climbed, and crept like a thief across the earth floor until he came to a window that looked out upon the station. A freight train rumbled slowly past and a farmer came to the station to get a load of goods that had arrived by freight. George Pike came running from his house to attend to the wants of the farmer. He went back to his house and Steve was left alone in the presence of the man on whom he felt all of his future depended. He was as excited as a village girl in the presence of a lover. Through the windows of the telegraph office he could see Hugh seated at a desk with a book before him. The presence of the book frightened him. He decided that the mysterious Missourian must be some strange sort of intellectual giant. He was sure that one who could sit quietly reading hour after hour in such a lonely isolated place could be of no ordinary clay. As he stood in the deep shadows inside the old building and stared at the man he was trying to find courage to approach, a citizen of Bidwell named Dick Spearsman came to the station and going inside, talked to the telegraph operator. Steve trembled with anxiety. The man who had come to the station was an insurance agent who also owned a small berry farm at the edge of town. He had a son who had gone west to take up land in the state of Kansas, and the father thought of visiting him. He came to the station to make inquiry regarding the railroad fare, but when Steve saw him talking to Hugh, the thought came into his mind that John Clark or Thomas Butterworth might have sent him to the station to make an investigation of the truth of the statements he had made in the bank. "It would be like them to do it that way," he muttered to himself. "They wouldn't come themselves. They would send some one they thought I wouldn't suspect. They would play safe, damn 'em."

Trembling with fear, Steve walked up and down in the empty factory. Cobwebs hanging down brushed against his face and he jumped aside as though a hand had reached out of the darkness to touch him. In the corners of the old building shadows lurked and distorted thoughts began to come into his head. He rolled and lighted a cigarette and then remembered that the flare of the match could probably be seen from the station. He cursed himself for his carelessness. Throwing the cigarette on the earth floor he ground it under his heel. When at last Dick Spearsman had disappeared up the road that led to Bidwell and he came out of the old factory and got again into Turner's Pike, he felt that he was in no shape to talk of business but nevertheless must act at once. In front of the factory he stopped in the road and tried to wipe the mud off the seat of his trousers with a handkerchief. Then he went to the creek and washed his soiled hands. With wet hands he arranged his tie and straightened the collar of his coat. He had an air of one about to ask a woman to become his wife. Striving to look as important and dignified as possible, he went along the station platform and into the telegraph office to confront Hugh and to find out at once and finally what fate the gods had in store for him.

* * * * *

It no doubt contributed to Steve's happiness in after life, in the days when he was growing rich, and later when he reached out for public honors, contributed to campaign funds, and even in secret dreamed of getting into the United States Senate or being Governor of his state, that he never knew how badly he overreached himself that day in his youth when he made his first business deal with Hugh at the Wheeling Station at Pickleville. Later Hugh's interest in the Steven Hunter industrial enterprises was taken care of by a man who was as shrewd as Steve himself. Tom Butterworth, who had made money and knew how to make and handle money, managed such things for the inventor, and Steve's chance was gone forever.

That is, however, a part of the story of the development of the town of Bidwell and a story that Steve never understood. When he overreached himself that day he did not know what he had done. He made a deal with Hugh and was happy to escape the predicament he thought he had got himself into when he talked too much to the two men in the bank.

Although Steve's father had always a great faith in his son's shrewdness and when he talked to other men represented him as a peculiarly capable and unappreciated man, the two did not in private get on well. In the Hunter household they quarreled and snarled at each other. Steve's mother had died when he was a small boy and his one sister, two years older than himself, kept herself always in the house and seldom appeared on the streets. She was a semi-invalid. Some obscure nervous disease had twisted her body out of shape, and her face twitched incessantly. One morning in the barn back of the Hunter house Steve, then a lad of fourteen, was oiling his bicycle when his sister appeared and stood watching him. A small wrench lay on the ground and she picked it up. Suddenly and without warning she began to beat him on the head. He was compelled to knock her down in order to tear the wrench out of her hand. After the incident she was ill in bed for a month.

Elsie Hunter was always a source of unhappiness to her brother. As he began to get up in life Steve had a growing passion for being respected by his fellows. It got to be something of an obsession with him and among other things he wanted very much to be thought of as one who had good blood in his veins. A man whom he hired searched out his ancestry, and with the exception of his immediate family it seemed very satisfactory. The sister, with her twisted body and her face that twitched so persistently, seemed to be everlastingly sneering at him. He grew half afraid to come into her presence. After he began to grow rich he married Ernestine, the daughter of the soap maker at Buffalo, and when her father died she also had a great deal of money. His own father died and he set up a household of his own. That was in the time when big houses began to appear at the edge of the berry lands and on the hills south of Bidwell. On his father's death Steve became guardian for his sister. The jeweler had left a small estate and it was entirely in the son's hands. Elsie lived with one servant in a small house in town and was put in the position of being entirely dependent on her brother's bounty. In a sense it might be said that she lived by her hatred of him. When on rare occasions he came to her house she would not see him. A servant came to the door and reported her asleep. Almost every month she wrote a letter demanding that her share of her father's money be handed over to her, but it did no good. Steve occasionally spoke to an acquaintance of his difficulty with her. "I am more sorry for the woman than I can say," he declared. "It's the dream of my life to make the poor afflicted soul happy. You see yourself that I provide her with every comfort of life. Ours is an old family. I have it from an expert in such matters that we are descendants of one Hunter, a courtier in the court of Edward the Second of England. Our blood has perhaps become a little thin. All the vitality of the family was centered in me. My sister does not understand me and that has been the cause of much unhappiness and heart burning, but I shall always do my duty by her."

In the late afternoon of the spring day that was also the most eventful day of his life, Steve went quickly along the Wheeling Station platform to the door of the telegraph office. It was a public place, but before going in he stopped, again straightened his tie and brushed his clothes, and then knocked at the door. As there was no response he opened the door softly and looked in. Hugh was at his desk but did not look up. Steve went in and closed the door. By chance the moment of his entrance was also a big moment in the life of the man he had come to see. The mind of the young inventor, that had for so long been dreamy and uncertain, had suddenly become extraordinarily clear and free. One of the inspired moments that come to intense natures, working intensely, had come to him. The mechanical problem he was trying so hard to work out became clear. It was one of the moments that Hugh afterwards thought of as justifying his existence, and in later life he came to live for such moments. With a nod of his head to Steve he arose and hurried out to the building that was used by the Wheeling as a freight warehouse. The jeweler's son ran at his heels. On an elevated platform before the freight warehouse sat an odd looking agricultural implement, a machine for rooting potatoes out of the ground that had been received on the day before and was now awaiting delivery to some farmer. Hugh dropped to his knees beside the machine and examined it closely. Muttered exclamations broke from his lips. For the first time in his life he was not embarrassed in the presence of another person. The two men, the one almost grotesquely tall, the other short of stature and already inclined toward corpulency, stared at each other. "What is it you're inventing? I came to see you about that," Steve said timidly.

Hugh did not answer the question directly. He stepped across the narrow platform to the freight warehouse and began to make a rude drawing on the side of the building. Then he tried to explain his plant-setting machine. He spoke of it as a thing already achieved. At the moment he thought of it in that way. "I had not thought of the use of a large wheel with the arms attached at regular intervals," he said absent-mindedly. "I will have to find money now. That'll be the next step. It will be necessary to make a working model of the machine now. I must find out what changes I'll have to make in my calculations."

The two men returned to the telegraph office and while Hugh listened Steve made his proposal. Even then he did not understand what the machine that was to be made was to do. It was enough for him that a machine was to be made and he wanted to share in its ownership at once. As the two men walked back from the freight warehouse, his mind took hold of Hugh's remark about getting money. Again he was afraid. "There's some one in the background," he thought. "Now I must make a proposal he can't refuse. I mustn't leave until I've made a deal with him."

Fairly carried away by his anxiety, Steve proposed to provide money out of his own pocket to make the model of the machine. "We'll rent the old pickle factory across the track," he said, opening the door and pointing with a trembling finger. "I can get it cheap. I'll have windows and a floor put in. Then I'll get you a man to whittle out a model of the machine. Allie Mulberry can do it. I'll get him for you. He can whittle anything if you only show him what you want. He's half crazy and won't get on to our secret. When the model is made, leave it to me, you just leave it to me."

Rubbing his hands together Steve walked boldly to The telegrapher's desk and picking up a sheet of paper began to write out a contract. It provided that Hugh Was to get a royalty of ten per cent. of the selling price on the machine he had invented and that was to be manufactured by a company to be organized by Steven Hunter. The contract also stated that a promoting company was to be organized at once and money provided for the experimental work Hugh had yet to do. The Missourian was to begin getting a salary at once. He was to risk nothing, as Steve elaborately explained. When he was ready for them mechanics were to be employed and their salaries paid. When the contract had been written and read aloud, a copy was made and Hugh, who was again embarrassed beyond words, signed his name.

With a flourish of his hand Steve laid a little pile of money on the desk. "That's for a starter," he said and turned to frown at George Pike who at that moment came to the door. The freight agent went quickly away and the two men were left alone together. Steve shook hands with his new partner. He went out and then came in again. "You understand," he said mysteriously. "The fifty dollars is your first month's salary. I was ready for you. I brought it along. You just leave everything to me, just you leave it to me." Again he went out and Hugh was left alone. He saw the young man go across the tracks to the old factory and walk up and down before it. When a farmer came along and shouted at him, he did not reply, but stepping back into the road swept the deserted old building with his eyes as a general might have looked over a battlefield. Then he went briskly down the road toward town and the farmer turned on his wagon seat to stare after him.

Hugh McVey also stared. When Steve had gone away, he walked to the end of the station platform and looked along the road toward town. It seemed to him wonderful that he had at last held conversation with a citizen of Bidwell. A little of the import of the contract he had signed came to him, and he went into the station and got his copy of it and put it in his pocket. Then he came out again. When he read it over and realized anew that he was to be paid a living wage and have time and help to work out the problem that had now become vastly important to his happiness, it seemed to him that he had been in the presence of a kind of god. He remembered the words of Sarah Shepard concerning the bright alert citizens of eastern towns and realized that he had been in the presence of such a being, that he had in some way become connected in his new work with such a one. The realization overcame him completely. Forgetting entirely his duties as a telegrapher, he closed the office and went for a walk across the meadows and in the little patches of woodlands that still remained standing in the open plain north of Pickleville. He did not return until late at night, and when he did, had not solved the puzzle as to what had happened. All he got out of it was the fact that the machine he had been trying to make was of great and mysterious importance to the civilization into which he had come to live and of which he wanted so keenly to be a part. There seemed to him something almost sacred in that fact. A new determination to complete and perfect his plant-setting machine had taken possession of him.

* * * * *

The meeting to organize a promotion company that would in turn launch the first industrial enterprise in the town of Bidwell was held in the back room of the Bidwell bank one afternoon in June. The berry season had just come to an end and the streets were full of people. A circus had come to town and at one o'clock there was a parade. Before the stores horses belonging to visiting country people stood hitched in two long rows. The meeting in the bank was not held until four o'clock, when the banking business was at an end for the day. It had been a hot, stuffy afternoon and a storm threatened. For some reason the whole town had an inkling of the fact that a meeting was to be held on that day, and in spite of the excitement caused by the coming of the circus, it was in everybody's mind. From the very beginning of his upward journey in life, Steve Hunter had the faculty of throwing an air of mystery and importance about everything he did. Every one saw the workings of the machinery by which the myth concerning himself was created, but was nevertheless impressed. Even the men of Bidwell who retained the ability to laugh at Steve could not laugh at the things he did.

For two months before the day on which the meeting was held, the town had been on edge. Every one knew that Hugh McVey had suddenly given up his place in the telegraph office and that he was engaged in some enterprise with Steve Hunter. "Well, I see he has thrown off the mask, that fellow," said Alban Foster, superintendent of the Bidwell schools, in speaking of the matter to the Reverend Harvey Oxford, the minister of the Baptist Church.

Steve saw to it that although every one was curious the curiosity was unsatisfied. Even his father was left in the dark. The two men had a sharp quarrel about the matter, but as Steve had three thousand dollars of his own, left him by his mother, and was well past his twenty-first year, there was nothing his father could do.

At Pickleville the windows and doors at the back of the deserted factory were bricked up, and over the windows and the door at the front, where a floor had been laid, iron bars specially made by Lew Twining the Bidwell blacksmith had been put. The bars over the door locked the place at night and gave the factory the air of a prison. Every evening before he went to bed Steve walked to Pickleville. The sinister appearance of the building at night gave him a peculiar satisfaction. "They'll find out what I'm up to when I want 'em to," he said to himself. Allie Mulberry worked at the factory during the day. Under Hugh's direction he whittled pieces of wood into various shapes, but had no idea of what he was doing. No one but the half-wit and Steve Hunter were admitted to the society of the telegraph operator. When Allie Mulberry came into the Main Street at night, every one stopped him and a thousand questions were asked, but he only shook his head and smiled foolishly. On Sunday afternoons crowds of men and women walked down Turner's Pike to Pickleville and stood looking at the deserted building, but no one tried to enter. The bars were in place and window shades were drawn over the windows. Above the door that faced the road there was a large sign. "Keep Out. This Means You," the sign said.

The four men who met Steve in the bank knew vaguely that some sort of invention was being perfected, but did not know what it was. They spoke in an offhand way of the matter to their friends and that increased the general curiosity. Every one tried to guess what was up. When Steve was not about, John Clark and young Gordon Hart pretended to know everything but gave the impression of men sworn to secrecy. The fact that Steve told them nothing seemed to them a kind of insult. "The young upstart, I believe yet he's a bluff," the banker declared to his friend, Tom Butterworth.

On Main Street the old and young men who stood about before the stores in the evening tried also to make light of the jeweler's son and the air of importance he constantly assumed. They also spoke of him as a young upstart and a windbag, but after the beginning of his connection with Hugh McVey, something of conviction went out of their voices. "I read in the paper that a man in Toledo made thirty thousand dollars out of an invention. He got it up in less than a day. He just thought of it. It's a new kind of way for sealing fruit cans," a man in the crowd before Birdie Spink's drug store absent-mindedly observed.

Inside the drug store by the empty stove, Judge Hanby talked persistently of the time when factories would come. He seemed to those who listened a sort of John the Baptist crying out of the coming of the new day. One evening in May of that year, when a goodly crowd was assembled, Steve Hunter came in and bought a cigar. Every one became silent. Birdie Spinks was for some mysterious reason a little upset. In the store something happened that, had there been some one there to record it, might later have been remembered as the moment that marked the coming of the new age to Bidwell. The druggist, after he had handed out the cigar, looked at the young man whose name had so suddenly come upon every one's lips and whom he had known from babyhood, and then addressed him as no young man of his age had ever before been addressed by an older citizen of the town. "Well, good evening, Mr. Hunter," he said respectfully. "And how do you find yourself this evening?"

To the men who met him in the bank, Steve described the plant-setting machine and the work it was intended to do. "It's the most perfect thing of its kind I've ever seen," he said with the air of one who has spent his life as an expert examiner of machinery. Then, to the amazement of every one, he produced sheets covered with figures estimating the cost of manufacturing the machine. To the men present it seemed as though the question as to the practicability of the machine had already been settled. The sheets covered with figures made the actual beginning of manufacturing seem near at hand. Without raising his voice and quite as a matter of course, Steve proposed that the men present subscribe each three thousand dollars to the stock of a promotion company, the money to be used to perfect the machine and put it actually to work in the fields, while a larger company for the building of a factory was being organized. For the three thousand dollars each of the men would receive later six thousand dollars in stock in the larger company. They would make one hundred per cent. on their first investment. As for himself he owned the invention and it was very valuable. He had already received many offers from other men in other places. He wanted to stick to his own town and to the men who had known him since he was a boy. He would retain a controlling interest in the larger company and that would enable him to take care of his friends. John Clark he proposed to make treasurer of the promotion company. Every one could see he would be the right man. Gordon Hart should be manager. Tom Butterworth could, if he could find time to give it, help him in the actual organization of the larger company. He did not propose to do anything in a small way. Much stock would have to be sold to farmers, as well as to townspeople, and he could see no reason why a certain commission for the selling of stock should not be paid.

The four men came out of the back room of the bank just as the storm that had all day been threatening broke on Main Street. They stood together by the front window and watched the people skurry along past the stores homeward-bound from the circus. Farmers jumping into their wagons started their horses away on the trot. The whole street was populous with people shouting and running. To an observing person standing at the bank window, Bidwell, Ohio, might have seemed no longer a quiet town filled with people who lived quiet lives and thought quiet thoughts, but a tiny section of some giant modern city. The sky was extraordinarily black as from the smoke of a mill. The hurrying people might have been workmen escaping from the mill at the end of the day. Clouds of dust swept through the street. Steve Hunter's imagination was aroused. For some reason the black clouds of dust and the running people gave him a tremendous sense of power. It almost seemed to him that he had filled the sky with clouds and that something latent in him had startled the people. He was anxious to get away from the men who had just agreed to join him in his first great industrial adventure. He felt that they were after all mere puppets, creatures he could use, men who were being swept along by him as the people running along the streets were being swept along by the storm. He and the storm were in a way akin to each other. He had an impulse to be alone with the storm, to walk dignified and upright in the face of it as he felt that in the future he would walk dignified and upright in the face of men.

Steve went out of the bank and into the street. The men inside shouted at him, telling him he would get wet, but he paid no attention to their warning. When he had gone and when his father had run quickly across the street to his jewelry store, the three men who were left in the bank looked at each other and laughed. Like the loiterers before Birdie Spinks' drug-store, they wanted to belittle him and had an inclination to begin calling him names; but for some reason they could not do it. Something had happened to them. They looked at each other with a question in their eyes. Each man waited for the others to speak. "Well, whatever happens we can't lose much of anything," John Clark finally observed.

And over the bridge and out into Turner's Pike walked Steve Hunter, the embryo industrial magnate. Across the great stretches of fields that lay beside the road the wind ran furiously, tearing leaves off trees, carrying great volumes of dust before it. The hurrying black clouds in the sky were, he fancied, like clouds of smoke pouring out of the chimneys of factories owned by himself. In fancy also he saw his town become a city, bathed in the smoke of his enterprises. As he looked abroad over the fields swept by the storm of wind, he realized that the road along which he walked would in time become a city street. "Pretty soon I'll get an option on this land," he said meditatively. An exalted mood took possession of him and when he got to Pickleville he did not go into the shop where Hugh and Allie Mulberry were at work, but turning, walked back toward town in the mud and the driving rain.

It was a time when Steve wanted to be by himself, to feel himself the one great man of the community. He had intended to go into the old pickle factory and escape the rain, but when he got to the railroad tracks, had turned back because he realized suddenly that in the presence of the silent, intent inventor he had never been able to feel big. He wanted to feel big on that evening and so, unmindful of the rain and of his hat, that was caught up by the wind and blown away into a field, he went along the deserted road thinking great thoughts. At a place where there were no houses he stopped for a moment and lifted his tiny hands to the skies. "I'm a man. I tell you what, I'm a man. Whatever any one says, I tell you what, I'm a man," he shouted into the void.

CHAPTER VII

Modern men and women who live in industrial cities are like mice that have come out of the fields to live in houses that do not belong to them. They live within the dark walls of the houses where only a dim light penetrates, and so many have come that they grow thin and haggard with the constant toil of getting food and warmth. Behind the walls the mice scamper about in droves, and there is much squealing and chattering. Now and then a bold mouse stands upon his hind legs and addresses the others. He declares he will force his way through the walls and conquer the gods who have built the house. "I will kill them," he declares. "The mice shall rule. You shall live in the light and the warmth. There shall be food for all and no one shall go hungry."

The little mice, gathered in the darkness out of sight in the great houses, squeal with delight. After a time when nothing happens they become sad and depressed. Their minds go back to the time when they lived in the fields, but they do not go out of the walls of the houses, because long living in droves has made them afraid of the silence of long nights and the emptiness of skies. In the houses giant children are being reared. When the children fight and scream in the houses and in the streets, the dark spaces between the walls rumble with strange and appalling noises.

The mice are terribly afraid. Now and then a single mouse for a moment escapes the general fear. A mood comes over such a one and a light comes into his eyes. When the noises run through the houses he makes up stories about them. "The horses of the sun are hauling wagon loads of days over the tops of trees," he says and looks quickly about to see if he has been heard. When he discovers a female mouse looking at him he runs away with a flip of his tail and the female follows. While other mice are repeating his saying and getting some little comfort from it, he and the female mouse find a warm dark corner and lie close together. It is because of them that mice continue to be born to dwell within the walls of the houses.

When the first small model of Hugh McVey's plant-setting machine had been whittled out by the half-wit Allie Mulberry, it replaced the famous ship, floating in the bottle, that for two or three years had been lying in the window of Hunter's jewelry store. Allie was inordinately proud of the new specimen of his handiwork. As he worked under Hugh's directions at a bench in a corner of the deserted pickle factory, he was like a strange dog that has at last found a master. He paid no attention to Steve Hunter who, with the air of one bearing in his breast some gigantic secret, came in and went out at the door twenty times a day, but kept his eyes on the silent Hugh who sat at a desk and made drawings on sheets of paper. Allie tried valiantly to follow the instructions given him and to understand what his master was trying to do, and Hugh, finding himself unembarrassed by the presence of the half-wit, sometimes spent hours trying to explain the workings of some intricate part of the proposed machine. Hugh made each part crudely out of great pieces of board and Allie reproduced the part in miniature. Intelligence began to come into the eyes of the man who all his life had whittled meaningless wooden chains, baskets formed out of peach stones, and ships intended to float in bottles. Love and understanding began a little to do for him what words could not have done. One day when a part Hugh had fashioned would not work the half-wit himself made the model of a part that worked perfectly. When Hugh incorporated it in the machine, he was so happy that he could not sit still, and walked up and down cooing with delight.

When the model of the machine appeared in the jeweler's window, a fever of excitement took hold of the minds of the people. Every one declared himself either for or against it. Something like a revolution took place. Parties were formed. Men who had no interest in the success of the invention, and in the nature of things could not have, were ready to fight any one who dared to doubt its success. Among the farmers who drove into town to see the new wonder were many who said the machine would not, could not, work. "It isn't practical," they said. Going off by themselves and forming groups, they whispered warnings. A hundred objections sprang to their lips. "See all the little wheels and cogs the thing has," they said. "You see it won't work. You take now in a field where there are stones and old tree roots, maybe, sticking in the ground. There you'll see. Fools'll buy the machine, yes. They'll spend their money. They'll put in plants. The plants'll die. The money'll be wasted. There'll be no crop." Old men, who had been cabbage farmers in the country north of Bidwell all their lives, and whose bodies were all twisted out of shape by the terrible labor of the cabbage fields, came hobbling into town to look at the model of the new machine. Their opinions were anxiously sought by the merchant, the carpenter, the artisan, the doctor—by all the townspeople. Almost without exception, they shook their heads in doubt. Standing on the sidewalk before the jeweler's window, they stared at the machine and then, turning to the crowd that had gathered about, they shook their heads in doubt. "Huh," they exclaimed, "a thing of wheels and cogs, eh? Well, so young Hunter expects that thing to take the place of a man. He's a fool. I always said that boy was a fool." The merchants and townspeople, their ardor a little dampened by the adverse decision of the men who knew plant-setting, went off by themselves. They went into Birdie Spinks' drugstore, but did not listen to the talk of Judge Hanby. "If the machine works, the town'll wake up," some one declared. "It means factories, new people coming in, houses to be built, goods to be bought." Visions of suddenly acquired wealth began to float in their minds. Young Ed Hall, apprentice to Ben Peeler the carpenter, grew angry. "Hell," he exclaimed, "why listen to a lot of damned old calamity howlers? It's the town's duty to get out and plug for that machine. We got to wake up here. We got to forget what we used to think about Steve Hunter. Anyway, he saw a chance, didn't he? and he took it. I wish I was him. I only wish I was him. And what about that fellow we thought was maybe just a telegraph operator? He fooled us all slick, now didn't he? I tell you we ought to be proud to have such men as him and Steve Hunter living in Bidwell. That's what I say. I tell you it's the town's duty to get out and plug for them and for that machine. If we don't, I know what'll happen. Steve Hunter's a live one. I been thinking maybe he was. He'll take that invention and that inventor of his to some other town or to a city. That's what he'll do. Damn it, I tell you we got to get out and back them fellows up. That's what I say."

On the whole the town of Bidwell agreed with young Hall. The excitement did not die, but grew every day more intense. Steve Hunter had a carpenter come to his father's store and build in the show window facing Main Street, a long shallow box formed in the shape of a field. This he filled with pulverized earth and then by an arrangement of strings and pulleys connected with a clockwork device the machine was pulled across the field. In a receptacle at the top of the machine had been placed some dozens of tiny plants no larger than pins. When the clockwork was started and the strings pulled to imitate applied horse power, the machine crept slowly forward, an arm came down and made a hole in the ground, the plant dropped into the hole and spoon-like hands appeared and packed the earth about the plant roots. At the top of the machine there was a tank filled with water, and when the plant was set, a portion of water, nicely calculated as to quantity, ran down a pipe and was deposited at the plant roots.

Evening after evening the machine crawled forward across the tiny field, setting the plants in perfect order. Steve Hunter busied himself with it; he did nothing else; and rumors of a great company to be formed in Bidwell to manufacture the device were whispered about. Every evening a new tale was told. Steve went to Cleveland for a day and it was said that Bidwell was to lose its chance, that big moneyed men had induced Steve to take his factory project to the city. Hearing Ed Hall berate a farmer who doubted the practicability of the machine, Steve took him aside and talked to him. "We're going to need live young men who know how to handle other men for jobs as superintendent and things like that," he said. "I make no promises. I only want to tell you that I like live young fellows who can see the hole in a bushel basket. I like that kind. I like to see them get up in the world."

Steve heard the farmers continually expressing their skepticism about making the plants that had been set by the machine grow into maturity, and had the carpenter build another tiny field in a side window of the store. He had the machine moved and plants set in the new field. He let these grow. When some of the plants showed signs of dying he came secretly at night and replaced them with sturdier shoots so that the miniature field showed always a brave, vigorous front to the world.

Bidwell became convinced that the most rigorous of all forms of human labor practiced by its people was at an end. Steve made and had hung in the store window a large sheet showing the relative cost of planting an acre of cabbage with the machine, and by what was already called "the old way," by hand. Then he formally announced that a stock company would be formed in Bidwell and that every one would have a chance to get into it. He printed an article in the weekly paper in which he said that many offers had come to him to take his project to the city or to other and larger towns. "Mr. McVey, the celebrated inventor, and I both want to stick to our own people," he said, regardless of the fact that Hugh knew nothing of the article and had never been taken into the lives of the people addressed. A day was set for the beginning of the taking of stock subscriptions, and in private conversations Steve whispered of huge profits to be made. The matter was talked over in every household and plans were made for raising money to buy stock. John Clark agreed to lend a certain percentage on the value of the town property and Steve secured a long-time option on all the land facing Turner's Pike clear down to Pickleville. When the town heard of this it was filled with wonder. "Gee," the loiterers before the store exclaimed, "old Bidwell is going to grow up. Now look at that, will you? There are going to be houses clear down to Pickleville." Hugh went to Cleveland to see about having one of his new machines made in steel and wood and in a size that would permit its actual use in the field. He returned, a hero in the town's eyes. His silence made it possible for the people, who could not entirely forget their former lack of faith in Steve, to let their minds take hold of something they thought was truly heroic.

In the evening, after going again to see the machine in the window of the jewelry store, crowds of young and old men wandered down along Turner's Pike to the Wheeling Station where a new man had come to replace Hugh. They hardly saw the evening train when it came in. Like devotees before a shrine they gazed with something like worship in their eyes at the old pickle factory, and when by chance Hugh came among them, unconscious of the sensation he was creating, they became embarrassed as he was always embarrassed by their presence. Every one dreamed of becoming suddenly rich by the power of the man's mind. They thought of him as thinking always great thoughts. To be sure, Steve Hunter might be more than half bluff and blow and pretense, but there was no bluff and blow about Hugh. He didn't waste his time in words. He thought, and out of his thought sprang almost unbelievable wonders.

In every part of the town of Bidwell, the new impulse toward progress was felt. Old men, who had become settled in their ways and who had begun to pass their days in a sort of sleepy submission to the idea of the gradual passing away of their lives, awoke and went into Main Street in the evening to argue with skeptical farmers. Beside Ed Hall, who had become a Demosthenes on the subject of progress and the duty of the town to awake and stick to Steve Hunter and the machine, a dozen other men held forth on the street corners. Oratorical ability awoke in the most unexpected places. Rumors flew from lip to lip. It was said that within a year Bidwell was to have a brick factory covering acres of ground, that there would be paved streets and electric lights.

Oddly enough the most persistent decrier of the new spirit in Bidwell was the man who, if the machine turned out to be a success, would profit most from its use. Ezra French, the profane, refused to be convinced. When pressed by Ed Hall, Dr. Robinson, and other enthusiasts, he fell back upon the word of that God whose name had been so much upon his lips. The decrier of God became the defender of God. "The thing, you see, can't be done. It ain't all right. Something awful'll happen. The rains won't come and the plants'll dry up and die. It'll be like it was in Egypt in the Bible times," he declared. The old farmer with the twisted leg stood before the crowd in the drug-store and proclaimed the truth of God's word. "Don't it say in the Bible men shall work and labor by the sweat of their brows?" he asked sharply. "Can a machine like that sweat? You know it can't. And it can't do the work either. No, siree. Men've got to do it. That's the way things have been since Cain killed Abel in the Garden of Eden. God intended it so and there can't no telegraph operator or no smart young squirt like Steve Hunter—fellows in a town like this—set themselves up before me to change the workings of God's laws. It can't be done, and if it could be done it would be wicked and ungodly to try. I'll have nothing to do with it. It ain't right. That's what I say and all your smart talk ain't a-going to change me."

It was in the year 1892 that Steve Hunter organized the first industrial enterprise that came to Bidwell. It was called the Bidwell Plant-Setting Machine Company, and in the end it turned out to be a failure. A large factory was built on the river bank facing the New York Central tracks. It is now occupied by an enterprise called the Hunter Bicycle Company and is what in industrial parlance is called a live, going concern.

For two years Hugh worked faithfully trying to perfect the first of his inventions. After the working models of the plant-setter were brought from Cleveland, two trained mechanics were employed to come to Bidwell and work with him. In the old pickle factory an engine was installed and lathes and other tool-making machines were set up. For a long time Steve, John Clark, Tom Butterworth, and the other enthusiastic promoters of the enterprise had no doubt as to the final outcome. Hugh wanted to perfect the machine, had his heart set on doing the job he had set out to do, but he had then and, for that matter, he continued during his whole life to have but little conception of the import in the lives of the people about him of the things he did. Day after day, with two city mechanics and Allie Mulberry to drive the team of horses Steve had provided, he went into a rented field north of the factory. Weak places developed in the complicated mechanism, and new and stronger parts were made. For a time the machine worked perfectly. Then other defects appeared and other parts had to be strengthened and changed. The machine became too heavy to be handled by one team. It would not work when the soil was either too wet or too dry. It worked perfectly in both wet and dry sand but would do nothing in clay. During the second year and when the factory was nearing completion and much machinery had been installed, Hugh went to Steve and told him of what he thought were the limitations of the machine. He was depressed by his failure, but in working with the machine, he felt he had succeeded in educating himself as he never could have done by studying books. Steve decided that the factory should be started and some of the machines made and sold. "You keep the two men you have and don't talk," he said. "The machine may yet turn out to be better than you think. One can never tell. I have made it worth their while to keep still." On the afternoon of the day on which he had his talk with Hugh, Steve called the four men who were associated with him in the promotion of the enterprise into the back room of the bank and told them of the situation. "We're up against something here," he said. "If we let word of the failure of this machine get out, where'll we be? It is a case of the survival of the fittest."

Steve explained his plan to the men in the room. After all, he said, there was no occasion for any of them to get excited. He had taken them into the thing and he proposed to get them out. "I'm that kind of a man," he said pompously. In a way, he declared, he was glad things had turned out as they had. The four men had little actual money invested. They had all tried honestly to do something for the town and he would see to it that everything came out all right. "We'll be honest with every one," he said. "The stock in the company has all been sold. We'll make some of the machines and sell them. If they're failures, as this inventor thinks, it will not be our fault. The plant, you see, will have to be sold cheap. When that times comes we five will have to save ourselves and the future of the town. The machinery we have bought, is, you see, iron and wood working machinery, the very latest kind. It can be used to make some other thing. If the plant-setting machine is a failure we'll simply buy up the plant at a low price and make something else. Perhaps it'll be better for the town to have the entire stock control in our hands. You see we few men have got to run things here. It's going to be on our shoulders to see that labor is employed. A lot of small stock-holders are a nuisance. As man to man I'm going to ask each of you not to sell his stock, but if any one comes to you and asks about its value, I expect you to be loyal to our enterprise. I'll begin looking about for something to replace the plant-setting machine, and when the shop closes we'll start right up again. It isn't every day men get a chance to sell themselves a fine plant full of new machinery as we can do in a year or so now."

Steve went out of the bank and left the four men staring at each other. Then his father got up and went out. The other men, all connected with the bank, arose and wandered out. "Well," said John Clark, somewhat heavily, "he's a smart man. I suppose after all it is up to us to stick with him and with the town. As he says, labor has got to be employed. I can't see that it does a carpenter or a farmer any good to own a little stock in a factory. It only takes their minds off their work. They have foolish dreams of getting rich and don't attend to their own affairs. It would be an actual benefit to the town if a few men owned the factory." The banker lighted a cigar and going to a window stared out into the main street of Bidwell. Already the town had changed. Three new brick buildings were being erected on Main Street within sight of the bank window. Workmen employed in the building of the factory had come to town to live, and many new houses were being built. Everywhere things were astir. The stock of the company had been oversubscribed, and almost every day men came into the bank and spoke of wanting to buy more. Only the day before a farmer had come in with two thousand dollars. The banker's mind began to secrete the poison of his age. "After all, it's men like Steve Hunter, Tom Butterworth, Gordon Hart, and myself that have to take care of things, and to be in shape to do it we have to look out for ourselves," he soliloquized. Again he stared into Main Street. Tom Butterworth went out at the front door. He wanted to be by himself and think his own thoughts. Gordon Hart returned to the empty back room and standing by a window looked out into an alleyway. His thoughts ran in the same channel as those that played through the mind of the bank president. He also thought of men who wanted to buy stock in the company that was doomed to failure. He began to doubt the judgment of Hugh McVey in the matter of failure. "Such fellows are always pessimists," he told himself. From the window at the back of the bank, he could see over the roofs of a row of small sheds and down a residence street to where two new workingmen's houses were being built. His thoughts only differed from the thoughts of John Clark because he was a younger man. "A few men of the younger generation, like Steve and myself will have to take hold of things," he muttered aloud. "We'll have to have money to work with. We'll have to take the responsibility of the ownership of money."

At the front of the bank John Clark puffed at his cigar. He felt like a soldier weighing the chances of battle. Vaguely he thought of himself as a general, a kind of U. S. Grant of industry. The lives and happiness of many people, he told himself, depended on the clear working of his brain. "Well," he thought, "when factories start coming to a town and it begins to grow as this town is growing no man can stop it. The fellow who thinks of individual men, little fellows with their savings invested, who may be hurt by an industrial failure, is just a weakling. Men have to face the duties life brings. The few men who see clearly have to think first of themselves. They have to save themselves in order that they may save others."

* * * * *

Things kept on the stir in Bidwell and the gods of chance played into the hands of Steve Hunter. Hugh invented an apparatus for lifting a loaded coal-car off the railroad tracks, carrying it high up into the air and dumping its contents into a chute. By its use an entire car of coal could be emptied with a roaring rush into the hold of a ship or the engine room of a factory. A model of the new invention was made and a patent secured. Then Steve Hunter carried it off to New York. He received two hundred thousand dollars in cash for it, half of which went to Hugh. Steve's faith in the inventive genius of the Missourian was renewed and strengthened. He looked forward with a feeling almost approaching pleasure to the time when the town would be forced to face the fact that the plant-setting machine was a failure, and the factory with its new machinery would have to be thrown on the market. He knew that his associates in the promotion of the enterprise were secretly selling their stock. One day he went to Cleveland and had a long talk with a banker there. Hugh was at work on a corn-cutting machine and already he had secured an option on it. "Perhaps when the time comes to sell the factory there'll be more than one bidder," he told Ernestine, the soap maker's daughter, who had married him within a month after the sale of the car-unloading device. He grew indignant when he told her of the disloyalty of the two men in the bank, and the rich farmer, Tom Butterworth. "They're selling their shares and letting the small stock-holders lose their money," he declared. "I told 'em not to do it. Now if anything happens to spoil their plans they'll not have me to blame."

Nearly a year had been spent in stirring up the people of Bidwell to the point of becoming investors. Then things began to stir. The ground was broken for the erection of the factory. No one knew of the difficulties that had been encountered in attempting to perfect the machine and word was passed about that in actual tests in the fields it had proven itself entirely practical. The skeptical farmers who came into town on Saturdays were laughed at by the town enthusiasts. A field, that had been planted during one of the brief periods when the machine finding ideal soil conditions had worked perfectly, was left to grow. As when he operated the tiny model in the store window, Steve took no chances. He engaged Ed Hall to go at night and replace the plants that did not live. "It's fair enough," he explained to Ed. "A hundred things can cause the plants to die, but if they die it'll be blamed on the machine. What will become of the town if we don't believe in the thing we're going to manufacture here?"

The crowds of people, who in the evenings walked out along Turner's Pike to look at the field with its long rows of sturdy young cabbages, moved restlessly about and talked of the new days. From the field they went along the railroad tracks to the site of the factory. The brick walls began to mount up into the sky. Machinery began to arrive and was housed under temporary sheds against the time when it could be installed. An advance horde of workmen came to town and new faces appeared on Main Street in the evening. The thing that was happening in Bidwell happened in towns all over the Middle West. Out through the coal and iron regions of Pennsylvania, into Ohio and Indiana, and on westward into the States bordering on the Mississippi River, industry crept. Gas and oil were discovered in Ohio and Indiana. Over night, towns grew into cities. A madness took hold of the minds of the people. Villages like Lima and Findlay, Ohio, and like Muncie and Anderson in Indiana, became small cities within a few weeks. To some of these places, so anxious were the people to get to them and to invest their money, excursion trains were run. Town lots that a few weeks before the discovery of oil or gas could have been bought for a few dollars sold for thousands. Wealth seemed to be spurting out of the very earth. On farms in Indiana and Ohio giant gas wells blew the drilling machinery out of the ground, and the fuel so essential to modern industrial development rushed into the open. A wit, standing in the presence of one of the roaring gas wells exclaimed, "Papa, Earth has indigestion; he has gas on his stomach. His face will be covered with pimples."

Having, before the factories came, no market for the gas, the wells were lighted and at night great torches of flame lit the skies. Pipes were laid on the surface of the ground and by a day's work a laborer earned enough to heat his house at tropical heat through an entire winter. Farmers owning oil-producing land went to bed in the evening poor and owing money at the bank, and awoke in the morning rich. They moved into the towns and invested their money in the factories that sprang up everywhere. In one county in southern Michigan, over five hundred patents for woven wire farm fencing were taken out in one year, and almost every patent was a magnet about which a company for the manufacture of fence formed itself. A vast energy seemed to come out of the breast of earth and infect the people. Thousands of the most energetic men of the middle States wore themselves out in forming companies, and when the companies failed, immediately formed others. In the fast-growing towns, men who were engaged in organizing companies representing a capital of millions lived in houses thrown hurriedly together by carpenters who, before the time of the great awakening, were engaged in building barns. It was a time of hideous architecture, a time when thought and learning paused. Without music, without poetry, without beauty in their lives or impulses, a whole people, full of the native energy and strength of lives lived in a new land, rushed pell-mell into a new age. A man in Ohio, who had been a dealer in horses, made a million dollars out of a patent churn he had bought for the price of a farm horse, took his wife to visit Europe and in Paris bought a painting for fifty thousand dollars. In another State of the Middle West, a man who sold patent medicine from door to door through the country began dealing in oil leases, became fabulously rich, bought himself three daily newspapers, and before he had reached the age of thirty-five succeeded in having himself elected Governor of his State. In the glorification of his energy his unfitness as a statesman was forgotten.

In the days before the coming of industry, before the time of the mad awakening, the towns of the Middle West were sleepy places devoted to the practice of the old trades, to agriculture and to merchandising. In the morning the men of the towns went forth to work in the fields or to the practice of the trade of carpentry, horse-shoeing, wagon making, harness repairing, and the making of shoes and clothing. They read books and believed in a God born in the brains of men who came out of a civilization much like their own. On the farms and in the houses in the towns the men and women worked together toward the same ends in life. They lived in small frame houses set on the plains like boxes, but very substantially built. The carpenter who built a farmer's house differentiated it from the barn by putting what he called scroll work up under the eaves and by building at the front a porch with carved posts. After one of the poor little houses had been lived in for a long time, after children had been born and men had died, after men and women had suffered and had moments of joy together in the tiny rooms under the low roofs, a subtle change took place. The houses became almost beautiful in their old humanness. Each of the houses began vaguely to shadow forth the personality of the people who lived within its walls.

In the farmhouses and in the houses on the side streets in the villages, life awoke at dawn. Back of each of the houses there was a barn for the horses and cows, and sheds for pigs and chickens. At daylight a chorus of neighs, squeals, and cries broke the silence. Boys and men came out of the houses. They stood in the open spaces before the barns and stretched their bodies like sleepy animals. The arms extended upward seemed to be supplicating the gods for fair days, and the fair days came. The men and boys went to a pump beside the house and washed their faces and hands in the cold water. In the kitchens there was the smell and sound of the cooking of food. The women also were astir. The men went into the barns to feed the animals and then hurried to the houses to be themselves fed. A continual grunting sound came from the sheds where pigs were eating corn, and over the houses a contented silence brooded.

After the morning meal men and animals went together to the fields and to the doing of their tasks, and in the houses the women mended clothes, put fruit in cans against the coming of winter and talked of woman's affairs. On the streets of the towns on fair days lawyers, doctors, the officials of the county courts, and the merchants walked about in their shirt sleeves. The house painter went along with his ladder on his shoulder. In the stillness there could be heard the hammers of the carpenters building a new house for the son of a merchant who had married the daughter of a blacksmith. A sense of quiet growth awoke in sleeping minds. It was the time for art and beauty to awake in the land.

Instead, the giant, Industry, awoke. Boys, who in the schools had read of Lincoln, walking for miles through the forest to borrow his first book, and of Garfield, the towpath lad who became president, began to read in the newspapers and magazines of men who by developing their faculty for getting and keeping money had become suddenly and overwhelmingly rich. Hired writers called these men great, and there was no maturity of mind in the people with which to combat the force of the statement, often repeated. Like children the people believed what they were told.

While the new factory was being built with the carefully saved dollars of the people, young men from Bidwell went out to work in other places. After oil and gas were discovered in neighboring states, they went to the fast-growing towns and came home telling wonder tales. In the boom towns men earned four, five and even six dollars a day. In secret and when none of the older people were about, they told of adventures on which they had gone in the new places; of how, attracted by the flood of money, women came from the cities; and the times they had been with these women. Young Harley Parsons, whose father was a shoemaker and who had learned the blacksmith trade, went to work in one of the new oil fields. He came home wearing a fancy silk vest and astonished his fellows by buying and smoking ten-cent cigars. His pockets were bulging with money. "I'm not going to stay long in this town, you can bet on that," he declared one evening as he stood, surrounded by a group of admirers before Fanny Twist's Millinery Shop on lower Main Street. "I have been with a Chinese woman, and an Italian, and with one from South America." He took a puff of his cigar and spat on the sidewalk. "I'm out to get what I can out of life," he declared. "I'm going back and I'm going to make a record. Before I get through I'm going to be with a woman of every nationality on earth, that's what I'm going to do."

Joseph Wainsworth the harness maker, who had been the first man in Bidwell to feel the touch of the heavy finger of industrialism, could not get over the effect of the conversation had with Butterworth, the farmer who had asked him to repair harnesses made by machines in a factory. He became a silent disgruntled man and muttered as he went about his work in the shop. When Will Sellinger his apprentice threw up his place and went to Cleveland he did not get another boy but for a time worked alone in the shop. He got the name of being disagreeable, and on winter afternoons the farmers no longer came into his place to loaf. Being a sensitive man, Joe felt like a pigmy, a tiny thing walking always in the presence of a giant that might at any moment and by a whim destroy him. All his life he had been somewhat off-hand with his customers. "If they don't like my work, let 'em go to the devil," he said to his apprentices. "I know my trade and I don't have to bow down to any one here."

When Steve Hunter organized the Bidwell Plant-Setting Machine Company, the harness maker put his savings, twelve hundred dollars, into the stock of the company. One day, during the time when the factory was building, he heard that Steve had paid twelve hundred dollars for a new lathe that had just arrived by freight and had been set on the floor of the uncompleted building. The promoter had told a farmer that the lathe would do the work of a hundred men, and the farmer had come into Joe's shop and repeated the statement. It stuck in Joe's mind and he came to believe that the twelve hundred dollars he had invested in stock had been used for the purchase of the lathe. It was money he had earned in a long lifetime of effort and it had now bought a machine that would do the work of a hundred men. Already his money had increased by a hundred fold and he wondered why he could not be happy about the matter. On some days he was happy, and then his happiness was followed by an odd fit of depression. Suppose, after all, the plant-setting machine wouldn't work? What then could be done with the lathe, with the machine bought with his money?

One evening after dark and without saying anything to his wife, he went down along Turner's Pike to the old factory at Pickleville where Hugh with the half-wit Allie Mulberry, and the two mechanics from the city, were striving to correct the faults in the plant-setting machine. Joe wanted to look at the tall gaunt man from the West, and had some notion of trying to get into conversation with him and of asking his opinion of the possibilities of the success of the new machine. The man of the age of flesh and blood wanted to walk in the presence of the man who belonged to the new age of iron and steel. When he got to the factory it was dark and on an express truck in front of the Wheeling Station the two city workmen sat smoking their evening pipes. Joe walked past them to the station door and then returned along the platform and got again into Turner's Pike. He stumbled along the path beside the road and presently saw Hugh McVey coming toward him. It was one of the evenings when Hugh, overcome with loneliness, and puzzled that his new position in the town's life did not bring him any closer to people, had gone to town to walk through Main Street, half hoping some one would break through his embarrassment and enter into conversation with him.

When the harness maker saw Hugh walking in the path, he crept into a fence corner, and crouching down, watched the man as Hugh had watched the French boys at work in the cabbage fields. Strange thoughts came into his head. He thought the extraordinarily tall figure before him in some way terrible. He became childishly angry and for a moment thought that if he had a stone in his hand he would throw it at the man, the workings of whose brain had so upset his own life. Then as the figure of Hugh went away along the path another mood came. "I have worked all my life for twelve hundred dollars, for money that will buy one machine that this man thinks nothing about," he muttered aloud. "Perhaps I'll get more money than I invested: Steve Hunter says maybe I will. If machines kill the harness-making trade what's the difference? I'll be all right. The thing to do is to get in with the new times, to wake up, that's the ticket. With me it's like with every one else: nothing venture nothing gain."

Joe crawled out of the fence corner and went stealthily along the road behind Hugh. A fervor seized him and he thought he would like to creep close and touch with his finger the hem of Hugh's coat. Afraid to try anything so bold his mind took a new turn. He ran in the darkness along the road toward town and, when he had crossed the bridge and come to the New York Central tracks, turned west and went along the tracks until he came to the new factory. In the darkness the half completed walls stuck up into the sky, and all about were piles of building materials. The night had been dark and cloudy, but now the moon began to push its way through the clouds. Joe crawled over a pile of bricks and through a window into the building. He felt his way along the walls until he came to a mass of iron covered by a rubber blanket. He was sure it must be the lathe his money had bought, the machine that was to do the work of a hundred men and that was to make him comfortably rich in his old age. No one had spoken of any other machine having been brought in on the factory floor. Joe knelt on the floor and put his hands about the heavy iron legs of the machine. "What a strong thing it is! It will not break easily," he thought. He had an impulse to do something he knew would be foolish, to kiss the iron legs of the machine or to say a prayer as he knelt before it. Instead he got to his feet and crawling out again through the window, went home. He felt renewed and full of new courage because of the experiences of the night, but when he got to his own house and stood at the door outside, he heard his neighbor, David Chapman, a wheelwright who worked in Charlie Collins' wagon shop, praying in his bedroom before an open window. Joe listened for a moment and, for some reason he couldn't understand, his new-found faith was destroyed by what he heard. David Chapman, a devout Methodist, was praying for Hugh McVey and for the success of his invention. Joe knew his neighbor had also invested his savings in the stock of the new company. He had thought that he alone was doubtful of success, but it was apparent that doubt had come also into the mind of the wheelwright. The pleading voice of the praying man, as it broke the stillness of the night, cut across and for the moment utterly destroyed his confidence. "O God, help the man Hugh McVey to remove every obstacle that stands in his way," David Chapman prayed. "Make the plant-setting machine a success. Bring light into the dark places. O Lord, help Hugh McVey, thy servant, to build successfully the plant-setting machine."

BOOK THREE

CHAPTER VIII

When Clara Butterworth, the daughter of Tom Butterworth, was eighteen years old she graduated from the town high school. Until the summer of her seventeenth year, she was a tall, strong, hard-muscled girl, shy in the presence of strangers and bold with people she knew well. Her eyes were extraordinarily gentle.

The Butterworth house on Medina Road stood back of an apple orchard and there was a second orchard beside the house. The Medina Road ran south from Bidwell and climbed gradually upward toward a country of low hills, and from the side porch of the Butterworth house the view was magnificent. The house itself was a large brick affair with a cupola on top and was considered at that time the most pretentious place in the county.

Behind the house were several great barns for the horses and cattle. Most of Tom Butterworth's farm land lay north of Bidwell, and some of his fields were five miles from his home; but as he did not himself work the land it did not matter. The farms were rented to men who worked them on shares. Beside the business of farming Tom carried on other affairs. He owned two hundred acres of hillside land near his house and, with the exception of a few fields and a strip of forest land, it was devoted to the grazing of sheep and cattle. Milk and cream were delivered each morning to the householders of Bidwell by two wagons driven by his employees. A half mile to the west of his residence there was a slaughter house on a side road and at the edge of a field where cattle were killed for the Bidwell market. Tom owned it and employed the men who did the killing. A creek that came down out of the hills through one of the fields past his house had been dammed, and south of the pond there was an ice house. He also supplied the town with ice. In his orchards beneath the trees stood more than a hundred beehives and every year he shipped honey to Cleveland. The farmer himself was a man who appeared to do nothing, but his shrewd mind was always at work. In the summer throughout the long sleepy afternoons, he drove about over the county buying sheep and cattle, stopping to trade horses with some farmer, dickering for new pieces of land, everlastingly busy. He had one passion. He loved fast trotting horses, but would not humor himself by owning one. "It's a game that only gets you into trouble and debt," he said to his friend John Clark, the banker. "Let other men own the horses and go broke racing them. I'll go to the races. Every fall I can go to Cleveland to the grand circuit. If I go crazy about a horse I can bet ten dollars he'll win. If he doesn't I'm out ten dollars. If I owned him I would maybe be out hundreds for the expense of training and all that." The farmer was a tall man with a white beard, broad shoulders, and rather small slender white hands. He chewed tobacco, but in spite of the habit kept both himself and his white beard scrupulously clean. His wife had died while he was yet in the full vigor of life, but he had no eye for women. His mind, he once told one of his friends, was too much occupied with his own affairs and with thoughts of the fine horses he had seen to concern itself with any such nonsense.

For many years the farmer did not appear to pay much attention to his daughter Clara, who was his only child. Throughout her childhood she was under the care of one of his five sisters, all of whom except the one who lived with him and managed his household being comfortably married. His own wife had been a somewhat frail woman, but his daughter had inherited his own physical strength.

When Clara was seventeen, she and her father had a quarrel that eventually destroyed their relationship. The quarrel began late in July. It was a busy summer on the farms and more than a dozen men were employed about the barns, in the delivery of ice and milk to the town, and at the slaughtering pens a half mile away. During that summer something happened to the girl. For hours she sat in her own room in the house reading books, or lay in a hammock in the orchard and looked up through the fluttering leaves of the apple trees at the summer sky. A light, strangely soft and enticing, sometimes came into her eyes. Her figure that had been boyish and strong began to change. As she went about the house she sometimes smiled at nothing. Her aunt hardly noticed what was happening to her, but her father, who all her life had seemed hardly to take account of her existence, was interested. In her presence he began to feel like a young man. As in the days of his courtship of her mother and before the possessive passion in him destroyed his ability to love, he began to feel vaguely that life about him was full of significance. Sometimes in the afternoon when he went for one of his long drives through the country he asked his daughter to accompany him, and although he had little to say a kind of gallantry crept into his attitude toward the awakening girl. While she was in the buggy with him, he did not chew tobacco, and after one or two attempts to indulge in the habit without having the smoke blow in her face, he gave up smoking his pipe during the drives.

Always before that summer Clara had spent the months when there was no school in the company of the farm hands. She rode on wagons, visited the barns, and when she grew weary of the company of older people, went into town to spend an afternoon with one of her friends among the town girls.

In the summer of her seventeenth year she did none of these things. At the table she ate in silence. The Butterworth household was at that time run on the old-fashioned American plan, and the farm hands, the men who drove the ice and milk wagons and even the men who killed and dressed cattle and sheep, ate at the same table with Tom Butterworth, his sister, who was the housekeeper, and his daughter. Three hired girls were employed in the house and after all had been served they also came and took their places at table. The older men among the farmer's employees, many of whom had known her from childhood, had got into the habit of teasing the daughter of the house. They made comments concerning town boys, young fellows who clerked in stores or who were apprenticed to some tradesman and one of whom had perhaps brought the girl home at night from a school party or from one of the affairs called "socials" that were held at the town churches. After they had eaten in the peculiar silent intent way common to hungry laborers, the farm hands leaned back in their chairs and winked at each other. Two of them began an elaborate conversation touching on some incident in the girl's life. One of the older men, who had been on the farm for many years and who had a reputation among the others of being something of a wit, chuckled softly. He began to talk, addressing no one in particular. The man's name was Jim Priest, and although the Civil War had come upon the country when he was past forty, he had been a soldier. In Bidwell he was looked upon as something of a rascal, but his employer was very fond of him. The two men often talked together for hours concerning the merits of well known trotting horses. In the war Jim had been what was called a bounty man, and it was whispered about town that he had also been a deserter and a bounty jumper. He did not go to town with the other men on Saturday afternoons, and had never attempted to get into the Bidwell chapter of the G. A. R. On Saturdays when the other farm hands washed, shaved and dressed themselves in their Sunday clothes preparatory to the weekly flight to town, he called one of them into the barn, slipped a quarter into his hand, and said, "Bring me a half pint and don't you forget it." On Sunday afternoons he crawled into the hayloft of one of the barns, drank his weekly portion of whisky, got drunk, and sometimes did not appear again until time to go to work on Monday morning. In the fall Jim took his savings and went to spend a week at the grand circuit trotting meeting at Cleveland, where he bought a costly present for his employer's daughter and then bet the rest of his money on the races. When he was lucky he stayed on in Cleveland, drinking and carousing until his winnings were gone.

It was Jim Priest who always led the attacks of teasing at the table, and in the summer of her seventeenth year, when she was no longer in the mood for such horse-play, it was Jim who brought the practice to an end. At the table Jim leaned back in his chair, stroked his red bristly beard, now rapidly graying, looked out of a window over Clara's head, and told a tale concerning an attempt at suicide on the part of a young man in love with Clara. He said the young man, a clerk in a Bidwell store, had taken a pair of trousers from a shelf, tied one leg about his neck and the other to a bracket in the wall. Then he jumped off a counter and had only been saved from death because a town girl, passing the store, had seen him and had rushed in and cut him down. "Now what do you think of that?" he cried. "He was in love with our Clara, I tell you."

After the telling of the tale, Clara got up from the table and ran out of the room. The farm hands joined by her father laughed heartily. Her aunt shook her finger at Jim Priest, the hero of the occasion. "Why don't you let her alone?" she asked.

"She'll never get married if she stays here where you make fun of every young man who pays her any attention." At the door Clara stopped and, turning, put out her tongue at Jim Priest. Another roar of laughter arose. Chairs were scraped along the floor and the men filed out of the house to go back to the work in the barns and about the farm.

In the summer when the change came over her Clara sat at the table and did not hear the tales told by Jim Priest. She thought the farm hands who ate so greedily were vulgar, a notion she had never had before, and wished she did not have to eat with them. One afternoon as she lay in the hammock in the orchard, she heard several of the men in a nearby barn discussing the change that had come over her. Jim Priest was explaining what had happened. "Our fun's over with Clara," he said. "Now we'll have to treat her in a new way. She's no longer a kid. We'll have to let her alone or pretty soon she won't speak to any of us. It's a thing that happens when a girl begins to think about being a woman. The sap has begun to run up the tree."

The puzzled girl lay in the hammock and looked up at the sky. She thought about Jim Priest's words and tried to understand what he meant. Sadness crept over her and tears came into her eyes. Although she did not know what the old man meant by the words about the sap and the tree, she did, in a detached subconscious way, understand something of the import of the words, and she was grateful for the thoughtfulness that had led to his telling the others to stop trying to tease her at the table. The half worn-out old farm hand, with the bristly beard and the strong old body, became a figure full of significance to her mind. She remembered with gratitude that, in spite of all of his teasing, Jim Priest had never said anything that had in any way hurt her. In the new mood that had come upon her that meant much. A greater hunger for understanding, love, and friendliness took possession of her. She did not think of turning to her father or to her aunt, with whom she had never talked of anything intimate or close to herself, but turned instead to the crude old man. A hundred minor points in the character of Jim Priest she had never thought of before came sharply into her mind. In the barns he had never mistreated the animals as the other farm hands sometimes did. When on Sunday afternoons he was drunk and went staggering through the barns, he did not strike the horses or swear at them. She wondered if it would be possible for her to talk to Jim Priest, to ask him questions about life and people and what he meant by his words regarding the sap and the tree. The farm hand was old and unmarried. She wondered if in his youth he had ever loved a woman. She decided he had. His words about the sap were, she was sure, in some way connected with the idea of love. How strong his hands were. They were gnarled and rough, but there was something beautifully powerful about them. She half wished the old man had been her father. In his youth, in the darkness at night or when he was alone with a girl, perhaps in a quiet wood in the late afternoon when the sun was going down, he had put his hands on her shoulders. He had drawn the girl to him. He had kissed her.

Clara jumped quickly out of the hammock and walked about under the trees in the orchard. Her thoughts of Jim Priest's youth startled her. It was as though she had walked suddenly into a room where a man and woman were making love. Her cheeks burned and her hands trembled. As she walked slowly through the clumps of grass and weeds that grew between the trees where the sunlight struggled through, bees coming home to the hives heavily laden with honey flew in droves about her head. There was something heady and purposeful about the song of labor that arose out of the beehives. It got into her blood and her step quickened. The words of Jim Priest that kept running through her mind seemed a part of the same song the bees were singing. "The sap has begun to run up the tree," she repeated aloud. How significant and strange the words seemed! They were the kind of words a lover might use in speaking to his beloved. She had read many novels, but they contained no such words. It was better so. It was better to hear them from human lips. Again she thought of Jim Priest's youth and boldly wished he were still young. She told herself that she would like to see him young and married to a beautiful young woman. She stopped by a fence that looked out upon a hillside meadow. The sun seemed extraordinarily bright, the grass in the meadow greener than she had ever seen it before. Two birds in a tree nearby made love to each other. The female flew madly about and was pursued by the male bird. In his eagerness he was so intent that he flew directly before the girl's face, his wing nearly touching her cheek. She went back through the orchard to the barns and through one of them to the open door of a long shed that was used for housing wagons and buggies, her mind occupied with the idea of finding Jim Priest, of standing perhaps near him. He was not about, but in the open space before the shed, John May, a young man of twenty-two who had just come to work on the farm, was oiling the wheels of a wagon. His back was turned and as he handled the heavy wagon wheels the muscles could be seen playing beneath his thin cotton shirt. "It is so Jim Priest must have looked in his youth," the girl thought.

The farm girl wanted to approach the young man, to speak to him, to ask him questions concerning many strange things in life she did not understand. She knew that under no circumstances would she be able to do such a thing, that it was but a meaningless dream that had come into her head, but the dream was sweet. She did not, however, want to talk to John May. At the moment she was in a girlish period of being disgusted at what she thought of as the vulgarity of the men who worked on the place. At the table they ate noisily and greedily like hungry animals. She wanted youth that was like her own youth, crude and uncertain perhaps, but reaching eagerly out into the unknown. She wanted to draw very near to something young, strong, gentle, insistent, beautiful. When the farm hand looked up and saw her standing and looking intently at him, she was embarrassed. For a moment the two young animals, so unlike each other, stood staring at each other and then, to relieve her embarrassment, Clara began to play a game. Among the men employed on the farm she had always passed for something of a tomboy. In the hayfields and in the barns she had wrestled and fought playfully with both the old and the young men. To them she had always been a privileged person. They liked her and she was the boss's daughter. One did not get rough with her or say or do rough things. A basket of corn stood just within the door of the shed, and running to it Clara took an ear of the yellow corn and threw it at the farm hand. It struck a post of the barn just above his head. Laughing shrilly Clara ran into the shed among the wagons, and the farm hand pursued her.

John May was a very determined man. He was the son of a laborer in Bidwell and for two or three years had been employed about the stable of a doctor, something had happened between him and the doctor's wife and he had left the place because he had a notion that the doctor was becoming suspicious. The experience had taught him the value of boldness in dealing with women. Ever since he had come to work on the Butterworth farm, he had been having thoughts regarding the girl who had now, he imagined, given him direct challenge. He was a little amazed by her boldness but did not stop to ask himself questions, she had openly invited him to pursue her. That was enough. His accustomed awkwardness and clumsiness went away and he leaped lightly over the extended tongues of wagons and buggies. He caught Clara in dark corner of the shed. Without a word he took her tightly into his arms and kissed her, first upon the neck and then on the mouth. She lay trembling and weak in his arms and he took hold of the collar of her dress and tore it open. Her brown neck and one of her hard, round breasts were exposed. Clara's eyes grew big with fright. Strength came back into her body. With her sharp hard little fist she struck John May in the face; and when he stepped back she ran quickly out of the shed. John May did not understand. He thought she had sought him out once and would return. "She's a little green. I was too fast. I scared her. Next time I'll go a little easy," he thought.

Clara ran through the barn and then walked slowly to the house and went upstairs to her own room. A farm dog followed her up the stairs and stood at her door wagging his tail. She shut the door in his face. For the moment everything that lived and breathed seemed to her gross and ugly. Her cheeks were pale and she pulled shut the blinds to the window and sat down on the bed, overcome with the strange new fear of life. She did not want even the sunlight to come into her presence. John May had followed her through the barn and now stood in the barnyard staring at the house. She could see him through the cracks of the blinds and wished it were possible to kill him with a gesture of her hand.

The farm hand, full of male confidence, waited for her to come to the window and look down at him. He wondered if there were any one else in the house. Perhaps she would beckon to him. Something of the kind had happened between him and the doctor's wife and it had turned out that way. When after five or ten minutes he did not see her, he went back to the work of oiling the wagon wheels. "It's going to be a slower thing. She's shy, a green girl," he told himself.

One evening a week later Clara sat on the side porch of the house with her father when John May came into the barnyard. It was a Wednesday evening and the farm hands were not in the habit of going into town until Saturday, but he was dressed in his Sunday clothes and had shaved and oiled his hair. On the occasion of a wedding or a funeral the laborers put oil in their hair. It was indicative of something very important about to happen. Clara looked at him, and in spite of the feeling of repugnance that swept over her, her eyes glistened. Ever since the affair in the barn she had managed to avoid meeting him but she was not afraid. He had in fact taught her something. There was a power within her with which she could conquer men. The touch of her father's shrewdness, that was a part of her nature, had come to her rescue. She wanted to laugh at the silly pretensions of the man, to make a fool of him. Her cheeks flushed with pride in her mastery of the situation.

John May walked almost to the house and then turned along the path that led to the road. He made a gesture with his hand and by chance Tom Butterworth, who had been looking off across the open country toward Bidwell, turned and saw both the movement and the leering confident smile on the farm hand's face. He arose and followed John May into the road, astonishment and anger fighting for possession of him. The two men stood talking for three minutes in the road before the house and then returned. The farm hand went to the barn and then came back along the path to the road carrying under his arm a grain bag containing his work clothes. He did not look up as he went past. The farmer returned to the porch.

The misunderstanding that was to wreck the tender relationship that had begun to grow up between father and daughter began on that evening. Tom Butterworth was furious. He muttered and clinched his fists. Clara's heart beat heavily. For some reason she felt guilty, as though she had been caught in an intrigue with the man. For a long time her father remained silent and then he, like the farm hand, made a furious and brutal attack on her. "Where have you been with that fellow? What you been up to?" he asked harshly.

For a time Clara did not answer her father's question. She wanted to scream, to strike him in the face with her fist as she had struck the man in the shed. Then her mind struggled to take hold of the new situation. The fact that her father had accused her of seeking the thing that had happened made her hate John May less heartily. She had some one else to hate.

Clara did not think the matter out clearly on that first evening but, after denying that she had ever been anywhere with John May, burst into tears and ran into the house. In the darkness of her own room she began to think of her father's words. For some reason she could not understand, the attack made on her spirit seemed more terrible and unforgivable than the attack upon her body made by the farm hand in the shed. She began to understand vaguely that the young man had been confused by her presence on that warm sunshiny afternoon as she had been confused by the words uttered by Jim Priest, by the song of the bees in the orchard, by the love-making of the birds, and by her own uncertain thoughts. He had been confused and he was stupid and young. There had been an excuse for his confusion. It was understandable and could be dealt with. She had now no doubt of her own ability to deal with John May. As for her father—it was all right for him to be suspicious regarding the farm hand, but why had he been suspicious of her?

The perplexed girl sat down in the darkness on the edge of the bed, and a hard look came into her eyes. After a time her father came up the stairs and knocked at her door. He did not come in but stood in the hallway outside and talked. She remained calm while the conversation lasted, and that confused the man who had expected to find her in tears. That she was not seemed to him an evidence of guilt.

Tom Butterworth, in many ways a shrewd, observing man, never understood the quality of his own daughter. He was an intensely possessive man and once, when he was newly married, there had been a suspicion in his mind that there was something between his wife and a young man who had worked on the farm where he then lived. The suspicion was unfounded, but he discharged the man and one evening, when his wife had gone into town to do some shopping and did not return at the accustomed time, he followed, and when he saw her on the street stepped into a store to avoid a meeting. She was in trouble. Her horse had become suddenly lame and she had to walk home. Without letting her see him the husband followed along the road. It was dark and she heard the footsteps in the road behind her and becoming frightened ran the last half mile to her own house. He waited until she had entered and then followed her in, pretending he had just come from the barns. When he heard her story of the accident to the horse and of her fright in the road he was ashamed; but as the horse, that had been left in a livery stable, seemed all right when he went for it the next day he became suspicious again.

As he stood outside the door of his daughter's room, the farmer felt as he had felt that evening long before when he followed his wife along the road. When on the porch downstairs he had looked up suddenly and had seen the gesture made by the farm hand, he had also looked quickly at his daughter. She looked confused and, he thought, guilty. "Well, it is the same thing over again," he thought bitterly, "like mother, like daughter—they are both of the same stripe." Getting quickly out of his chair he had followed the young man into the road and had discharged him. "Go, to-night. I don't want to see you on the place again," he said. In the darkness before the girl's room he thought of many bitter things he wanted to say. He forgot she was a girl and talked to her as he might have talked to a mature, sophisticated, and guilty woman. "Come," he said, "I want to know the truth. If you have been with that farm hand you are starting young. Has anything happened between you?"

Clara walked to the door and confronted her father. The hatred of him, born in that hour and that never left her, gave her strength. She did not know what he was talking about, but had a keen sense of the fact that he, like the stupid, young man in the shed, was trying to violate something very precious in her nature. "I don't know what you are talking about," she said calmly, "but I know this. I am no longer a child. Within the last week I've become a woman. If you don't want me in your house, if you don't like me any more, say so and I'll go away."

The two people stood in the darkness and tried to look at each other. Clara was amazed by her own strength and by the words that had come to her. The words had clarified something. She felt that if her father would but take her into his arms or say some kindly understanding word, all could be forgotten. Life could be started over again. In the future she would understand much that she had not understood. She and her father could draw close to each other. Tears came into her eyes and a sob trembled in her throat. As her father, however, did not answer her words and turned to go silently away, she shut the door with a loud bang and afterward lay awake all night, white and furious with anger and disappointment.

Clara left home to become a college student that fall, but before she left had another passage at arms with her father. In August a young man who was to teach in the town schools came to Bidwell, and she met him at a supper given in the basement of the church. He walked home with her and came on the following Sunday afternoon to call. She introduced the young man, a slender fellow with black hair, brown eyes, and a serious face, to her father who answered by nodding his head and walking away. She and the young man walked along a country road and went into a wood. He was five years older than herself and had been to college, but she felt much the older and wiser. The thing that happens to so many women had happened to her. She felt older and wiser than all the men she had ever seen. She had decided, as most women finally decide, that there are two kinds of men in the world, those who are kindly, gentle, well-intentioned children, and those who, while they remain children, are obsessed with stupid, male vanity and imagine themselves born to be masters of life. Clara's thoughts on the matter were not very clear. She was young and her thoughts were indefinite. She had, however, been shocked into an acceptance of life and she was made of the kind of stuff that survives the blows life gives.

In the wood with the young school teacher, Clara began an experiment. Evening came on and it grew dark. She knew her father would be furious that she did not come home but she did not care. She led the school teacher to talk of love and the relationships of men and women. She pretended an innocence that was not hers. School girls know many things that they do not apply to themselves until something happens to them such as had happened to Clara. The farmer's daughter became conscious. She knew a thousand things she had not known a month before and began to take her revenge upon men for their betrayal of her. In the darkness as they walked home together, she tempted the young man into kissing her, and later lay in his arms for two hours, entirely sure of herself, striving to find out, without risk to herself, the things she wanted to know about life.

That night she again quarreled with her father. He tried to scold her for remaining out late with a man, and she shut the door in his face. On another evening she walked boldly out of the house with the school teacher. The two walked along a road to where a bridge went over a small stream. John May, who was still determined that the farmer's daughter was in love with him, had on that evening followed the school teacher to the Butterworth house and had been waiting outside intending to frighten his rival with his fists. On the bridge something happened that drove the school teacher away. John May came up to the two people and began to make threats. The bridge had just been repaired and a pile of small, sharp-edged stones lay close at hand. Clara picked one of them up and handed it to the school teacher. "Hit him," she said. "Don't be afraid. He's only a coward. Hit him on the head with the stone."

The three people stood in silence waiting for something to happen. John May was disconcerted by Clara's words. He had thought she wanted him to pursue her. He stepped toward the school teacher, who dropped the stone that had been put into his hand and ran away. Clara went back along the road toward her own house followed by the muttering farm hand who, after her speech at the bridge, did not dare approach. "Maybe she was making a bluff. Maybe she didn't want that young fellow to get on to what is between us," he muttered, as he stumbled along in the darkness.

In the house Clara sat for a half hour at a table in the lighted living room beside her father, pretending to read a book. She half hoped he would say something that would permit her to attack him. When nothing happened she went upstairs and to bed, only again to spend the night awake and white with anger at the thought of the cruel and unexplainable things life seemed trying to do to her.

In September Clara left the farm to attend the State University at Columbus. She was sent there because Tom Butterworth had a sister who was married to a manufacturer of plows and lived at the State Capital. After the incident with the farm hand and the misunderstanding that had sprung up between himself and his daughter, he was uncomfortable with her in the house and was glad to have her away. He did not want to frighten his sister by telling of what had happened, and when he wrote, tried to be diplomatic. "Clara has been too much among the rough men who work on my farms and had become a little rough," he wrote. "Take her in hand. I want her to become more of a lady. Get her acquainted with the right kind of people." In secret he hoped she would meet and marry some young man while she was away. Two of his sisters had gone away to school and it had turned out that way.

During the month before his daughter left home the farmer tried to be somewhat more human and gentle in his attitude toward her, but did not succeed in dispelling the dislike of himself that had taken deep root in her nature. At table he made jokes at which the farm hands laughed boisterously. Then he looked at his daughter who did not appear to have been listening. Clara ate quickly and hurried out of the room. She did not go to visit her girl friends in town and the young school teacher came no more to see her. During the long summer afternoons she walked in the orchard among the beehives or climbed over fences and went into a wood, where she sat for hours on a fallen log staring at the trees and the sky. Tom Butterworth also hurried out of his house. He pretended to be busy and every day drove far and wide over the country. Sometimes he thought he had been brutal and crude in his treatment of his daughter, and decided he would speak to her regarding the matter and ask her to forgive him. Then his suspicion returned. He struck the horse with the whip and drove furiously along the lonely roads. "Well, there's something wrong," he muttered aloud. "Men don't just look at women and approach them boldly, as that young fellow did with Clara. He did it before my very eyes. He's been given some encouragement." An old suspicion awoke in him. "There was something wrong with her mother, and there's something wrong with her. I'll be glad when the time comes for her to marry and settle down, so I can get her off my hands," he thought bitterly.

On the evening when Clara left the farm to go to the train that was to take her away, her father said he had a headache, a thing he had never been known to complain of before, and told Jim Priest to drive her to the station. Jim took the girl to the station, saw to the checking of her baggage, and waited about until her train came in. Then he boldly kissed her on the cheek. "Good-by, little girl," he said gruffly. Clara was so grateful she could not reply. On the train she spent an hour weeping softly. The rough gentleness of the old farm hand had done much to take the growing bitterness out of her heart. She felt that she was ready to begin life anew, and wished she had not left the farm without coming to a better understanding with her father.

CHAPTER IX

The Woodburns of Columbus were wealthy by the standards of their day. They lived in a large house and kept two carriages and four servants, but had no children. Henderson Woodburn was small of stature, wore a gray beard, and was neat and precise about his person. He was treasurer of the plow manufacturing company and was also treasurer of the church he and his wife attended. In his youth he had been called "Hen" Woodburn and had been bullied by larger boys, and when he grew to be a man and after his persistent shrewdness and patience had carried him into a position of some power in the business life of his native city he in turn became something of a bully to the men beneath him. He thought his wife Priscilla had come from a better family than his own and was a little afraid of her. When they did not agree on any subject, she expressed her opinion gently but firmly, while he blustered for a time and then gave in. After a misunderstanding his wife put her arms about his neck and kissed the bald spot on the top of his head. Then the subject was forgotten.

Life in the Woodburn house was lived without words. After the stir and bustle of the farm, the silence of the house for a long time frightened Clara. Even when she was alone in her own room she walked about on tiptoe. Henderson Woodburn was absorbed in his work, and when he came home in the evening, ate his dinner in silence and then worked again. He brought home account books and papers from the office and spread them out on a table in the living room. His wife Priscilla sat in a large chair under a lamp and knitted children's stockings. They were, she told Clara, for the children of the poor. As a matter of fact the stockings never left her house. In a large trunk in her room upstairs lay hundreds of pairs knitted during the twenty-five years of her family life.

Clara was not very happy in the Woodburn household, but on the other hand, was not very unhappy. She attended to her studies at the University passably well and in the late afternoons took a walk with a girl classmate, attended a matinee at the theater, or read a book. In the evening she sat with her aunt and uncle until she could no longer bear the silence, and then went to her own room, where she studied until it was time to go to bed. Now and then she went with the two older people to a social affair at the church, of which Henderson Woodburn was treasurer, or accompanied them to dinners at the homes of other well-to-do and respectable business men. On several occasions young men, sons of the people with whom the Woodburns dined, or students at the university, came in the evening to call. On such an occasion Clara and the young man sat in the parlor of the house and talked. After a time they grew silent and embarrassed in each other's presence. From the next room Clara could hear the rustling of the papers containing the columns of figures over which her uncle was at work. Her aunt's knitting needles clicked loudly. The young man told a tale of some football game, or if he had already gone out into the world, talked of his experiences as a traveler selling the wares manufactured or merchandized by his father. Such visits all began at the same hour, eight o'clock, and the young man left the house promptly at ten. Clara grew to feel that she was being merchandized and that they had come to look at the goods. One evening one of the men, a fellow with laughing blue eyes and kinky yellow hair, unconsciously disturbed her profoundly. All the evening he talked just as the others had talked and got out of his chair to go away at the prescribed hour. Clara walked with him to the door. She put out her hand, which he shook cordially. Then he looked at her and his eyes twinkled. "I've had a good time," he said. Clara had a sudden and almost overpowering desire to embrace him. She wanted to disturb his assurance, to startle him by kissing him on the lips or holding him tightly in her arms. Shutting the door quickly, she stood with her hand on the door-knob, her whole body trembling. The trivial by-products of her age's industrial madness went on in the next room. The sheets of paper rustled and the knitting needles clicked. Clara thought she would like to call the young man back into the house, lead him to the room where the meaningless industry went endlessly on and there do something that would shock them and him as they had never been shocked before. She ran quickly upstairs. "What is getting to be the matter with me?" she asked herself anxiously.

* * * * *

One evening in the month of May, during her third year at the University, Clara sat on the bank of a tiny stream by a grove of trees, far out on the edge of a suburban village north of Columbus. Beside her sat a young man named Frank Metcalf whom she had known for a year and who had once been a student in the same classes with herself. He was the son of the president of the plow manufacturing company of which her uncle was treasurer. As they sat together by the stream the afternoon light began to fade and darkness came on. Before them across an open field stood a factory, and Clara remembered that the whistle had long since blown and the men from the factory had gone home. She grew restless and sprang to her feet. Young Metcalf who had been talking very earnestly arose and stood beside her. "I can't marry for two years, but we can be engaged and that will be all the same thing as far as the right and wrong of what I want and need is concerned. It isn't my fault I can't ask you to marry me now," he declared. "In two years now, I'll inherit eleven thousand dollars. My aunt left it to me and the old fool went and fixed it so I don't get it if I marry before I'm twenty-four. I want that money. I've got to have it, but I got to have you too."

Clara looked away into the evening darkness and waited for him to finish his speech. All afternoon he had been making practically the same speech, over and over. "Well, I can't help it, I'm a man," he said doggedly. "I can't help it, I want you. I can't help it, my aunt was an old fool." He began to explain the necessity of remaining unmarried in order that he could receive the eleven thousand dollars. "If I don't get that money I'll be just the same as I am now," he declared. "I won't be any good." He grew angry and, thrusting his hands into his pockets, stared also across the field into the darkness. "Nothing keeps me satisfied," he said. "I hate being in my father's business and I hate going to school. In only two years I'll get the money. Father can't keep it from me. I'll take it and light out. I don't know just what I'll do. I'm going maybe to Europe, that's what I'm going to do. Father wants me to stay here and work in his office. To hell with that. I want to travel. I'll be a soldier or something. Anyway I'll get out of here and go somewhere and do something exciting, something alive. You can go with me. We'll cut out together. Haven't you got the nerve? Why don't you be my woman?"

Young Metcalf took hold of Clara's shoulder and tried to take her into his arms. For a moment they struggled and then, in disgust, he stepped away from her and again began to scold.

Clara walked away across two or three vacant lots and got into a street of workingmen's houses, the man following at her heels. Night had come and the people in the street facing the factory had already disposed of the evening meal. Children and dogs played in the road and a strong smell of food hung in the air. To the west across the fields, a passenger train ran past going toward the city. Its light made wavering yellow patches against the bluish black sky. Clara wondered why she had come to the out of the way place with Frank Metcalf. She did not like him, but there was a restlessness in him that was like the restless thing in herself. He did not want stupidly to accept life, and that fact made him brother to herself. Although he was but twenty-two years old, he had already achieved an evil reputation. A servant in his father's house had given birth to a child by him, and it had cost a good deal of money to get her to take the child and go away without making an open scandal. During the year before he had been expelled from the University for throwing another young man down a flight of stairs, and it was whispered about among the girl students that he often got violently drunk. For a year he had been trying to ingratiate himself with Clara, had written her letters, sent flowers to her house, and when he met her on the street had stopped to urge that she accept his friendship. On the day in May she had met him on the street and he had begged that she give him one chance to talk things out with her. They had met at a street crossing where cars went past into the suburban villages that lay about the city. "Come on," he had urged, "let's take a street car ride, let's get out of the crowds, I want to talk to you." He had taken hold of her arm and fairly dragged her to a car. "Come and hear what I have to say," he had urged, "then if you don't want to have anything to do with me, all right. You can say so and I'll let you alone." After she had accompanied him to the suburb of workingmen's houses, in the vicinity of which they had spent the afternoon in the fields, Clara had found he had nothing to urge upon her except the needs of his body. Still she felt there was something he wanted to say that had not been said. He was restless and dissatisfied with his life, and at bottom she felt that way about her own life. During the last three years she had often wondered why she had come to the school and what she was to gain by learning things out of books. The days and months went past and she knew certain rather uninteresting facts she had not known before. How the facts were to help her to live, she couldn't make out. They had nothing to do with such problems as her attitude toward men like John May the farm hand, the school teacher who had taught her something by holding her in his arms and kissing her, and the dark sullen young man who now walked beside her and talked of the needs of his body. It seemed to Clara that every additional year spent at the University but served to emphasize its inadequacy. It was so also with the books she read and the thoughts and actions of the older people about her. Her aunt and uncle did not talk much, but seemed to take it for granted she wanted to live such another life as they were living. She thought with horror of the probability of marrying a maker of plows or of some other dull necessity of life and then spending her days in the making of stockings for babies that did not come, or in some other equally futile manifestation of her dissatisfaction. She realized with a shudder that men like her uncle, who spent their lives in adding up rows of figures or doing over and over some tremendously trivial thing, had no conception of any outlook for their women beyond living in a house, serving them physically, wearing perhaps good enough clothes to help them make a show of prosperity and success, and drifting finally into a stupid acceptance of dullness—an acceptance that both she and the passionate, twisted man beside her were fighting against.

In a class in the University Clara had met, during that her third year there, a woman named Kate Chanceller, who had come to Columbus with her brother from a town in Missouri, and it was this woman who had given her thoughts form, who had indeed started her thinking of the inadequacy of her life. The brother, a studious, quiet man, worked as a chemist in a manufacturing plant somewhere at the edge of town. He was a musician and wanted to become a composer. One evening during the winter his sister Kate had brought Clara to the apartment where the two lived, and the three had become friends. Clara had learned something there that she did not yet understand and never did get clearly into her consciousness. The truth was that the brother was like a woman and Kate Chanceller, who wore skirts and had the body of a woman, was in her nature a man. Kate and Clara spent many evenings together later and talked of many things not usually touched on by girl students. Kate was a bold, vigorous thinker and was striving to grope her way through her own problem in life and many times, as they walked along the street or sat together in the evening, she forgot her companion and talked of herself and the difficulties of her position in life. "It's absurd the way things are arranged," she said. "Because my body is made in a certain way I'm supposed to accept certain rules for living. The rules were not made for me. Men manufactured them as they manufacture can-openers, on the wholesale plan." She looked at Clara and laughed. "Try to imagine me in a little lace cap, such as your aunt wears about the house, and spending my days knitting baby stockings," she said.

The two women had spent hours talking of their lives and in speculating on the differences in their natures. The experience had been tremendously educational for Clara. As Kate was a socialist and Columbus was rapidly becoming an industrial city, she talked of the meaning of capital and labor and the effect of changing conditions on the lives of men and women. To Kate, Clara could talk as to a man, but the antagonism that so often exists between men and women did not come into and spoil their companionship. In the evening when Clara went to Kate's house her aunt sent a carriage to bring her home at nine. Kate rode home with her. They got to the Woodburn house and went in. Kate was bold and free with the Woodburns, as with her brother and Clara. "Come," she said laughing, "put away your figures and your knitting. Let's talk." She sat in a large chair with her legs crossed and talked with Henderson Woodburn of the affairs of the plow company. The two got into a discussion of the relative merits of the free trade and protection ideas. Then the two older people went to bed and Kate talked to Clara. "Your uncle is an old duffer," she said. "He knows nothing about the meaning of what he's doing in life." When she started home afoot across the city, Clara was alarmed for her safety. "You must get a cab or let me wake up uncle's man; something may happen," she said. Kate laughed and went off, striding along the street like a man. Sometimes she thrust her hands into her skirt pockets, that were like the trouser pockets of a man, and it was difficult for Clara to remember that she was a woman. In Kate's presence she became bolder than she had ever been with any one. One evening she told the story of the thing that had happened to her that afternoon long before on the farm, the afternoon when, her mind having been inflamed by the words of Jim Priest regarding the sap that goes up the tree and by the warm sensuous beauty of the day, she had wanted so keenly to draw close to some one. She explained to Kate how she had been so brutally jarred out of the feeling in herself that she felt was at bottom all right. "It was like a blow in the face at the hand of God," she said.

Kate Chanceller was excited as Clara told the tale and listened with a fiery light burning in her eyes. Something in her manner encouraged Clara to tell also of her experiments with the school teacher and for the first time she got a sense of justice toward men by talking to the woman who was half a man. "I know that wasn't square," she said. "I know now, when I talk to you, but I didn't know then. With the school teacher I was as unfair as John May and my father were with me. Why do men and women have to fight each other? Why does the battle between them have to go on?"

Kate walked up and down before Clara and swore like a man. "Oh, hell," she exclaimed, "men are such fools and I suppose women are as bad. They are both too much one thing. I fall in between. I've got my problem too, but I'm not going to talk about it. I know what I'm going to do. I'm going to find some kind of work and do it." She began to talk of the stupidity of men in their approach to women. "Men hate such women as myself," she said. "They can't use us, they think. What fools! They should watch and study us. Many of us spend our lives loving other women, but we have skill. Being part women, we know how to approach women. We are not blundering and crude. Men want a certain thing from you. It is delicate and easy to kill. Love is the most sensitive thing in the world. It's like an orchid. Men try to pluck orchids with ice tongs, the fools."

Walking to where Clara stood by a table, and taking her by the shoulder, the excited woman stood for a long time looking at her. Then she picked up her hat, put it on her head, and with a flourish of her hand started for the door. "You can depend on my friendship," she said. "I'll do nothing to confuse you. You'll be in luck if you can get that kind of love or friendship from a man."

Clara kept thinking of the words of Kate Chanceller on the evening when she walked through the streets of the suburban village with Frank Metcalf, and later as the two sat on the car that took them back to the city. With the exception of another student named Phillip Grimes, who had come to see her a dozen times during her second year in the University, young Metcalf was the only one of perhaps a dozen men she had met since leaving the farm who had been attracted to her. Phillip Grimes was a slender young fellow with blue eyes, yellow hair and a not very vigorous mustache. He was from a small town in the northern end of the State, where his father published a weekly newspaper. When he came to see Clara he sat on the edge of his chair and talked rapidly. Some person he had seen in the street had interested him. "I saw an old woman on the car," he began. "She had a basket on her arm. It was filled with groceries. She sat beside me and talked aloud to herself." Clara's visitor repeated the words of the old woman on the car. He speculated about her, wondered what her life was like. When he had talked of the old woman for ten or fifteen minutes, he dropped the subject and began telling of another experience, this time with a man who sold fruit at a street crossing. It was impossible to be personal with Phillip Grimes. Nothing but his eyes were personal. Sometimes he looked at Clara in a way that I made her feel that her clothes were being stripped from her body, and that she was being made to stand naked in the room before her visitor. The experience, when it came, was not entirely a physical one. It was only in part that. When the thing happened Clara saw her whole life being stripped bare. "Don't look at me like that," she once said somewhat sharply, when his eyes had made her so uncomfortable she could no longer remain silent. Her remark had frightened Phillip Grimes away. He got up at once, blushed, stammered something about having another engagement, and hurried away.

In the street car, homeward bound beside Frank Metcalf, Clara thought of Phillip Grimes and wondered whether or not he would have stood the test of Kate Chanceller's speech regarding love and friendship. He had confused her, but that was perhaps her own fault. He had not insisted on himself at all. Frank Metcalf had done nothing else. "One should be able," she thought, "to find somewhere a man who respects himself and his own desires but can understand also the desires and fears of a woman." The street car went bouncing along over railroad crossings and along residence streets. Clara looked at her companion, who stared straight ahead, and then turned to look out of the car window. The window was open and she could see the interiors of the laborers' houses along the streets. In the evening with the lamps lighted they seemed cosy and comfortable. Her mind ran back to the life in her father's house and its loneliness. For two summers she had escaped going home. At the end of her first year in school she had made an illness of her uncle's an excuse for spending the summer in Columbus, and at the end of the second year she had found another excuse for not going. This year she felt she would have to go home. She would have to sit day after day at the farm table with the farm hands. Nothing would happen. Her father would remain silent in her presence. She would become bored and weary of the endless small talk of the town girls. If one of the town boys began to pay her special attention, her father would become suspicious and that would lead to resentment in herself. She would do something she did not want to do. In the houses along the streets through which the car passed, she saw women moving about. Babies cried and men came out of the doors and stood talking to one another on the sidewalks. She decided suddenly that she was taking the problem of her own life too seriously. "The thing to do is to get married and then work things out afterward," she told herself. She made up her mind that the puzzling, insistent antagonism that existed between men and women was altogether due to the fact that they were not married and had not the married people's way of solving such problems as Frank Metcalf had been talking about all afternoon. She wished she were with Kate Chancellor so that she could discuss with her this new viewpoint. When she and Frank Metcalf got off the car she was no longer in a hurry to go home to her uncle's house. Knowing she did not want to marry him, she thought that in her turn she would talk, that she would try to make him see her point of view as all the afternoon he had been trying to make her see his.

For an hour the two people walked about and Clara talked. She forgot about the passage of time and the fact that she had not dined. Not wishing to talk of marriage, she talked instead of the possibility of friendship between men and women. As she talked her own mind seemed to her to have become clearer. "It's all foolishness your going on as you have," she declared. "I know how dissatisfied and unhappy you sometimes are. I often feel that way myself. Sometimes I think it's marriage I want. I really think I want to draw close to some one. I believe every one is hungry for that experience. We all want something we are not willing to pay for. We want to steal it or have it given us. That's what's the matter with me, and that's what's the matter with you."

They came to the Woodburn house, and turning in stood on a porch in the darkness by the front door. At the back of the house Clara could see a light burning. Her aunt and uncle were at the eternal figuring and knitting. They were finding a substitute for living. It was the thing Frank Metcalf was protesting against and was the real reason for her own constant secret protest. She took hold of the lapel of his coat, intending to make a plea, to urge upon him the idea of a friendship that would mean something to them both. In the darkness she could not see his rather heavy, sullen face. The maternal instinct became strong in her and she thought of him as a wayward, dissatisfied boy, wanting love and understanding as she had wanted to be loved and understood by her father when life in the moment of the awakening of her womanhood seemed ugly and brutal. With her free hand she stroked the sleeve of his coat. Her gesture was misunderstood by the man who was not thinking of her words but of her body and of his hunger to possess it. He took her into his arms and held her tightly against his breast. She tried to struggle, to tear herself away but, although she was strong and muscular, she found herself unable to move. As he held her uncle, who had heard the two people come up the steps to the door, threw it open. Both he and his wife had on several occasions warned Clara to have nothing to do with young Metcalf. One day when he had sent flowers to the house, her aunt had urged her to refuse to receive them. "He's a bad, dissipated, wicked man," she had said. "Have nothing to do with him." When he saw his niece in the arms of the man who had been the subject of so much discussion in his own house and in every respectable house in Columbus, Henderson Woodburn was furious. He forgot the fact that young Metcalf was the son of the president of the company of which he was treasurer. It seemed to him that some sort of a personal insult had been thrown at him by a common ruffian. "Get out of here," he screamed. "What do you mean, you nasty villain? Get out of here."

Frank Metcalf went off along the street laughing defiantly, and Clara went into the house. The sliding doors that led into the living room had been thrown open and the light from a hanging lamp streamed in upon her. Her hair was disheveled and her hat twisted to one side. The man and woman stared at her. The knitting needles and a sheet of paper held in their hands suggested what they had been doing while Clara was getting another lesson from life. Her aunt's hands trembled and the knitting needles clicked together. Nothing was said and the confused and angry girl ran up a stairway to her own room. She locked herself in and knelt on the floor by the bed. She did not pray. Her association with Kate Chanceller had given her another outlet for her feelings. Pounding with her fists on the bed coverings, she swore. "Fools, damned fools, the world is filled with nothing but a lot of damned fools."

CHAPTER X

Clara Butterworth left Bidwell, Ohio, in September of the year in which Steve Hunter's plant-setting machine company went into the hands of a receiver, and in January of the next year that enterprising young man, together with Tom Butterworth, bought the plant. In March a new company was organized and at once began making Hugh's corn-cutting machine, a success from the beginning. The failure of the first company and the sale of the plant had created a furor in the town. Both Steve and Tom Butterworth could, however, point to the fact that they had held on to their stock and lost their money in common with every one else. Tom had indeed sold his stock because he needed ready money, as he explained, but had shown his good faith by buying again just before the failure. "Do you suppose I would have done that had I known what was up?" he asked the men assembled in the stores. "Go look at the books of the company. Let's have an investigation here. You will find that Steve and I stuck to the rest of the stockholders. We lost our money with the rest. If any one was crooked and when they saw a failure coming went and got out from under at the expense of some one else, it wasn't Steve and me. The books of the company will show we were game. It wasn't our fault the plant-setting machine wouldn't work."

In the back room of the bank, John Clark and young Gordon Hart cursed Steve and Tom, who, they declared, had sold them out. They had lost no money by the failure, but on the other hand they had gained nothing. The four men had sent in a bid for the plant when it was put up for sale, but as they expected no competition, they had not bid very much. It had gone to a firm of Cleveland lawyers who bid a little more, and later had been resold at private sale to Steve and Tom. An investigation was started and it was found that Steve and Tom held large blocks of stock in the defunct company, while the bankers held practically none. Steve openly said that he had known of the possibility of failure for some time and had warned the larger stock-holders and asked them not to sell their stock. "While I was working my head off trying to save the company, what were they up to?" he asked sharply, and his question was repeated in the stores and in the homes of the people.

The truth of the matter, and the thing the town never found out, was that from the beginning Steve had intended to get the plant for himself, but at the last had decided it would be better to take some one in with him. He was afraid of John Clark. For two or three days he thought about the matter and decided that the banker was not to be trusted. "He's too good a friend to Tom Butterworth," he told himself. "If I tell him my scheme, he'll tell Tom. I'll go to Tom myself. He's a money maker and a man who knows the difference between a bicycle and a wheelbarrow when you put one of them into bed with him."

Steve drove out to Tom's house late one evening in September. He hated to go but was convinced it would be better to do so. "I don't want to burn all my bridges behind me," he told himself. "I've got to have at least one friend among the solid men here in town. I've got to do business with these rubes, maybe all my life. I can't shut myself off too much, at least not yet a while."

When Steve got to the farm he asked Tom to get into his buggy, and the two men went for a long drive. The horse, a gray gelding with one blind eye hired for the occasion from liveryman Neighbors, went slowly along through the hill country south of Bidwell. He had hauled hundreds of young men with their sweethearts. Ambling slowly along, thinking perhaps of his own youth and of the tyranny of man that had made him a gelding, he knew that as long as the moon shone and the intense voiceless quiet continued to reign over the two people in the buggy, the whip would not come out of its socket and he would not be expected to hurry.

On the September evening, however, the gray gelding had behind him such a load as he had never carried before. The two people in the buggy on that evening were not foolish, meandering sweethearts, thinking only of love, and allowing themselves to be influenced in their mood by the beauty of the night, the softness of the black shadows in the road, and the gentle night winds that crept down over the crests of hills. They were solid business men, mentors of the new age, the kind of men who, in the future of America and perhaps of the whole world, were to be the makers of governments, the molders of public opinion, the owners of the press, the publishers of books, buyers of pictures, and in the goodness of their hearts, the feeders of an occasional starving and improvident poet, lost on other roads. In any event the two men sat in the buggy and the gray gelding meandered along through the hills. Great splashes of moonlight lay in the road. By chance it was on the same evening that Clara Butterworth left home to become a student in the State University. Remembering the kindness and tenderness of the rough old farm hand, Jim Priest, who had brought her to the station, she lay in her berth in the sleeping car and looked out at the roads, washed with moonlight, that slid away into the distance like ghosts. She thought of her father on that night and of the misunderstanding that had grown up between them. For the moment she was tender with regrets. "After all, Jim Priest and my father must be a good deal alike," she thought. "They have lived on the same farm, eaten the same food; they both love horses. There can't be any great difference between them." All night she thought of the matter. An obsession, that the whole world was aboard the moving train and that, as it ran swiftly along, it was carrying the people of the world into some strange maze of misunderstanding, took possession of her. So strong was it that it affected her deeply buried unconscious self and made her terribly afraid. It seemed to her that the walls of the sleeping-car berth were like the walls of a prison that had shut her away from the beauty of life. The walls seemed to close in upon her. The walls, like life itself, were shutting in upon her youth and her youthful desire to reach a hand out of the beauty in herself to the buried beauty in others. She sat up in the berth and forced down a desire in herself to break the car window and leap out of the swiftly moving train into the quiet night bathed with moonlight. With girlish generosity she took upon her own shoulders the responsibility for the misunderstanding that had grown up between herself and her father. Later she lost the impulse that led her to come to that decision, but during that night it persisted. It was, in spite of the terror caused by the hallucination regarding the moving walls of the berth that seemed about to crush her and that came back time after time, the most beautiful night she had ever lived through, and it remained in her memory throughout her life. She in fact came to think later of that night as the time when, most of all, it would have been beautiful and right for her to have been able to give herself to a lover. Although she did not know it, the kiss on the cheek from the bewhiskered lips of Jim Priest had no doubt something to do with that thought when it came.

And while the girl fought her battle with the strangeness of life and tried to break through the imaginary walls that shut her off from the opportunity to live, her father also rode through the night. With a shrewd eye he watched the face of Steve Hunter. It had already begun to get a little fat, but Tom realized suddenly that it was the face of a man of ability. There was something about the jowls that made Tom, who had dealt much in live stock, think of the face of a pig. "The man goes after what he wants. He's greedy," the farmer thought. "Now he's up to something. To get what he wants he'll give me a chance to get something I want. He's going to make some kind of proposal to me in connection with the factory. He's hatched up a scheme to shut Gordon Hart and John Clark out because he doesn't want too many partners. All right, I'll go in with him. Either one of them would have done the same thing had they had the chance."

Steve smoked a black cigar and talked. As he grew more sure of himself and the affairs that absorbed him, he also became more smooth and persuasive in the matter of words. He talked for a time of the necessity of certain men's surviving and growing constantly stronger and stronger in the industrial world. "It's necessary for the good of the community," he said. "A few fairly strong men are a good thing for a town, but if they are fewer and relatively stronger it's better." He turned to look sharply at his companion. "Well," he exclaimed, "we talked there in the bank of what we would do when things went to pieces down at the factory, but there were too many men in the scheme. I didn't realize it at the time, but I do now." He knocked the ashes off his cigar and laughed. "You know what they did, don't you?" he asked. "I asked you all not to sell any of your stock. I didn't want to get the whole town bitter. They wouldn't have lost anything. I promised to see them through, to get the plant for them at a low price, to put them in the way to make some real money. They played the game in a small-town way. Some men can think of thousands of dollars, others have to think of hundreds. It's all their minds are big enough to comprehend. They snatch at a little measly advantage and miss the big one. That's what these men have done."

For a long time the two rode in silence. Tom, who had also sold his stock, wondered if Steve knew. He decided he did. "However, he's decided to deal with me. He needs some one and has chosen me," he thought. He made up his mind to be bold. After all, Steve was young. Only a year or two before he was nothing but a young upstart and the very boys in the street laughed at him. Tom grew a little indignant, but was careful to take thought before he spoke. "Perhaps, although he's young and don't look like much, he's a faster and shrewder thinker than any of us," he told himself.

"You do talk like a fellow who has something up his sleeve," he said laughing. "If you want to know, I sold my stock the same as the others. I wasn't going to take a chance of being a loser if I could help it. It may be the small-town way, but you know things maybe I don't know. You can't blame me for living up to my lights. I always did believe in the survival of the fittest and I got a daughter to support and put through college. I want to make a lady of her. You ain't got any kids yet and you're younger. Maybe you want to take chances I don't want to take. How do I know what you're up to?"

Again the two rode in silence. Steve had prepared himself for the talk. He knew there was a chance that, in its turn, the corn-cutting machine Hugh had invented might not prove practical and that in the end he might be left with a factory on his hands and with nothing to manufacture in it. He did not, however, hesitate. Again, as on the day in the bank when he was confronted by the two older men, he made a bluff. "Well, you can come in or stay out, just as you wish," he said a little sharply. "I'm going to get hold of that factory, if I can, and I'm going to manufacture corn-cutting machines. Already I have promises of orders enough to keep running for a year. I can't take you in with me and have it said around town you were one of the fellows who sold out the small investors. I've got a hundred thousand dollars of stock in the company. You can have half of it. I'll take your note for the fifty thousand. You won't ever have to pay it. The earnings of the new factory will clean you up. You got to come clean, though. Of course you can go get John Clark and come out and make an open fight to get the factory yourselves, if you want to. I own the rights to the corn-cutting machine and will take it somewhere else and manufacture it. I don't mind telling you that, if we split up, I will pretty well advertise what you three fellows did to the small investors after I asked you not to do it. You can all stay here and own your empty factory and get what satisfaction you can out of the love and respect you'll get from the people. You can do what you please. I don't care. My hands are clean. I ain't done anything I'm ashamed of, and if you want to come in with me, you and I together will pull off something in this town we don't neither one of us have to be ashamed of."

The two men drove back to the Butterworth farm house and Tom got out of the buggy. He intended to tell Steve to go to the devil, but as they drove along the road, he changed his mind. The young school teacher from Bidwell, who had come on several occasions to call on his daughter Clara, was on that night abroad with another young woman. He sat in a buggy with his arm around her waist and drove slowly through the hill country. Tom and Steve drove past them and the farmer, seeing in the moonlight the woman in the arms of the man, imagined his daughter in her place. The thought made him furious. "I'm losing the chance to be a big man in the town here in order to play safe and be sure of money to leave to Clara, and all she cares about is to galavant around with some young squirt," he thought bitterly. He began to see himself as a wronged and unappreciated father. When he got out of the buggy, he stood for a moment by the wheel and looked hard at Steve. "I'm as good a sport as you are," he said finally. "Bring around your stock and I'll give you the note. That's all it will be, you understand: just my note. I don't promise to back it up with any collateral and I don't expect you to offer it for sale." Steve leaned out of the buggy and took him by the hand. "I won't sell your note, Tom," he said. "I'll put it away. I want a partner to help me. You and I are going to do things together."

The young promoter drove off along the road, and Tom went into the house and to bed. Like his daughter he did not sleep. For a time he thought of her and in imagination saw her again in the buggy with the school teacher who had her in his arms. The thought made him stir restlessly about beneath the sheets. "Damn women anyway," he muttered. To relieve his mind he thought of other things. "I'll make out a deed and turn three of my farms over to Clara," he decided shrewdly. "If things go wrong we won't be entirely broke. I know Charlie Jacobs in the court-house over at the county seat. I ought to be able to get a deed recorded without any one knowing it if I oil Charlie's hand a little."

* * * * *

Clara's last two weeks in the Woodburn household were spent in the midst of a struggle, no less intense because no words were said. Both Henderson Wood, burn and his wife felt that Clara owed them an explanation of the scene at the front door with Frank Metcalf. When she did not offer it they were offended. When he threw open the door and confronted the two people, the plow manufacturer had got an impression that Clara was trying to escape Frank Metcalf's embraces. He told his wife that he did not think she was to blame for the scene on the front porch. Not being the girl's father he could look at the matter coldly. "She's a good girl," he declared. "That beast of a Frank Metcalf is all to blame. I daresay he followed her home. She's upset now, but in the morning she'll tell us the story of what happened."

The days went past and Clara said nothing. During her last week in the house she and the two older people scarcely spoke. The young woman was in an odd way relieved. Every evening she went to dine with Kate Chanceller who, when she heard the story of the afternoon in the suburb and the incident on the porch, went off without Clara's knowing of it and had a talk with Henderson Woodburn in his office. After the talk the manufacturer was puzzled and just a little afraid of both Clara and her friend. He tried to tell his wife about it, but was not very clear. "I can't make it out," he said. "She is the kind of woman I can't understand, that Kate. She says Clara wasn't to blame for what happened between her and Frank Metcalf, but don't want to tell us the story, because she thinks young Metcalf wasn't to blame either." Although he had been respectful and courteous as he listened to Kate's talk, he grew angry when he tried to tell his wife what she had said. "I'm afraid it was just a lot of mixed up nonsense," he declared. "It makes me glad we haven't a daughter. If neither of them were to blame what were they up to? What's getting the matter with the women of the new generation? When you come down to it what's the matter with Kate Chanceller?"

The plow manufacturer advised his wife to say nothing to Clara. "Let's wash our hands of it," he suggested. "She'll go home in a few days now and we will say nothing about her coming back next year. Let's be polite, but act as though she didn't exist."

Clara accepted the new attitude of her uncle and aunt without comment. In the afternoon she did not come home from the University but went to Kate's apartment. The brother came home and after dinner played on the piano. At ten o'clock Clara started home afoot and Kate accompanied her. The two women went out of their way to sit on a bench in a park. They talked of a thousand hidden phases of life Clara had hardly dared think of before. During all the rest of her life she thought of those last weeks in Columbus as the most deeply satisfactory time she ever lived through. In the Woodburn house she was uncomfortable because of the silence and the hurt, offended look on her aunt's face, but she did not spend much time there. In the morning Henderson Woodburn ate his breakfast alone at seven, and clutching his ever present portfolio of papers, was driven off to the plow factory. Clara and her aunt had a silent breakfast at eight, and then Clara also hurried away. "I'll be out for lunch and will go to Kate's for dinner," she said as she went out of her aunt's presence, and she said it, not with the air of one asking permission as had been her custom before the Frank Metcalf incident, but as one having the right to dispose of her own time. Only once did her aunt break the frigid air of offended dignity she had assumed. One morning she followed Clara to the front door, and as she watched her go down the steps from the front porch to the walk that led to the street, called to her. Some faint recollection of a time of revolt in her own youth perhaps came to her. Tears came into her eyes. To her the world was a place of terror, where wolf-like men prowled about seeking women to devour, and she was afraid something dreadful would happen to her niece. "If you don't want to tell me anything, it's all right," she said bravely, "but I wish you felt you could." When Clara turned to look at her, she hastened to explain. "Mr. Woodburn said I wasn't to bother you about it and I won't," she added quickly. Nervously folding and unfolding her arms, she turned to stare up the street with the air of a frightened child that looks into a den of beasts. "O Clara, be a good girl," she said. "I know you're grown up now, but, O Clara, do be careful! Don't get into trouble."

The Woodburn house in Columbus, like the Butterworth house in the country south of Bidwell, sat on a hill. The street fell away rather sharply as one went toward the business portion of the city and the street car line, and on the morning when her aunt spoke to her and tried with her feeble hands to tear some stones out of the wall that was being built between them, Clara hurried along the street under the trees, feeling as though she would like also to weep. She saw no possibility of explaining to her aunt the new thoughts she was beginning to have about life and did not want to hurt her by trying. "How can I explain my thoughts when they're not clear in my own mind, when I am myself just groping blindly about?" she asked herself. "She wants me to be good," she thought. "What would she think if I told her that I had come to the conclusion that, judging by her standards, I have been altogether too good? What's the use trying to talk to her when I would only hurt her and make things harder than ever?" She got to a street crossing and looked back. Her aunt was still standing at the door of her house and looking at her. There was something soft, small, round, insistent, both terribly weak and terribly strong about the completely feminine thing she had made of herself or that life had made of her. Clara shuddered. She did not make a symbol of the figure of her aunt and her mind did not form a connection between her aunt's life and what she had become, as Kate Chanceller's mind would have done. She saw the little, round, weeping woman as a boy, walking in the tree-lined streets of a town, sees suddenly the pale face and staring eyes of a prisoner that looks out at him through the iron bars of a town jail. Clara was startled as the boy would be startled and, like the boy, she wanted to run quickly away. "I must think of something else and of other kinds of women or I'll get things terribly distorted," she told herself. "If I think of her and women like her I'll grow afraid of marriage, and I want to be married as soon as I can find the right man. It's the only thing I can do. What else is there a woman can do?"

As Clara and Kate walked about in the evening, they talked continually of the new position Kate believed women were on the point of achieving in the world. The woman who was so essentially a man wanted to talk of marriage and to condemn it, but continually fought the impulse in herself. She knew that were she to let herself go she would say many things that, while they might be true enough as regards herself, would not necessarily be true of Clara. "Because I do not want to live with a man or be his wife is not very good proof that the institution is wrong. It may be that I want to keep Clara for myself. I think more of her than of any one else I've ever met. How can I think straight about her marrying some man and becoming dulled to the things that mean most to me?" she asked herself. One evening, when the women were walking from Kate's apartment to the Woodburn house, they were accosted by two men who wanted to walk with them. There was a small park nearby and Kate led the men to it. "Come," she said, "we won't walk with you, but you may sit with us here on a bench." The men sat down beside them and the older one, a man with a small black mustache, made some remark about the fineness of the night. The younger man who sat beside Clara looked at her and laughed. Kate at once got down to business. "Well, you wanted to walk with us: what for?" she asked sharply. She explained what they had been doing. "We were walking and talking of women and what they were to do with their lives," she explained. "We were expressing opinions, you see. I don't say either of us had said anything that was very wise, but we were having a good time and trying to learn something from each other. Now what have you to say to us? You interrupted our talk and wanted to walk with us: what for? You wanted to be in our company: now tell us what you've got to contribute. You can't just come and walk with us like dumb things. What have you got to offer that you think will make it worth while for us to break up our conversation with each other and spend the time talking with you?"

The older man, he of the mustache, turned to look at Kate, then got up from the bench. He walked a little away and then turned and made a sign with his hand to his companion. "Come on," he said, "let's get out of here. We're wasting our time. It's a cold trail. They're a couple of highbrows. Come on, let's be on our way."

The two women again walked along the street. Kate could not help feeling somewhat proud of the way in which she had disposed of the men. She talked of it until they got to the door of the Woodburn house, and, as she went away along the street Clara thought she swaggered a little. She stood by the door and watched her friend until she had disappeared around a corner. A flash of doubt of the infallibility of Kate's method with men crossed her mind. She remembered suddenly the soft brown eyes of the younger of the two men in the park and wondered what was back of the eyes. Perhaps after all, had she been alone with him, the man might have had something to say quite as much to the point as the things she and Kate had been saying to each other. "Kate made the men look like fools, but after all she wasn't very fair," she thought as she went into the house.

* * * * *

Clara was in Bidwell for a month before she realized what a change had taken place in the life of her home town. On the farm things went on very much as always, except that her father was very seldom there. He had gone deeply into the project of manufacturing and selling corn-cutting machines with Steve Hunter, and attended to much of the selling of the output of the factory. Almost every month he went on trips to cities of the West. Even when he was in Bidwell, he had got into the habit of staying at the town hotel for the night. "It's too much trouble to be always running back and forth," he explained to Jim Priest, whom he had put in charge of the farm work. He swaggered before the old man who for so many years had been almost like a partner in his smaller activities. "Well, I wouldn't like to have anything said, but I think it just as well to have an eye on what's going on," he declared. "Steve's all right, but business is business. We're dealing in big affairs, he and I. I don't say he would try to get the best of me; I'm just telling you that in the future I'll have to be in town most of the time and can't think of things out here. You look out for the farm. Don't bother me with details. You just tell me about it when there is any buying or selling to do."

Clara arrived in Bidwell in the early afternoon of a warm day in June. The hill country through which her train came into town was in the full flush of its summer beauty. In the little patches of level land between the hills grain was ripening in the fields. Along the streets of the tiny towns and on dusty country roads farmers in overalls stood up in their wagons and scolded at the horses, rearing and prancing in half pretended fright of the passing train. In the forests on the hillsides the open places among the trees looked cool and enticing. Clara put her cheek against the car window and imagined herself wandering in cool forests with a lover. She forgot the words of Kate Chanceller in regard to the independent future of women. It was, she thought vaguely, a thing to be thought about only after some more immediate problem was solved. Just what the problem was she didn't definitely know, but she did know that it concerned some close warm contact with life that she had as yet been unable to make. When she closed her eyes, strong warm hands seemed to come out of nothingness and touch her flushed cheeks. The fingers of the hands were strong like the branches of trees. They touched with the firmness and gentleness of the branches of trees nodding in a summer breeze.

Clara sat up stiffly in her seat and when the train stopped at Bidwell got off and went to her waiting father with a firm, business-like air. Coming out of the land of dreams, she took on something of the determined air of Kate Chanceller. She stared at her father and an onlooker might have thought them two strangers, meeting for the purpose of discussing some business arrangement. A flavor of something like suspicion hung over them. They got into Tom's buggy, and as Main Street was torn up for the purpose of laying a brick pavement and digging a new sewer, they drove by a roundabout way through residence streets until they got into Medina Road. Clara looked at her father and felt suddenly very alert and on her guard. It seemed to her that she was far removed from the green, unsophisticated girl who had so often walked in Bidwell's streets; that her mind and spirit had expanded tremendously in the three years she had been away; and she wondered if her father would realize the change in her. Either one of two reactions on his part might, she felt, make her happy. The man might turn suddenly and taking her hand receive her into fellowship, or he might receive her as a woman and his daughter by kissing her.

He did neither. They drove in silence through the town and passed over a small bridge and into the road that led to the farm. Tom was curious about his daughter and a little uncomfortable. Ever since the evening on the porch of the farmhouse, when he had accused her of some unnamed relationship with John May, he had felt guilty in her presence but had succeeded in transferring the notion of guilt to her. While she was away at school he had been comfortable. Sometimes he did not think of her for a month at a time. Now she had written that she did not intend to go back. She had not asked his advice, but had said positively that she was coming home to stay. He wondered what was up. Had she got into another affair with a man? He wanted to ask, had intended to ask, but in her presence found that the words he had intended to say would not come to his lips. After a long silence Clara began to ask questions about the farm, the men who worked there, her aunt's health, the usual home-coming questions. Her father answered with generalities. "They're all right," he said, "every one and everything's all right."

The road began to lift out of the valley in which the town lay, and Tom stopped the horse and pointing with the whip talked of the town. He was relieved to have the silence broken, and decided not to say anything about the letter announcing the end of her school life. "You see there," he said, pointing to where the wall of a new brick factory arose above the trees that grew beside the river. "That's a new factory we're building. We're going to make corn-cutting machines there. The old factory's already too small. We've sold it to a new company that's going to manufacture bicycles. Steve Hunter and I sold it. We got twice what we paid for it. When the bicycle factory's started, he and I'll own the control in that too. I tell you the town's on the boom."

Tom boasted of his new position in the town and Clara turned and looked sharply at him and then looked quickly away. He was annoyed by the action and a flush of anger came to his cheeks. A side of his character his daughter had never seen before came to the surface. When he was a simple farmer he had been too shrewd to attempt to play the aristocrat with his farm hands, but often, as he went about the barns and as he drove along country roads and saw men at work in his fields, he had felt like a prince in the presence of his vassals. Now he talked like a prince. It was that that had startled Clara. There was about him an indefinable air of princely prosperity. When she turned to look at him she noticed for the first time how much his person had also changed. Like Steve Hunter he was beginning to grow fat. The lean hardness of his cheeks had gone, his jaws seemed heavier, even his hands had changed their color. He wore a diamond ring on the left hand and it glistened in the sunlight. "Things have changed," he declared, still pointing at the town. "Do you want to know who changed it? Well, I had more to do with it than any one else. Steve thinks he did it all, but he didn't. I'm the man who has done the most. He put through the plant-setting machine company, but that was a failure. When you come right down to it, things would have gone to pieces again if I hadn't gone to John Clark and talked and bluffed him into giving us money when we wanted it. I had most to do with finding the big market for our corn-cutters, too. Steve lied to me and said he had 'em all sold for a year. He didn't have any sold at all."

Tom struck the horse with the whip and drove rapidly along the road. Even when the climb became difficult he would not let the horse walk, but kept cracking the whip over his back. "I'm a different man than I was when you went away," he declared. "You might as well know it, I'm the big man in this town. It comes pretty near being my town when you come right down to it. I'm going to take care of every one in Bidwell and give every one a chance to make money, but it's my town now pretty near and you might as well know it."

Embarrassed by his own words, Tom talked to cover his embarrassment. Something he wanted very much to say got itself said. "I'm glad you went to school and fitted yourself to be a lady," he began. "I want you should marry pretty soon now. I don't know whether you met any one at school there or not. If you did and he's all right, it's all right with me. I don't want you should marry an ordinary man, but a smart one, an educated man, a gentleman. We Butterworths are going to be bigger and bigger people here. If you get married to a good man, a smart one, I'll build a house for you; not just a little house but a big place, the biggest place Bidwell ever seen." They came to the farm and Tom stopped the buggy in the road. He shouted to a man in the barnyard who came running for her bags. When she had got out of the buggy he immediately turned the horse about and drove rapidly away. Her aunt, a large, moist woman, met her on the steps leading to the front door, and embraced her warmly. The words her father had just spoken ran a riotous course through Clara's brain. She realized that for a year she had been thinking of marriage, had been wanting some man to approach and talk of marriage, but she had not thought of the matter in the way her father had put it. The man had spoken of her as though she were a possession of his that must be disposed of. He had a personal interest in her marriage. It was in someway not a private matter, but a family affair. It was her father's idea, she gathered, that she was to go into marriage to strengthen what he called his position in the community, to help him be some vague thing he called a big man. She wondered if he had some one in mind and could not avoid being a little curious as to who it could be. It had never occurred to her that her marriage could mean anything to her father beyond the natural desire of the parent that his child make a happy marriage. She began to grow angry at the thought of the way in which her father had approached the subject, but was still curious to know whether he had gone so far as to have some one in mind for the role of husband, and thought she would try to find out from her aunt. The strange farm hand came into the house with her bags and she followed him upstairs to what had always been her own room. Her aunt came puffing at her heels. The farm hand went away and she began to unpack, while the older woman, her face very red, sat on the edge of the bed. "You ain't been getting engaged to a man down there where you been to school, have you, Clara?" she asked.

Clara looked at her aunt and blushed; then became suddenly and furiously angry. Dropping the bag she had opened to the floor, she ran out of the room. At the door she stopped and turned on the surprised and startled woman. "No, I haven't," she declared furiously. "It's nobody's business whether I have or not. I went to school for an education. I didn't go to get me a man. If that's what you sent me for, why didn't you say so?"

Clara hurried out of the house and into the barnyard. She went into all of the barns, but there were no men about. Even the strange farm hand who had carried her bags into the house had disappeared, and the stalls in the horse and cattle barns were empty. Then she went into the orchard and climbing a fence went through a meadow and into the wood to which she had always fled, when as a girl on the farm she was troubled or angry. For a long time she sat on a log beneath a tree and tried to think her way through the new idea of marriage she had got from her father's words. She was still angry and told herself that she would leave home, would go to some city and get work. She thought of Kate Chanceller who intended to be a doctor, and tried to picture herself attempting something of the kind. It would take money for study. She tried to imagine herself talking to her father about the matter and the thought made her smile. Again she wondered if he had any definite person in mind as her husband, and who it could be. She tried to check off her father's acquaintances among the young men of Bidwell. "It must be some new man who has come here, some one having something to do with one of the factories," she thought.

After sitting on the log for a long time, Clara got up and walked under the trees. The imaginary man, suggested to her mind by her father's words, became every moment more and more a reality. Before her eyes danced the laughing eyes of the young man who for a moment had lingered beside her while Kate Chanceller talked to his companion that evening when they had been challenged on the streets of Columbus. She remembered the young school teacher, who had held her in his arms through a long Sunday afternoon, and the day when, as an awakening maiden, she had heard Jim Priest talking to the laborers in the barn about the sap that ran up the tree. The afternoon slipped away and the shadows of the trees lengthened. On such a day and alone there in the quiet wood, it was impossible for her to remain in the angry mood in which she had left the house. Over her father's farm brooded the passionate fulfillment of summer. Before her, seen through the trees, lay yellow wheat fields, ripe for the cutting; insects sang and danced in the air about her head; a soft wind blew and made a gentle singing noise in the tops of the trees; at her back among the trees a squirrel chattered; and two calves came along a woodland path and stood for a long time staring at her with their large gentle eyes. She arose and went out of the wood, crossed a falling meadow and came to a rail fence surrounding a corn field. Jim Priest was cultivating corn and when he saw her left his horses and came to her. He took both her hands in his and pumped her arms up and down. "Well, Lord A'mighty, I'm glad to see you," he said heartily. "Lord A'mighty, I'm glad to see you." The old farm hand pulled a long blade of grass out of the ground beneath the fence and leaning against the top rail began to chew it. He asked Clara the same question her aunt had asked, but his asking did not annoy her. She laughed and shook her head. "No, Jim," she said, "I seem to have made a failure of going away to school. I didn't get me a man. No one asked me, you see."

Both the woman and the old man became silent. Over the tops of the young corn they could see down the hillside into the distant town. Clara wondered if the man she was to marry was there. The idea of a marriage with her had perhaps been suggested to his mind also. Her father, she decided, was capable of that. He was evidently ready to go to any length to see her safely married. She wondered why. When Jim Priest began to talk, striving to explain his question, his words fitted oddly into the thoughts she was having in regard to herself. "Now about marriage," he began, "you see now, I never done it. I didn't get married at all. I don't know why. I wanted to and I didn't. I was afraid to ask, maybe. I guess if you do it you're sorry you did and if you don't you're sorry you didn't."

Jim went back to his team, and Clara stood by the fence and watched him go down the long field and turn to come back along another of the paths between the corn rows. When the horses came to where she stood, he stopped again and looked at her. "I guess you'll get married pretty soon now," he said. The horses started on again and he held the cultivating machine with one hand and looked back over his shoulder at her. "You're one of the marrying kind," he called. "You ain't like me. You don't just think about things. You do 'em. You'll be getting yourself married before very long. You are one of the kind that does."

CHAPTER XI

If many things had happened to Clara Butterworth in the three years since that day when John May so rudely tripped her first hesitating girlish attempt to run out to life, things had also happened to the people she had left behind in Bidwell. In so short a space of time her father, his business associate Steve Hunter, Ben Peeler the town carpenter, Joe Wainsworth the harness maker, almost every man and woman in town had become something different in his nature from the man or woman bearing the same name she had known in her girlhood.

Ben Peeler was forty years old when Clara went to Columbus to school. He was a tall, slender, stoop-shouldered man who worked hard and was much respected by his fellow townsmen. Almost any afternoon he might have been seen going through Main Street, wearing his carpenter's apron and with a carpenter's pencil stuck under his cap and balanced on his ear. He went into Oliver Hall's hardware store and came out with a large package of nails under his arm. A farmer who was thinking of building a new barn stopped him in front of the post-office and for a half hour the two men talked of the project. Ben put on his glasses, took the pencil out of his cap and made some notation on the back of the package of nails. "I'll do a little figuring; then I'll talk things over with you," he said. During the spring, summer and fall Ben had always employed another carpenter and an apprentice, but when Clara came back to town he was employing four gangs of six men each and had two foremen to watch the work and keep it moving, while his son, who in other times would also have been a carpenter, had become a salesman, wore fancy vests and lived in Chicago. Ben was making money and for two years had not driven a nail or held a saw in his hand. He had an office in a frame building beside the New York Central tracks, south of Main Street, and employed a book-keeper and a stenographer. In addition to carpentry he had embarked in another business. Backed by Gordon Hart, he had become a lumber dealer and bought and sold lumber under the firm name of Peeler and Hart. Almost every day cars of lumber were unloaded and stacked under sheds in the yard back of his office. He was no longer satisfied with his income as a workman but, under the influence of Gordon Hart, demanded also a swinging profit on the building materials. Ben now drove about town in a vehicle called a buckboard and spent the entire day hurrying from job to job. He had no time now to stop for a half hour's gossip with a prospective builder of a barn, and did not come to loaf in Birdie Spinks' drug-store at the end of the day. In the evening he went to the lumber office and Gordon Hart came over from the bank. The two men figured on jobs to be built, rows of workingmen's houses, sheds alongside one of the new factories, large frame houses for the superintendents and other substantial men of the town's new enterprises. In the old days Ben had been glad to go occasionally into the country on a barn-building job. He had liked the country food, the gossip with the farmer and his men at the noon hour and the drive back and forth to town, mornings and evenings. While he was in the country he managed to make a deal for his winter potatoes, hay for his horse, and perhaps a barrel of cider to drink on winter evenings. Now he had no time to think of such things. When a farmer came to see him he shook his head. "Get some one else to figure on your job," he advised. "You'll save money by getting a barn-building carpenter. I can't bother. I have too many houses to build." Ben and Gordon sometimes worked in the lumber office until midnight. On warm still nights the sweet smell of new-cut boards filled the air of the yard and crept in through the open windows, but the two men, intent on their figures, did not notice. In the early evening one or two teams came back to the yard to finish hauling lumber to a job where the men were to work on the next day. The voices of the men, talking and singing as they loaded their wagons, broke the silence. Later the wagons loaded high with boards went creaking away. When the two men grew tired and sleepy, they locked the office and walked through the yard to the driveway that led to a residence street. Ben was nervous and irritable. One evening they found three men, sleeping on a pile of boards in the yard, and drove them out. It gave both men something to think about. Gordon Hart went home and before he slept made up his mind that he would not let another day go by without getting the lumber in the yard more heavily insured. Ben had not handled affairs long enough to come quickly to so sensible a decision. All night he rolled and tumbled about in his bed. "Some tramp with his pipe will set the place afire," he thought. "I'll lose all the money I've made." For a long time he did not think of the simple expedient of hiring a watchman to drive sleepy and penniless wanderers away, and charging enough more for his lumber to cover the additional expense. He got out of bed and dressed, thinking he would get his shotgun out of the barn and go back to the yard and spend the night. Then he undressed and got into bed again. "I can't work all day and spend my nights down there," he thought resentfully. When at last he slept, he dreamed of sitting in the lumber yard in the darkness with the gun in his hand. A man came toward him and he discharged the gun and killed the man. With the inconsistency common to the physical aspect of dreams, the darkness passed away and it was daylight. The man he had thought dead was not quite dead. Although the whole side of his head was torn away, he still breathed. His mouth opened and closed convulsively. A dreadful illness took possession of the carpenter. He had an elder brother who had died when he was a boy, but the face of the man on the ground was the face of his brother. Ben sat up in bed and shouted. "Help, for God's sake, help! It's my own brother. Don't you see, it is Harry Peeler?" he cried. His wife awoke and shook him. "What's the matter, Ben," she asked anxiously. "What's the matter?" "It was a dream," he said, and let his head drop wearily on the pillow. His wife went to sleep again, but he stayed awake the rest of the night. When on the next morning Gordon Hart suggested the insurance idea, he was delighted. "That settles it of course," he said to himself. "It's simple enough, you see. That settles everything."

In his shop on Main Street Joe Wainsworth had plenty to do after the boom came to Bidwell. Many teams were employed in the hauling of building materials; loads of paving brick were being carted from cars to where they were to be laid on Main Street; and teams hauled earth from where the new Main Street sewer was being dug and from the freshly dug cellars of houses. Never had there been so many teams employed and so much repairing of harness to do. Joe's apprentice had left him, had been carried off by the rush of young men to the places where the boom had arrived earlier. For a year Joe had worked alone and had then employed a journeyman harness maker who had drifted into town drunk and who got drunk every Saturday evening. The new man was an odd character. He had a faculty for making money, but seemed to care little about making it for himself. Within a week after he came to town he knew every one in Bidwell. His name was Jim Gibson and he had no sooner come to work for Joe than a contest arose between them. The contest concerned the question of who was to run the shop. For a time Joe asserted himself. He growled at the men who brought harness in to be repaired, and refused to make promises as to when the work would be done. Several jobs were taken away and sent to nearby towns. Then Jim Gibson asserted himself. When one of the teamsters who had come to town with the boom came with a heavy work harness on his shoulder, he went to meet him. The harness was thrown with a rattling crash on the floor and Jim examined it. "Oh, the devil, that's an easy job," he declared. "We'll fix that up in a jiffy. You can have it to-morrow afternoon if you want it."

For a time Jim made it a practice to come to where Joe stood at work at his bench and consult with him regarding prices to be charged for work. Then he returned to the customer and charged more than Joe had suggested. After a few weeks he slopped consulting Joe at all. "You're no good," he exclaimed, laughing. "What you're doing in business I don't know." The old harness maker stared at him for a minute and then went to his bench and to work. "Business," he muttered, "what do I know about business? I'm a harness maker, I am."

After Jim came to work for him, Joe made in one year almost twice the amount he had lost in the failure of the plant-setting machine factory. The money was not invested in stock of any factory but lay in the bank. Still he was not happy. All day Jim Gibson, whom Joe had never dared tell the tales of his triumph as a workman and to whom he did not brag as he had formerly done to his apprentices, talked of his ability to get the best of customers. He had, he declared, managed, in the last place he had worked before he came to Bidwell, to sell a good many sets of harness as handmade that were in reality made in a factory. "It isn't like the old times," he said, "things are changing. We used to sell harness only to farmers or to teamsters right in our towns who owned their own horses. We always knew the men we did business with and always would know them. Now it's different. The men now, you see, who are here in this town to work—well, next month or next year they'll be somewhere else. All they care about you and me is how much work they can get for a dollar. Of course they talk big about honesty and all that stuff, but that's only their guff. They think maybe we'll fall for it and they'll get more for the money they pay out. That's what they're up to."

Jim tried hard to make his version of how the shop should be run clear to his employer. Every day he talked for hours regarding the matter. He tried to get Joe to put in a stock of factory-made harness and when he was unsuccessful was angry. "O the devil," he cried. "Can't you understand what you're up against? The factories are bound to win. For why? Look here, there can't any one but some old moss-back who has worked around horses all his life tell the difference between hand- and machine-sewed harness. The machine-made can be sold cheaper. It looks all right and the factories are able to put on a lot of do-dads. That catches the young fellows. It's good business. Quick sales and profits, that's the story." Jim laughed and then said something that made the shivers run up and down Joe's back. "If I had the money and was steady I'd start a shop in this town and show you up," he said. "I'd pretty near run you out. The trouble with me is I wouldn't stick to business if I had the money. I tried it once and made money; then when I got a little ahead I shut up the shop and went on a big drunk. I was no good for a month. When I work for some one else I'm all right. I get drunk on Saturdays and that satisfies me. I like to work and scheme for money, but it ain't any good to me when I get it and never will be. What I want you to do here is to shut your eyes and give me a chance. That's all I ask. Just shut your eyes and give me a chance."

All day Joe sat astride his harness maker's horse, and when he was not at work, stared out through a dirty window into an alleyway and tried to understand Jim's idea of what a harness maker's attitude should be toward his customers, now that new times had come. He felt very old. Although Jim was as old in years lived as himself, he seemed very young. He began to be a little afraid of the man. He could not understand why the money, nearly twenty-five hundred dollars he had put in the bank during the two years Jim had been with him, seemed so unimportant and the twelve hundred dollars he had earned slowly after twenty years of work seemed so important. As there was much repair work always waiting to be done in the shop, he did not go home to lunch, but every day carried a few sandwiches to the shop in his pocket. At the noon hour, when Jim had gone to his boarding-house, he was alone, and if no one came in, he was happy. It seemed to him the best time of the day. Every few minutes he went to the front door to look out. The quiet Main Street, on which his shop had faced since he was a young man just come home from his trade adventures, and which had always been such a sleepy place at the noon hour in the summer, was now like a battle-field from which an army had retreated. A great gash had been cut in the street where the new sewer was to be laid. Swarms of workingmen, most of them strangers, had come into Main Street from the factories by the railroad tracks. They stood in groups in lower Main Street by Wymer's tobacco store. Some of them had gone into Ben Head's saloon for a glass of beer and came out wiping their mustaches. The men who were digging the sewer, foreign men, Italians he had heard, sat on the banks of dry earth in the middle of the street. Their dinner pails were held between their legs and as they ate they talked in a strange language. He remembered the day he had come to Bidwell with his bride, the girl he had met on his trade journey and who had waited for him until he had mastered his trade and had a shop of his own. He had gone to New York State to get her and had arrived back in Bidwell at noon on just such another summer day. There had not been many people about, but every one had known him. On that day every one had been his friend. Birdie Spinks rushed out of his drug store and had insisted that he and his bride go home to dinner with him. Every one had wanted them to come to his house for dinner. It had been a happy, joyous time.

The harness maker had always been sorry his wife had borne him no children. He had said nothing and had always pretended he did not want them and now, at last, he was glad they had not come. He went back to his bench and to work, hoping Jim would be late in getting back from lunch. The shop was very quiet after the activity of the street that had so bewildered him. It was, he thought, like a retreat, almost like a church when you went to the door and looked in on a week day. He had done that once and had liked the empty silent church better than he did a church with a preacher and a lot of people in it. He had told his wife about the matter. "It was like the shop in the evening when I've got a job of work done and the boy has gone home," he had said.

The harness maker looked out through the open door of his shop and saw Tom Butterworth and Steve Hunter going along Main Street, engaged in earnest conversation. Steve had a cigar stuck in the corner of his mouth and Tom had on a fancy vest. He thought again of the money he had lost in the plant-setting machine venture and was furious. The noon hour was spoiled and he was almost glad when Jim came back from his mid-day meal.

The position in which he found himself in the shop amused Jim Gibson. He chuckled to himself as he waited on the customers who came in, and as he worked at the bench. One day when he came back along Main Street from the noon meal, he decided to try an experiment. "If I lose my job what difference does it make?" he asked himself. He stopped at a saloon and had a drink of whisky. When he got to the shop he began to scold his employer, to threaten him as though he were his apprentice. Swaggering suddenly in, he walked to where Joe was at work and slapped him roughly on the back. "Come, cheer up, old daddy," he said. "Get the gloom out of you. I'm tired of your muttering and growling at things."

The employee stepped back and watched his employer. Had Joe ordered him out of the shop he would not have been surprised, and as he said later when he told Ben Head's bartender of the incident, would not have cared very much. The fact that he did not care, no doubt saved him. Joe was frightened. For just a moment he was so angry he could not speak, and then he remembered that if Jim left him he would have to wait on trade and would have to dicker with the strange teamsters regarding the repairing of the work harness. Bending over the bench he worked for an hour in silence. Then, instead of demanding an explanation of the rude familiarity with which Jim had treated him, he began to explain. "Now look here, Jim," he pleaded, "don't you pay any attention to me. You do as you please here. Don't you pay any attention to me."

Jim said nothing, but a smile of triumph lit up his face. Late in the afternoon he left the shop. "If any one comes in, tell them to wait. I won't be gone very long," he said insolently. Jim went into Ben Head's saloon and told the bartender how his experiment had come out. The story was later told from store to store up and down the Main Street of Bidwell. "He was like a boy who has been caught with his hand in the jam pot," Jim explained. "I can't think what's the matter with him. Had I been in his, shoes I would have kicked Jim Gibson out of the shop. He told me not to pay any attention to him and to run the shop as I pleased. Now what do you think of that? Now what do you think of that for a man who owns his own shop and has money in the bank? I tell you, I don't know how it is, but I don't work for Joe any more. He works for me. Some day you come in the shop casual-like and I'll boss him around for you. I'm telling you I don't know how it is that it come about, but I'm the boss of the shop as sure as the devil."

All of Bidwell was looking at itself and asking itself questions. Ed Hall, who had been a carpenter's apprentice earning but a few dollars a week with his master, Ben Peeler, was now foreman in the corn-cutter factory and received a salary of twenty-five dollars every Saturday night. It was more money than he had ever dreamed of earning in a week. On pay nights he dressed himself in his Sunday clothes and had himself shaved at Joe Trotter's barber shop. Then he went along Main Street, fingering the money in his pocket and half fearing he would suddenly awaken and find it all a dream. He went into Wymer's tobacco store to get a cigar, and old Claude Wymer came to wait on him. On the second Saturday evening after he got his new position, the tobacconist, a rather obsequious man, called him Mr. Hall. It was the first time such a thing had happened and it upset him a little. He laughed and made a joke of it. "Don't get high and mighty," he said, and turned to wink at the men loafing in the shop. Later he thought about the matter and was sorry he had not accepted the new title without protest. "Well, I'm foreman, and a lot of the young fellows I've always known and fooled around with will be working under me," he told himself. "I can't be getting thick with them."

Ed walked along the street feeling very keenly the importance of his new place in the community. Other young fellows in the factory were getting a dollar and a half a day. At the end of the week he got twenty-five dollars, almost three times as much. The money was an indication of superiority. There could be no doubt about that. Ever since he had been a boy he had heard older men speak respectfully of men who possessed money. "Get on in the world," they said to young men, when they talked seriously. Among themselves they did not pretend that they did not want money. "It's money makes the mare go," they said.

Down Main Street to the New York Central tracks Ed went, and then turned out of the street and disappeared into the station. The evening train had passed and the place was deserted. He went into the dimly lighted waiting-room. An oil lamp, turned low, and fastened by a bracket to the wall made a little circle of light in a corner. The room was like a church in the early morning of a wintry day, cold and still. He went hurriedly to the light, and taking the roll of money from his pocket, counted it. Then he went out of the room and along the station platform almost to Main Street, but was not satisfied. On an impulse he returned to the waiting room again and, late in the evening on his way home, he stopped there for a final counting of the money before he went to bed.

Peter Fry was a blacksmith and had a son who was clerk in the Bidwell Hotel. He was a tall young fellow with curly yellow hair and watery blue eyes and smoked cigarettes, a habit that was an offense to the nostrils of the men of his times. His name was Jacob, but he was called in derision Fizzy Fry. The young man's mother was dead and he got his meals at the hotel and at night slept on a cot in the hotel office. He had a passion for gayly colored neckties and waistcoats and was forever trying unsuccessfully to attract the attention of the town girls. When he and his father met on the street, they did not speak to each other. Sometimes the father stopped and stared at his son. "How did I happen to be the father of a thing like that?" he muttered aloud.

The blacksmith was a square-shouldered, heavily built man with a bushy black beard and a tremendous voice. When he was a young man he sang in the Methodist choir, but after his wife died he stopped going to church and began putting his voice to other uses. He smoked a short clay pipe that had become black with age and that at night could not be seen against his black curly beard. Smoke rolled out of his mouth in clouds and appeared to come up out of his belly. He was like a volcanic mountain and was called, by the men who loafed in Birdie Spinks' drug store, Smoky Pete.

Smoky Pete was in more ways than one like a mountain given to eruptions. He did not get drunk, but after his wife died he got into the habit of having two or three drinks of whisky every evening. The whisky inflamed his mind and he strode up and down Main Street, ready to quarrel with any one his eye lighted upon. He got into the habit of roaring at his fellow citizens and making ribald jokes at their expense. Every one was a little afraid of him and he became in an odd way the guardian of the town morals. Sandy Ferris, a house painter, became a drunkard and did not support his family. Smoky Pete abused him in the public streets and in the sight of all men. "You cheap thing, warming your belly with whisky while jour children freeze, why don't you try being a man?" he shouted at the house painter, who staggered into a side street and went to sleep off his intoxication in a stall in Clyde Neighbors' livery barn. The blacksmith kept at the painter until the whole town took up his cry and the saloons became ashamed to accept his custom. He was forced to reform.

The blacksmith did not, however, discriminate in the choice of victims. His was not the spirit of the reformer. A merchant of Bidwell, who had always been highly respected and who was an elder in his church, went one evening to the county seat and there got into the company of a notorious woman known throughout the county as Nell Hunter. The two went into a little room at the back of a saloon and were seen by two Bidwell young men who had gone to the county seat for an evening of adventure. When the merchant, named Pen Beck, realized he had been seen, he was afraid the tale of his indiscretion would be carried to his home town, and left the woman to join the young men. He was not a drinking man, but began at once to buy drinks for his companions. The three got very drunk and drove home together late at night in a rig the young men had hired for the occasion from Clyde Neighbors. On the way the merchant kept trying to explain his presence in the company of the woman. "Don't say anything about it," he urged. "It would be misunderstood. I have a friend whose son has been taken in by the woman. I was trying to get her to let him alone."

The two young men were delighted that they had caught the merchant off his guard. "It's all right," they assured him. "Be a good fellow and we won't tell your wife or the minister of your church." When they had all the drinks they could carry, they got the merchant into the buggy and began to whip the horse. They had driven half way to Bidwell and all of them had fallen into a drunken sleep, when the horse became frightened at something in the road and ran away. The buggy was overturned and they were all thrown into the road. One of the young men had an arm broken and Pen Beck's coat was almost torn in two. He paid the young man's doctor's bill and settled with Clyde Neighbors for the damage to the buggy.

For a long time the story of the merchant's adventure did not leak out, and when it did, but a few intimate friends of the young men knew it. Then it reached the ears of Smoky Pete. On the day he heard it he could hardly bear to wait until evening came. He hurried to Ben Head's saloon, had two drinks of whisky and then went to stand with the loafers before Birdie Spinks' drug store. At half past seven Pen Beck turned into Main Street from Cherry Street, where he lived. When he was more than three blocks away from the crowd of men before the drug store, Smoky Pete's roaring voice began to question him. "Well, Penny, my lad, so you went for a night among the ladies?" he shouted. "You've been fooling around with my girl, Nell Hunter, over at the county seat. I'd like to know what you mean. You'll have to make an explanation to me."

The merchant stopped and stood on the sidewalk, unable to decide whether to face his tormentor or flee. It was just at the quiet time of the evening when the housewives of the town had finished their evening's work and stood resting by the kitchen doors. It seemed to Pen Beck that Smoky Pete's voice could be heard for a mile. He decided to face it out and if necessary to fight the blacksmith. As he came hurriedly toward the group before the drug store, Smoky Pete's voice took up the story of the merchant's wild night. He stepped out from the men in front of the store and seemed to be addressing himself to the whole street. Clerks, merchants, and customers rushed out of the stores. "Well," he cried, "so you made a night of it with my girl Nell Hunter. When you sat with her in the back room of the saloon you didn't know I was there. I was hidden under a table. If you'd done anything more than bite her on the neck I'd have come out and called you to time."

Smoky Pete broke into a roaring laugh and waved his arms to the people gathered in the street and wondering what it was all about. It was for him one of the really delicious spots of his life. He tried to explain to the people what he was talking about. "He was with Nell Hunter in the back room of a saloon over at the county seat," he shouted. "Edgar Duncan and Dave Oldham saw him there. He came home with them and the horse ran away. He didn't commit adultery. I don't want you to think that happened. All that happened was he bit my best girl, Nell Hunter, on the neck. That's what makes me so mad. I don't like to have her bitten by him. She is my girl and belongs to me."

The blacksmith, forerunner of the modern city newspaper reporter in his love of taking the center of the stage in order to drag into public sight the misfortunes of his fellows, did not finish his tirade. The merchant, white with anger, rushed up and struck him a blow on the chest with his small and rather fat fist. The blacksmith knocked him into the gutter and later, when he was arrested, went proudly off to the office of the town mayor and paid his fine.

It was said by the enemies of Smoky Pete that he had not taken a bath for years. He lived alone in a small frame house at the edge of town. Behind his house was a large field. The house itself was unspeakably dirty. When the factories came to town, Tom Butterworth and Steve Hunter bought the field intending to cut it into building lots. They wanted to buy the blacksmith's house and finally did secure it by paying a high price. He agreed to move out within a year but after the money was paid repented and wished he had not sold. A rumor began to run about town connecting the name of Tom Butterworth with that of Fanny Twist, the town milliner. It was said the rich farmer had been seen coming out of her shop late at night. The blacksmith also heard another story whispered in the streets. Louise Trucker, the farmer's daughter who had at one time been seen creeping through a side street in the company of young Steve Hunter, had gone to Cleveland and it was said she had become the proprietor of a prosperous house of ill fame. Steve's money, it was declared, had been used to set her up in business. The two stories offered unlimited opportunity for expansion in the blacksmith's mind, but while he was preparing himself to do what he called bringing the two men down in the sight and hearing of the whole town, a thing happened that upset his plans. His son Fizzy Fry left his place as clerk in the hotel and went to work in the corn-cutting machine factory. One day his father saw him coming from the factory at noon with a dozen other workmen. The young man had on overalls and smoked a pipe. When he saw his father he stopped, and when the other men had gone on, explained his sudden transformation. "I'm in the shop now, but I won't be there long," he said proudly. "You know Tom Butterworth stays at the hotel? Well, he's given me a chance. I got to stay in the shop for a while to learn about things. After that I'm to have a chance as shipping clerk. Then I'll be a traveler on the road." He looked at his father and his voice broke. "You haven't thought very much of me, but I'm not so bad," he said. "I don't want to be a sissy, but I'm not very strong. I worked at the hotel because there wasn't anything else I thought I could do."

Peter Fry went home to his house but could not eat the food he had cooked for himself on the tiny stove in the kitchen. He went outdoors and stood for a long time, looking out across the cow-pasture Tom Butterworth and Steve Hunter had bought and that they proposed should become a part of the rapidly growing city. He had himself taken no part in the new impulses that had come upon the town, except that he had taken advantage of the failure of the town's first industrial effort to roar insults at those of his townsmen who had lost their money. One evening he and Ed Hall had got into a fight about the matter on Main Street, and the blacksmith had been compelled to pay another fine. Now he wondered what was the matter with him. He had evidently made a mistake about his son. Had he made a mistake about Tom Butterworth and Steve Hunter?

The perplexed man went back to his shop and all the afternoon worked in silence. His heart had been set on the creation of a dramatic scene on Main Street, when he openly attacked the two most prominent men of the town, and he even pictured himself as likely to be put in the town jail where he would have an opportunity to roar things through the iron bars at the citizens gathered in the street. In anticipation of such an event, he had prepared himself to attack the reputation of other people. He had never attacked women but, if he were locked up, he intended to do so. John May had once told him that Tom Butterworth's daughter, who had been away to college for a year, had been sent away because she was in the family way. John May had claimed he was responsible for her condition. Several of Tom's farm hands he said had been on intimate terms with the girl. The blacksmith had told himself that if he got into trouble for publicly attacking the father he would be justified in telling what he knew about the daughter.

The blacksmith did not come into Main Street that evening. As he went home from work he saw Tom Butterworth standing with Steve Hunter before the post-office. For several weeks Tom had been spending most of his time away from town, had only appeared in town for a few hours at a time, and had not been seen on the streets in the evening. The blacksmith had been waiting to catch both men on the street at one time. Now that this opportunity had come, he began to be afraid he would not dare take it. "What right have I to spoil my boy's chances?" he asked himself, as he went rather heavily along the street toward his own house.

It rained on that evening and for the first time in years Smoky Pete did not go into Main Street. He told himself that the rain kept him at home, but the thought did not satisfy him. All evening he moved restlessly about the house and at half past eight went to bed. He did not, however, sleep, but lay with his trousers on and with his pipe in his mouth, trying to think. Every few minutes he took the pipe from his mouth, blew out a cloud of smoke and swore viciously. At ten o'clock the farmer, who had owned the cow-pasture back of his house and who still kept his cows there, saw his neighbor tramping about in the rain in the field and saying things he had planned to say on Main Street in the hearing of the entire town.

The farmer also had gone to bed early, but at ten o'clock he decided that, as the rain continued to fall and as it was growing somewhat cold, he had better get up and let his cows into the barn. He did not dress, but threw a blanket about his shoulders and went out without a light. He let down the bars separating the field from the barnyard and then saw and heard Smoky Pete in the field. The blacksmith walked back and forth in the darkness, and as the farmer stood by the fence, began to talk in a loud voice. "Well, Tom Butterworth, you're fooling around with Fanny Twist," he cried into the silence and emptiness of the night. "You're sneaking into her shop late at night, eh? Steve Hunter has set Louise Trucker up in business in a house in Cleveland. Are you and Fanny Twist going to open a house here? Is that the next industrial enterprise we're to have here in this town?"

The amazed farmer stood in the rain in the darkness, listening to the words of his neighbor. The cows came through the gate and went into the barn. His bare legs were cold and he drew them alternately up under the blanket. For ten minutes Peter Fry tramped up and down in the field. Once he came quite near the farmer, who drew himself down beside the fence and listened, filled with amazement and fright. He could dimly see the tall, old man striding along and waving his arms about. When he had said many bitter, hateful things regarding the two most prominent men of Bidwell, he began to abuse Tom Butterworth's daughter, calling her a bitch and the daughter of a dog. The farmer waited until Smoky Pete had gone back to his house and, when he saw a light in the kitchen, and fancied he could also see his neighbor cooking food at a stove, he went again into his own house. He had himself never quarreled with Smoky Pete and was glad. He was glad also that the field at the back of his house had been sold. He intended to sell the rest of his farm and move west to Illinois. "The man's crazy," he told himself. "Who but a crazy man would talk that way in the darkness? I suppose I ought to report him and get him locked up, but I guess I'll forget what I heard. A man who would talk like that about nice respectable people would do anything. He might set fire to my house some night or something like that. I guess I'll just forget what I heard."

BOOK FOUR

CHAPTER XII

After the success of his corn cutting machine and the apparatus for unloading coal cars that brought him a hundred thousand dollars in cash, Hugh could not remain the isolated figure he had been all through the first several years of his life in the Ohio community. From all sides men reached out their hands to him: and more than one woman thought she would like to be his wife. All men lead their lives behind a wall of misunderstanding they themselves have built, and most men die in silence and unnoticed behind the walls. Now and then a man, cut off from his fellows by the peculiarities of his nature, becomes absorbed in doing something that is impersonal, useful, and beautiful. Word of his activities is carried over the walls. His name is shouted and is carried by the wind into the tiny inclosure in which other men live and in which they are for the most part absorbed in doing some petty task for the furtherance of their own comfort. Men and women stop their complaining about the unfairness and inequality of life and wonder about the man whose name they have heard.

From Bidwell, Ohio, to farms all over the Middle West, Hugh McVey's name had been carried. His machine for cutting corn was called the McVey Corn-Cutter. The name was printed in white letters against a background of red on the side of the machine. Farmer boys in the States of Indiana, Illinois, Iowa, Kansas, Nebraska, and all the great corn-growing States saw it and in idle moments wondered what kind of man had invented the machine they operated. A Cleveland newspaper man came to Bidwell and went to Pickleville to see Hugh. He wrote a story telling of Hugh's early poverty and his efforts to become an inventor. When the reporter talked to Hugh he found the inventor so embarrassed and uncommunicative that he gave up trying to get a story. Then he went to Steve Hunter who talked to him for an hour. The story made Hugh a strikingly romantic figure. His people, the story said, came out of the mountains of Tennessee, but they were not poor whites. It was suggested that they were of the best English stock. There was a tale of Hugh's having in his boyhood contrived some kind of an engine that carried water from a valley to a mountain community; another of his having seen a clock in a store in a Missouri town and of his having later made a clock of wood for his parents; and a tale of his having gone into the forest with his father's gun, shot a wild hog and carried it down the mountain side on his shoulder in order to get money to buy school books. After the tale was printed the advertising manager of the corn-cutter factory got Hugh to go with him one day to Tom Butterworth's farm. Many bushels of corn were brought out of the corn cribs and a great mountain of corn was built on the ground at the edge of a field. Back of the mountain of corn was a corn field just coming into tassel. Hugh was told to climb up on the mountain and sit there. Then his picture was taken. It was sent to newspapers all over the West with copies of the biography cut from the Cleveland paper. Later both the picture and the biography were used in the catalogue that described the McVey Corn-Cutter.

The cutting of corn and putting it in shocks against the time of the husking is heavy work. In recent times it has come about that much of the corn grown on mid-American prairie lands is not cut. The corn is left standing in the fields, and men go through it in the late fall to pick the yellow ears. The workers throw the corn over their shoulders into a wagon driven by a boy, who follows them in their slow progress, and it is then hauled away to the cribs. When a field has been picked, the cattle are turned in and all winter they nibble at the dry corn blades and tramp the stalks into the ground. All day long on the wide western prairies when the gray fall days have come, you may see the men and the horses working their way slowly through the fields. Like tiny insects they crawl across the immense landscapes. After them in the late fall and in the winter when the prairies are covered with snow, come the cattle. They are brought from the far West in cattle cars and after they have nibbled the corn blades all day, are taken to barns and stuffed to bursting with corn. When they are fat they are sent to the great killing-pens in Chicago, the giant city of the prairies. In the still fall nights, as you stand on prairie roads or in the barnyard back of one of the farm houses, you may hear the rustling of the dry corn blades and then the crash of the heavy bodies of the beasts going forward as they nibble and trample the corn.

In earlier days the method of corn harvesting was different. There was poetry in the operation then as there is now, but it was set to another rhythm. When the corn was ripe men went into the fields with heavy corn knives and cut the stalks of corn close to the ground. The stalks were cut with the right hand swinging the corn knife and carried on the left arm. All day a man carried a heavy load of the stalks from which yellow ears hung down. When the load became unbearably heavy it was carried to the shock, and when all the corn was cut in a certain area, the shock was made secure by binding it with tarred rope or with a tough stalk twisted to take the place of the rope. When the cutting was done the long rows of stalks stood up in the fields like sentinels, and the men crawled off to the farmhouses and to bed, utterly weary.

Hugh's machine took all of the heavier part of the work away. It cut the corn near the ground and bound it into bundles that fell upon a platform. Two men followed the machine, one to drive the horses and the other to place the bundles of stalks against the shocks and to bind the completed shocks. The men went along smoking their pipes and talking. The horses stopped and the driver stared out over the prairies. His arms did not ache with weariness and he had time to think. The wonder and mystery of the wide open places got a little into his blood. At night when the work was done and the cattle fed and made comfortable in the barns, he did not go at once to bed but sometimes went out of his house and stood for a moment under the stars.

This thing the brain of the son of a mountain man, the poor white of the river town, had done for the people of the plains. The dreams he had tried so hard to put away from him and that the New England woman Sarah Shepard had told him would lead to his destruction had come to something. The car-dumping apparatus, that had sold for two hundred thousand dollars, had given Steve Hunter money to buy the plant-setting machine factory, and with Tom Butterworth to start manufacturing the corn-cutters, had affected the lives of fewer people, but it had carried the Missourian's name into other places and had also made a new kind of poetry in railroad yards and along rivers at the back of cities where ships are loaded. On city nights as you lie in your houses you may hear suddenly a long reverberating roar. It is a giant that has cleared his throat of a carload of coal. Hugh McVey helped to free the giant. He is still doing it. In Bidwell, Ohio, he is still at it, making new inventions, cutting the bands that have bound the giant. He is one man who had not been swept aside from his purpose by the complexity of life.

That, however, came near happening. After the coming of his success, a thousand little voices began calling to him. The soft hands of women reached out of the masses of people about him, out of the old dwellers and new dwellers in the city that was growing up about the factories where his machines were being made in ever increasing numbers. New houses were constantly being built along Turner's Pike that led down to his workshop at Pickleville. Beside Allie Mulberry a dozen mechanics were now employed in his experimental shop. They helped Hugh with a new invention, a hay-loading apparatus on which he was at work, and also made special tools for use in the corn-cutter factory and the new bicycle factory. A dozen new houses had been built in Pickleville itself. The wives of the mechanics lived in the houses and occasionally one of them came to see her husband at Hugh's shop. He found it less and less difficult to talk to people. The workmen, themselves not given to the use of many words, did not think his habitual silence peculiar. They were more skilled than Hugh in the use of tools and thought it rather an accident that he had done what they had not done. As he had grown rich by that road they also tried their hand at inventions. One of them made a patent door hinge that Steve sold for ten thousand dollars, keeping half the money for his services, as he had done in the case of Hugh's car-dumping apparatus. At the noon hour the men hurried to their houses to eat and then came back to loaf before the factory and smoke their noonday pipes. They talked of money-making, of the price of food stuffs, of the advisability of a man's buying a house on the partial payment plan. Sometimes they talked of women and of their adventures with women. Hugh sat by himself inside the door of the shop and listened. At night after he had gone to bed he thought of what they had said. He lived in a house belonging to a Mrs. McCoy, the widow of a railroad section hand killed in a railroad accident, who had a daughter. The daughter, Rose McCoy, taught a country school and most of the year was away from home from Monday morning until late on Friday afternoon. Hugh lay in bed thinking of what his workmen had said of women and heard the old housekeeper moving about down stairs. Sometimes he got out of bed to sit by an open window. Because she was the woman whose life touched his most closely, he thought often of the school teacher. The McCoy house, a small frame affair with a picket fence separating it from Turner's Pike, stood with its back door facing the Wheeling Railroad. The section hands on the railroad remembered their former fellow workman, Mike McCoy, and wanted to be good to his widow. They sometimes dumped half decayed railroad ties over the fence into a potato patch back of the house. At night, when heavily loaded coal trains rumbled past, the brakemen heaved large chunks of coal over the fence. The widow awoke whenever a train passed. When one of the brakemen threw a chunk of coal he shouted and his voice could be heard above the rumble of the coal cars. "That's for Mike," he cried. Sometimes one of the chunks knocked a picket out of the fence and the next day Hugh put it back again. When the train had passed the widow got out of bed and brought the coal into the house. "I don't want to give the boys away by leaving it lying around in the daylight," she explained to Hugh. On Sunday mornings Hugh took a crosscut saw and cut the railroad ties into lengths that would go into the kitchen stove. Slowly his place in the McCoy household had become fixed, and when he received the hundred thousand dollars and everybody, even the mother and daughter, expected him to move, he did not do so. He tried unsuccessfully to get the widow to take more money for his board and when that effort failed, life in the McCoy household went as it had when he was a telegraph operator receiving forty dollars a month.

In the spring or fall, as he sat by his window at night, and when the moon came up and the dust in Turner's Pike was silvery white, Hugh thought of Rose McCoy, sleeping in some farmer's house. It did not occur to him that she might also be awake and thinking. He imagined her lying very still in bed. The section hand's daughter was a slender woman of thirty with tired blue eyes and red hair. Her skin had been heavily freckled in her youth and her nose was still freckled. Although Hugh did not know it, she had once been in love with George Pike, the Wheeling station agent, and a day had been set for the marriage. Then a difficulty arose in regard to religious beliefs and George Pike married another woman. It was then she became a school teacher. She was a woman of few words and she and Hugh had never been alone together, but as Hugh sat by the window on fall evenings, she lay awake in a room in the farmer's house, where she was boarding during the school season, and thought of him. She thought that had Hugh remained a telegraph operator at forty dollars a month something might have happened between them. Then she had other thoughts, or rather, sensations that had little to do with thoughts. The room in which she lay was very still and a streak of moonlight came in through the window. In the barn back of the farmhouse she could hear the cattle stirring about. A pig grunted and in the stillness that followed she could hear the farmer, who lay in the next room with his wife, snoring gently. Rose was not very strong and the physical did not rule in her nature, but she was very lonely and thought that, like the farmer's wife, she would like to have a man to lie with her. Warmth crept over her body and her lips became dry so that she moistened them with her tongue. Had you been able to creep unobserved into the room, you might have thought her much like a kitten lying by a stove. She closed her eyes and gave herself over to dreams. In her conscious mind she dreamed of being the wife of the bachelor Hugh McVey, but deep within her there was another dream, a dream having its basis in the memory of her one physical contact with a man. When they were engaged to be married George had often kissed her. On one evening in the spring they had gone to sit together on the grassy bank beside the creek in the shadow of the pickle factory, then deserted and silent, and had come near to going beyond kissing. Why nothing else had happened Rose did not exactly know. She had protested, but her protest had been feeble and had not expressed what she felt. George Pike had desisted in his effort to press love upon her because they were to be married, and he did not think it right to do what he thought of as taking advantage of a girl.

At any rate he did desist and long afterward, as she lay in the farmhouse consciously thinking of her mother's bachelor boarder, her thoughts became less and less distinct and when she had slipped off into sleep, George Pike came back to her. She stirred uneasily in bed and muttered words. Rough but gentle hands touched her cheeks and played in her hair. As the night wore on and the position of the moon shifted, the streak of moonlight lighted her face. One of her hands reached up and seemed to be caressing the moonbeams. The weariness had all gone out of her face. "Yes, George, I love you, I belong to you," she whispered.

Had Hugh been able to creep like the moonbeam into the presence of the sleeping school teacher, he must inevitably have loved her. Also he would perhaps have understood that it is best to approach human beings directly and boldly as he had approached the mechanical problems by which his days were filled. Instead he sat by his window in the presence of the moonlit night and thought of women as beings utterly unlike himself. Words dropped by Sarah Shepard to the awakening boy came creeping back to his mind. He thought women were for other men but not for him, and told himself he did not want a woman.

And then in Turner's Pike something happened. A farmer boy, who had been to town and who had the daughter of a neighbor in his buggy, stopped in front of the house. A long freight train, grinding its way slowly past the station, barred the passage along the road. He held the reins in one hand and put the other about the waist of his companion. The two heads sought each other and lips met. They clung to each other. The same moon that shed its light on Rose McCoy in the distant farmhouse lighted the open place where the lovers sat in the buggy in the road. Hugh had to close his eyes and fight to put down an almost overpowering physical hunger in himself. His mind still protested that women were not for him. When his fancy made for him a picture of the school teacher Rose McCoy sleeping in a bed, he saw her only as a chaste white thing to be worshiped from afar and not to be approached, at least not by himself. Again he opened his eyes and looked at the lovers whose lips still clung together. His long slouching body stiffened and he sat up very straight in his chair. Then he closed his eyes again. A gruff voice broke the silence. "That's for Mike," it shouted and a great chunk of coal thrown from the train bounded across the potato patch and struck against the back of the house. Downstairs he could hear old Mrs. McCoy getting out of bed to secure the prize. The train passed and the lovers in the buggy sank away from each other. In the silent night Hugh could hear the regular beat of the hoofs of the farmer boy's horse as it carried him and his woman away into the darkness.

The two people, living in the house with the old woman who had almost finished her life, and themselves trying feebly to reach out to life, never got to anything very definite in relation to each other. One Saturday evening in the late fall the Governor of the State came to Bidwell. There was a parade to be followed by a political meeting and the Governor, who was a candidate for re-election, was to address the people from the steps of the town hall. Prominent citizens were to stand on the steps beside the Governor. Steve and Tom were to be there, and they had asked Hugh to come, but he had refused. He asked Rose McCoy to go to the meeting with him, and they set out from the house at eight o'clock and walked to town. Then they stood at the edge of the crowd in the shadow of a store building and listened to the speech. To Hugh's amazement his name was mentioned. The Governor spoke of the prosperity of the town, indirectly hinting that it was due to the political sagacity of the party of which he was a representative, and then mentioned several individuals also partly responsible. "The whole country is sweeping forward to new triumphs under our banner," he declared, "but not every community is so fortunate as I find you here. Labor is employed at good wages. Life here is fruitful and happy. You are fortunate here in having among you such business men as Steven Hunter and Thomas Butterworth; and in the inventor Hugh McVey you have one of the greatest intellects and the most useful men that ever lived to help lift the burden off the shoulder of labor. What his brain is doing for labor, our party is doing in another way. The protective tariff is really the father of modern prosperity."

The speaker paused and a cheer arose from the crowd. Hugh took hold of the school teacher's arm and drew her away down a side street. They walked home in silence, but when they got to the house and were about to go in, the school teacher hesitated. She wanted to ask Hugh to walk about in the darkness with her but did not have the courage of her desires. As they stood at the gate and as the tall man with the long serious face looked down at her, she remembered the speaker's words. "How could he care for me? How could a man like him care anything for a homely little school teacher like me?" she asked herself. Aloud she said something quite different. As they had come along Turner's Pike she had made up her mind she would boldly suggest a walk under the trees along Turner's Pike beyond the bridge, and had told herself that she would later lead him to the place beside the stream and in the shadow of the old pickle factory where she and George Pike had come so near being lovers. Instead she hesitated for a moment by the gate and then laughed awkwardly and passed in. "You should be proud. I would be proud if I could be spoken of like that. I don't see why you keep living here in a cheap little house like ours," she said.

On a warm spring Sunday night during the year in which Clara Butterworth came back to Bidwell to live, Hugh made what was for him an almost desperate effort to approach the school teacher. It had been a rainy afternoon and Hugh had spent a part of it in the house. He came over from his shop at noon and went to his room. When she was at home the school teacher occupied a room next his own. The mother who seldom left the house had on that day gone to the country to visit a brother. The daughter got dinner for herself and Hugh and he tried to help her wash the dishes. A plate fell out of his hands and its breaking seemed to break the silent, embarrassed mood that had possession of them. For a few minutes they were children and acted like children. Hugh picked up another plate and the school teacher told him to put it down. He refused. "You're as awkward as a puppy. How you ever manage to do anything over at that shop of yours is more than I know."

Hugh tried to keep hold of the plate which the school teacher tried to snatch away and for a few minutes they struggled laughing. Her cheeks were flushed and Hugh thought she looked bewitching. An impulse he had never had before came to him. He wanted to shout at the top of his lungs, throw the plate at the ceiling, sweep all of the dishes off the table and hear them crash on the floor, play like some huge animal loose in a tiny world. He looked at Rose and his hands trembled from the strength of the strange impulse. As he stood staring she took the plate out of his hand and went into the kitchen. Not knowing what else to do he put on his hat and went for a walk. Later he went to the shop and tried to work, but his hand trembled when he tried to hold a tool and the hay-loading apparatus on which he was at work seemed suddenly a very trivial and unimportant thing.

At four o'clock Hugh got back to the house and found it apparently empty, although the door leading to Turner's Pike was open. The rain had stopped falling and the sun struggled to work its way through the clouds. He went upstairs to his own room and sat on the edge of his bed. The conviction that the daughter of the house was in her room next door came to him, and although the thought violated all the beliefs he had ever held regarding women in relation to himself, he decided that she had gone to her room to be near him when he came in. For some reason he knew that if he went to her door and knocked she would not be surprised and would not refuse him admission. He took off his shoes and set them gently on the floor. Then he went on tiptoes out into the little hallway. The ceiling was so low that he had to stoop to avoid knocking his head against it. He raised his hand intending to knock on the door, and then lost courage. Several times he went into the hallway with the same intent, and each time returned noiselessly to his own room. He sat in the chair by the window and waited. An hour passed. He heard a noise that indicated that the school teacher had been lying on her bed. Then he heard footsteps on the stairs, and presently saw her go out of the house and go along Turner's Pike. She did not go toward town but over the bridge past his shop and into the country. Hugh drew himself back out of sight. He wondered where she could be going. "The roads are muddy. Why does she go out? Is she afraid of me?" he asked himself. When he saw her turn at the bridge and look back toward the house, his hands trembled again. "She wants me to follow. She wants me to go with her," he thought.

Hugh did presently go out of the house and along the road but did not meet the school teacher. She had in fact crossed the bridge and had gone along the bank of the creek on the farther side. Then she crossed over again on a fallen log and went to stand by the wall of the pickle factory. A lilac bush grew beside the wall and she stood out of sight behind it. When she saw Hugh in the road her heart beat so heavily that she had difficulty in breathing. He went along the road and presently passed out of sight, and a great weakness took possession of her. Although the grass was wet she sat on the ground against the wall of the building and closed her eyes. Later she put her face in her hands and wept.

The perplexed inventor did not get back to his boarding house until late that night, and when he did he was unspeakably glad that he had not knocked on the door of Rose McCoy's room. He had decided during the walk that the whole notion that she had wanted him had been born in his own brain. "She's a nice woman," he had said to himself over and over during the walk, and thought that in coming to that conclusion he had swept away all possibilities of anything else in her. He was tired when he got home and went at once to bed. The old woman came home from the country and her brother sat in his buggy and shouted to the school teacher, who came out of her room and ran down the stairs. He heard the two women carry something heavy into the house and drop it on the floor. The farmer brother had given Mrs. McCoy a bag of potatoes. Hugh thought of the mother and daughter standing together downstairs and was unspeakably glad he had not given way to his impulse toward boldness. "She would be telling her now. She is a good woman and would be telling her now," he thought.

At two o'clock that night Hugh got out of bed. In spite of the conviction that women were not for him, he had found himself unable to sleep. Something that shone in the eyes of the school teacher, when she struggled with him for the possession of the plate, kept calling to him and he got up and went to the window. The clouds had all gone out of the sky and the night was clear. At the window next his own sat Rose McCoy. She was dressed in a night gown and was looking away along Turner's Pike to the place where George Pike the station master lived with his wife. Without giving himself time to think, Hugh knelt on the floor and with his long arm reached across the space between the two windows. His fingers had almost touched the back of the woman's head and ached to play in the mass of red hair that fell down over her shoulders, when again self-consciousness overcame him. He drew his arm quickly back and stood upright in the room. His head banged against the ceiling and he heard the window of the room next door go softly down. With a conscious effort he took himself in hand. "She's a good woman. Remember, she's a good woman," he whispered to himself, and when he got again into his bed he refused to let his mind linger on the thoughts of the school teacher, but compelled them to turn to the unsolved problems he still had to face before he could complete his hay-loading apparatus. "You tend to your business and don't be going off on that road any more," he said, as though speaking to another person. "Remember she's a good woman and you haven't the right. That's all you have to do. Remember you haven't the right," he added with a ring of command in his voice.

CHAPTER XIII

Hugh first saw Clara Butterworth one day in July when she had been at home for a month. She came to his shop late one afternoon with her father and a man who had been employed to manage the new bicycle factory. The three got out of Tom's buggy and came into the shop to see Hugh's new invention, the hay-loading apparatus. Tom and the man named Alfred Buckley went to the rear of the shop, and Hugh was left alone with the woman. She was dressed in a light summer gown and her cheeks were flushed. Hugh stood by a bench near an open window and listened while she talked of how much the town had changed in the three years she had been away. "It is your doing, every one says that," she declared.

Clara had been waiting for an opportunity to talk to Hugh. She began asking questions regarding his work and what was to come of it. "When everything is done by machines, what are people to do?" she asked. She seemed to take it for granted that the inventor had thought deeply on the subject of industrial development, a subject on which Kate Chanceller had often talked during a whole evening. Having heard Hugh spoken of as one who had a great brain, she wanted to see the brain at work.

Alfred Buckley came often to her father's house and wanted to marry Clara. In the evening the two men sat on the front porch of the farmhouse and talked of the town and the big things that were to be done there. They spoke of Hugh, and Buckley, an energetic, talkative fellow with a long jaw and restless gray eyes who had come from New York City, suggested schemes for using him. Clara gathered that there was a plan on foot to get control of Hugh's future inventions and thereby gain an advantage over Steve Hunter.

The whole matter puzzled Clara. Alfred Buckley had asked her to marry him and she had put the matter off. The proposal had been a formal thing, not at all what she had expected from a man she was to take as a partner for life, but Clara was at the moment very seriously determined upon marriage. The New York man was at her father's house several evenings every week. She had never walked about with him nor had they in any way come close to each other. He seemed too much occupied with work to be personal and had proposed marriage by writing her a letter. Clara got the letter from the post-office and it upset her so that she felt she could not for a time go into the presence of any one she knew. "I am unworthy of you, but I want you to be my wife. I will work for you. I am new here and you do not know me very well. All I ask is the privilege of proving my merit. I want you to be my wife, but before I dare come and ask you to do me so great an honor I feel I must prove myself worthy," the letter said.

Clara had driven into town alone on the day when she received it and later got into her buggy and drove south past the Butterworth farm into the hills. She forgot to go home to lunch or to the evening meal. The horse jogged slowly along, protesting and trying to turn back at every cross road, but she kept on and did not get home until midnight. When she reached the farmhouse her father was waiting. He went with her into the barnyard and helped unhitch the horse. Nothing was said, and after a moment's conversation having nothing to do with the subject that occupied both their minds, she went upstairs and tried to think the matter out. She became convinced that her father had something to do with the proposal of marriage that he knew about it and had waited for her to come home in order to see how it had affected her.

Clara wrote a reply that was as non-committal as the proposal itself. "I do not know whether I want to marry you or not. I will have to become acquainted with you. I however thank you for the offer of marriage and when you feel that the right time has come, we will talk about it," she wrote.

After the exchange of letters, Alfred Buckley came to her father's house more often than before, but he and Clara did not become better acquainted. He did not talk to her, but to her father. Although she did not know it, the rumor that she was to marry the New York man had already run about town. She did not know whether her father or Buckley had told the tale.

On the front porch of the farmhouse through the summer evenings the two men talked of the progress, of the town and the part they were taking and hoped to take in its future growth. The New York man had proposed a scheme to Tom. He was to go to Hugh and propose a contract giving the two men an option on all his future inventions. As the inventions were completed they were to be financed in New York City, and the two men would give up manufacture and make money much more rapidly as promoters. They hesitated because they were afraid of Steve Hunter, and because Tom was afraid Hugh would not fall in with their plan. "It wouldn't surprise me if Steve already had such a contract with him. He's a fool if he hasn't," the older man said.

Evening after evening the two men talked and Clara sat in the deep shadows at the back of the porch and listened. The enmity that had existed between herself and her father seemed to be forgotten. The man who had asked her to marry him did not look at her, but her father did. Buckley did most of the talking and spoke of New York City business men, already famous throughout the Middle West as giants of finance, as though they were his life-long friends. "They'll put over anything I ask them to," he declared.

Clara tried to think of Alfred Buckley as a husband. Like Hugh McVey he was tall and gaunt but unlike the inventor, whom she had seen two or three times on the street, he was not carelessly dressed. There was something sleek about him, something that suggested a well-bred dog, a hound perhaps. As he talked he leaned forward like a greyhound in pursuit of a rabbit. His hair was carefully parted and his clothes fitted him like the skin of an animal. He wore a diamond scarf pin. His long jaw, it seemed to her, was always wagging. Within a few days after the receipt of his letter she had made up her mind that she did not want him as a husband, and she was convinced he did not want her. The whole matter of marriage had, she was sure, been in some way suggested by her father. When she came to that conclusion she was both angry and in an odd way touched. She did not interpret it as fear of some sort of indiscretion on her part, but thought that her father wanted her to marry because he wanted her to be happy. As she sat in the darkness on the front porch of the farmhouse the voices of the two men became indistinct. It was as though her mind went out of her body and like a living thing journeyed over the world. Dozens of men she had seen and had casually addressed, young fellows attending school at Columbus and boys of the town with whom she had gone to parties and dances when she was a young girl, came to stand before her. She saw their figures distinctly, but remembered them at some advantageous moment of her contact with them. At Columbus there was a young man from a town in the southern end of the State, one of the sort that is always in love with a woman. During her first year in school he had noticed Clara, had been undecided as to whether he had better pay attention to her or to a little black-eyed town girl who was in their classes. Several times he walked down the college hill and along the street with Clara. The two stood at a street crossing where she was in the habit of taking a car. Several cars went by as they stood together by a bush that grew by a high stone wall. They talked of trivial matters, a comedy club that had been organized in the school, the chances of victory for the football team. The young man was one of the actors in a play to be given by the comedy club and told Clara of his experiences at rehearsals. As he talked his eyes began to shine and he seemed to be looking, not at her face or body, but at something within her. For a time, perhaps for fifteen minutes, there was a possibility that the two people would love each other. Then the young man went away and later she saw him walking under the trees on the college campus with the little black-eyed town girl.

As she sat on the porch in the darkness in the summer evenings, Clara thought of the incident and of dozens of other swift-passing contacts she had made with men. The voices of the two men talking of money-making went on and on. Whenever she came back out of her introspective world of thought, Alfred Buckley's long jaw was wagging. He was always at work, steadily, persistently urging something on her father. It was difficult for Clara to think of her father as a rabbit, but the notion that Alfred Buckley was like a hound stayed with her. "The wolf and the wolfhound," she thought absent-mindedly.

Clara was twenty-three and seemed to herself mature. She did not intend wasting any more time going to school and did not want to be a professional woman, like Kate Chanceller. There was something she did want and in a way some man, she did not know what man it would be, was concerned in the matter. She was very hungry for love, but might have got that from another woman. Kate Chanceller would have loved her. She was not unconscious of the fact that their friendship had been something more than friendship. Kate loved to hold Clara's hand and wanted to kiss and caress her. The inclination had been put down by Kate herself, a struggle had gone on in her, and Clara had been dimly conscious of it and had respected Kate for making it.

Why? Clara asked herself that question a dozen times during the early weeks of that summer. Kate Chanceller had taught her to think. When they were together Kate did both the thinking and the talking, but now Clara's mind had a chance. There was something back of her desire for a man. She wanted something more than caresses. There was a creative impulse in her that could not function until she had been made love to by a man. The man she wanted was but an instrument she sought in order that she might fulfill herself. Several times during those evenings in the presence of the two men, who talked only of making money out of the products of another man's mind, she almost forced her mind out into a concrete thought concerning women, and then it became again befogged.

Clara grew tired of thinking, and listened to the talk. The name of Hugh McVey played through the persistent conversation like a refrain. It became fixed in her mind. The inventor was not married. By the social system under which she lived that and that only made him a possibility for her purposes. She began to think of the inventor, and her mind, weary of playing about her own figure, played about the figure of the tall, serious-looking man she had seen on Main Street. When Alfred Buckley had driven away to town for the night, she went upstairs to her own room but did not get into bed. Instead, she put out her light and sat by an open window that looked out upon the orchard and from which she could see a little stretch of the road that ran past the farm house toward town. Every evening before Alfred Buckley went away, there was a little scene on the front porch. When the visitor got up to go, her father made some excuse for going indoors or around the corner of the house into the barnyard. "I will have Jim Priest hitch up your horse," he said and hurried away. Clara was left in the company of the man who had pretended he wanted to marry her, and who, she was convinced, wanted nothing of the kind. She was not embarrassed, but could feel his embarrassment and enjoyed it. He made formal speeches.

"Well, the night is fine," he said. Clara hugged the thought that he was uncomfortable. "He has taken me for a green country girl, impressed with him because he is from the city and dressed in fine clothes," she thought. Sometimes her father stayed away five or ten minutes and she did not say a word. When her father returned Alfred Buckley shook hands with him and then turned to Clara, apparently now quite at his ease. "We have bored you, I'm afraid," he said. He took her hand and leaning over, kissed the back of it ceremoniously. Her father looked away. Clara went upstairs and sat by the window. She could hear the two men continuing their talk in the road before the house. After a time the front door banged, her father came into the house and the visitor drove away. Everything became quiet and for a long time she could hear the hoofs of Alfred Buckley's horse beating a rapid tattoo on the road that led down into town.

Clara thought of Hugh McVey. Alfred Buckley had spoken of him as a backwoodsman with a streak of genius. He constantly harped on the notion that he and Tom could use the man for their own ends, and she wondered if both of the men were making as great a mistake about the inventor as they were about her. In the silent summer night, when the sound of the horse's hoofs had died away and when her father had quit stirring about the house, she heard another sound. The corn-cutting machine factory was very busy and had put on a night shift. When the night was still, or when there was a slight breeze blowing up the hill from town, there was a low rumbling sound coming from many machines working in wood and steel, followed at regular intervals by the steady breathing of a steam engine.

The woman at the window, like every one else in her town and in all the towns of the mid-western country, became touched with the idea of the romance of industry. The dreams of the Missouri boy that he had fought, had by the strength of his persistency twisted into new channels so that they had expressed themselves in definite things, in corn-cutting machines and in machines for unloading coal cars and for gathering hay out of a field and loading it on wagons without aid of human hands, were still dreams and capable of arousing dreams in others. They awoke dreams in the mind of the woman. The figures of other men that had been playing through her mind slipped away and but the one figure remained. Her mind made up stories concerning Hugh. She had read the absurd tale that had been printed in the Cleveland paper and her fancy took hold of it. Like every other citizen of America she believed in heroes. In books and magazines she had read of heroic men who had come up out of poverty by some strange alchemy to combine in their stout persons all of the virtues. The broad, rich land demanded gigantic figures, and the minds of men had created the figures. Lincoln, Grant, Garfield, Sherman, and a half dozen other men were something more than human in the minds of the generation that came immediately after the days of their stirring performance. Already industry was creating a new set of semi-mythical figures. The factory at work in the night-time in the town of Bidwell became, to the mind of the woman sitting by the window in the farm house, not a factory but a powerful animal, a powerful beast-like thing that Hugh had tamed and made useful to his fellows. Her mind ran forward and took the taming of the beast for granted. The hunger of her generation found a voice in her. Like every one else she wanted heroes, and Hugh, to whom she had never talked and about whom she knew nothing, became a hero. Her father, Alfred Buckley, Steve Hunter and the rest were after all pigmies. Her father was a schemer; he had even schemed to get her married, perhaps to further his own plans. In reality his schemes were so ineffective that she did not need to be angry with him. There was but one man of them all who was not a schemer. Hugh was what she wanted to be. He was a creative force. In his hands dead inanimate things became creative forces. He was what she wanted not herself but perhaps a son, to be. The thought, at last definitely expressed, startled Clara, and she arose from the chair by the window and prepared to go to bed. Something within her body ached, but she did not allow herself to pursue further the thoughts she had been having.

On the day when she went with her father and Alfred Buckley to visit Hugh's shop, Clara knew that she wanted to marry the man she would see there. The thought was not expressed in her but slept like a seed newly planted in fertile soil. She had herself managed that she be taken to the factory and had also managed that she be left with Hugh while the two men went to look at the half-completed hay-loader at the back of the shop.

She had begun talking to Hugh while the four people stood on the little grass plot before the shop. They went inside and her father and Buckley went through a door toward the rear. She stopped by a bench and as she continued talking Hugh was compelled to stop and stand beside her. She asked questions, paid him vague compliments, and as he struggled, trying to make conversation, she studied him. To cover his confusion he half turned away and looked out through a window into Turner's Pike. His eyes, she decided, were nice. They were somewhat small, but there was something gray and cloudy in them, and the gray cloudiness gave her confidence in the person behind the eyes. She could, she felt, trust him. There was something in his eyes that was like the things most grateful to her own nature, the sky seen across an open stretch of country or over a river that ran straight away into the distance. Hugh's hair was coarse like the mane of a horse, and his nose was like the nose of a horse. He was, she decided, very like a horse; an honest, powerful horse, a horse that was humanized by the mysterious, hungering thing that expressed itself through his eyes. "If I have to live with an animal; if, as Kate Chanceller once said, we women have to decide what other animal we are to live with before we can begin being humans, I would rather live with a strong, kindly horse than a wolf or a wolfhound," she found herself thinking.

CHAPTER XIV

Hugh had no suspicion that Clara had him under consideration as a possible husband. He knew nothing about her, but after she went away he began to think. She was a woman and good to look upon and at once took Rose McCoy's place in his mind. All unloved men and many who are loved play in a half subconscious way with the figures of many women as women's minds play with the figures of men, seeing them in many situations, vaguely caressing them, dreaming of closer contacts. With Hugh the impulse toward women had started late, but it was becoming every day more active. When he talked to Clara and while she stayed in his presence, he was more embarrassed than he had ever been before, because he was more conscious of her than he had ever been of any other woman. In secret he was not the modest man he thought himself. The success of his corn-cutting machine and his car-dumping apparatus and the respect, amounting almost to worship, he sometimes saw in the eyes of the people of the Ohio town had fed his vanity. It was a time when all America was obsessed with one idea, and to the people of Bidwell nothing could be more important, necessary and vital to progress than the things Hugh had done. He did not walk and talk like the other people of the town, and his body was over-large and loosely put together, but in secret he did not want to be different even in a physical way. Now and then there came an opportunity for a test of physical strength: an iron bar was to be lifted or a part of some heavy machine swung into place in the shop. In such a test he had found he could lift almost twice the load another could handle. Two men grunted and strained, trying to lift a heavy bar off the floor and put it on a bench. He came along and did the job alone and without apparent effort.

In his room at night or in the late afternoon or evening in the summer when he walked on country roads, he sometimes felt keen hunger for recognition of his merits from his fellows, and having no one to praise him, he praised himself. When the Governor of the State spoke in praise of him before a crowd and when he made Rose McCoy come away because it seemed immodest for him to stay and hear such words, he found himself unable to sleep. After tossing in his bed for two or three hours he got up and crept quietly out of the house. He was like a man who, having an unmusical voice, sings to himself in a bath-room while the water is making a loud, splashing noise. On that night Hugh wanted to be an orator. As he stumbled in the darkness along Turner's Pike he imagined himself Governor of a State addressing a multitude of people. A mile north of Pickleville a dense thicket grew beside the road, and Hugh stopped and addressed the young trees and bushes. In the darkness the mass of bushes looked not unlike a crowd standing at attention, listening. The wind blew and played in the thick, dry growth and there was a sound as of many voices whispering words of encouragement. Hugh said many foolish things. Expressions he had heard from the lips of Steve Hunter and Tom Butterworth came into his mind and were repeated by his lips. He spoke of the swift growth that had come to the town of Bidwell as though it were an unmixed blessing, the factories, the homes of happy, contented people, the coming of industrial development as something akin to a visit of the gods. Rising to the height of egotism he shouted, "I have done it. I have done it."

Hugh heard a buggy coming along the road and fled into the thicket. A farmer, who had gone to town for the evening and who had stayed after the political meeting to talk with other farmers in Ben Head's saloon, went homeward, asleep in his buggy. His head nodded up and down, heavy with the vapors rising from many glasses of beer. Hugh came out of the thicket feeling somewhat ashamed. The next day he wrote a letter to Sarah Shepherd and told her of his progress. "If you or Henry want any money, I can let you have all you want," he wrote, and did not resist the temptation to tell her something of what the Governor had said of his work and his mind. "Anyway they must think I amount to something whether I do or not," he said wistfully.

Having awakened to his own importance in the life about him, Hugh wanted direct, human appreciation. After the failure of the effort both he and Rose had made to break through the wall of embarrassment and reserve that kept them apart, he knew pretty definitely that he wanted a woman, and the idea, once fixed in his mind, grew to gigantic proportions. All women became interesting, and he looked with hungry eyes at the wives of the workmen who sometimes came to the shop door to pass a word with their husbands, at young farm girls who drove along Turner's Pike on summer afternoons, town girls who walked in the Bidwell Main Street in the evening, at fair women and dark women. As he wanted a woman more consciously and determinedly he became more afraid of individual women. His success and his association with the workmen in his shop had made him less self-conscious in the presence of men, but the women were different. In their presence he was ashamed of his secret thoughts of them.

On the day when he was left alone with Clara, Tom Butterworth and Alfred Buckley stayed at the back of the shop for nearly twenty minutes. It was a hot day and beads of sweat stood on Hugh's face. His sleeves were rolled to his elbows and his hands and hairy arms were covered with shop grime. He put up his hand to wipe the sweat from his forehead, leaving a long, black mark. Then he became aware of the fact that as she talked the woman looked at him in an absorbed, almost calculating way. It was as though he were a horse and she were a buyer examining him to be sure he was sound and of a kindly disposition. While she stood beside him her eyes were shining and her cheeks were flushed. The awakening, assertive male thing in him whispered that the flush on her cheeks and the shining eyes were indicative of something. His mind had been taught that lesson by the slight and wholly unsatisfactory experience with the school teacher at his boarding-house.

Clara drove away from the shop with her father and Alfred Buckley. Tom drove and Alfred Buckley leaned forward and talked. "You must find out whether or not Steve has an option on the new tool. It would be foolish to ask outright and give ourselves away. That inventor is stupid and vain. Those fellows always are. They appear to be quiet and shrewd, but they always let the cat out of the bag. The thing to do is to flatter him in some way. A woman could find out all he knows in ten minutes." He turned to Clara and smiled. There was something infinitely impertinent in the fixed, animal-like stare of his eyes. "We do take you into our plans, your father and me, eh?" he said. "You must be careful not to give us away when you talk to that inventor."

From his shop window Hugh stared at the backs of the heads of the three people. The top of Tom Butterworth's buggy had been let down, and when he talked Alfred Buckley leaned forward and his head disappeared. Hugh thought Clara must look like the kind of woman men meant when they spoke of a lady. The farmer's daughter had an instinct for clothes, and Hugh's mind got the idea of gentility by way of the medium of clothes. He thought the dress she had worn the most stylish thing he had ever seen. Clara's friend Kate Chanceller, while mannish in her dress, had an instinct for style and had taught Clara some valuable lessons. "Any woman can dress well if she knows how," Kate had declared. She had taught Clara how to study and emphasize by dress the good points of her body. Beside Clara, Rose McCoy looked dowdy and commonplace.

Hugh went to the rear of his shop to where there was a water-tap and washed his hands. Then he went to a bench and tried to take up the work he had been doing. Within five minutes he went to wash his hands again. He went out of the shop and stood beside the small stream that rippled along beneath willow bushes and disappeared under the bridge beneath Turner's Pike, and then went back for his coat and quit work for the day. An instinct led him to go past the creek again and he knelt on the grass at the edge and again washed his hands.

Hugh's growing vanity was fed by the thought that Clara was interested in him, but it was not yet strong enough to sustain the thought. He took a long walk, going north from the shop along Turner's Pike for two or three miles and then by a cross road between corn and cabbage fields to where he could, by crossing a meadow, get into a wood. For an hour he sat on a log at the wood's edge and looked south. Away in the distance, over the roofs of the houses of the town, he could see a white speck against a background of green—the Butterworth farm house. Almost at once he decided that the thing he had seen in Clara's eyes and that was sister to something he had seen in Rose McCoy's eyes had nothing to do with him. The mantle of vanity he had been wearing dropped off and left him naked and sad. "What would she be wanting of me?" he asked himself, and got up from the log to look with critical eyes at his long, bony body. For the first time in two or three years he thought of the words so often repeated in his presence by Sarah Shepard in the first few months after he left his father's shack by the shore of the Mississippi River and came to work at the railroad station. She had called his people lazy louts and poor white trash and had railed against his inclination to dreams. By struggle and work he had conquered the dreams but could not conquer his ancestry, nor change the fact that he was at bottom poor white trash. With a shudder of disgust he saw himself again a boy in ragged clothes that smelled of fish, lying stupid and half asleep in the grass beside the Mississippi River. He forgot the majesty of the dreams that sometimes came to him, and only remembered the swarms of flies that, attracted by the filth of their clothes, hovered over him and over the drunken father who lay sleeping beside him.

A lump arose in his throat and for a moment he was consumed with self-pity. Then he went out of the wood, crossed the field, and with his peculiar, long, shambling gait that got him over the ground with surprising rapidity, went again along the road. Had there been a stream nearby he would have been tempted to tear off his clothes and plunge in. The notion that he could ever become a man who would in any way be attractive to a woman like Clara Butterworth seemed the greatest folly in the world. "She's a lady. What would she be wanting of me? I ain't fitten for her. I ain't fitten for her," he said aloud, unconsciously falling into the dialect of his father.

Hugh walked the entire afternoon away and in the evening went back to his shop and worked until midnight. So energetically did he work that several knotty problems in the construction of the hay-loading apparatus were cleared away.

On the second evening after the encounter with Clara, Hugh went for a walk in the streets of Bidwell. He thought of the work on which he had been engaged all day and then of the woman he had made up his mind he could under no circumstances win. As darkness came on he went into the country, and at nine returned along the railroad tracks past the corn-cutter factory. The factory was working day and night, and the new plant, also beside the tracks and but a short distance away, was almost completed. Behind the new plant was a field Tom Butterworth and Steve Hunter had bought and laid out in streets of workingmen's houses. The houses were cheaply constructed and ugly, and in all directions there was a vast disorder; but Hugh did not see the disorder or the ugliness of the buildings. The sight that lay before him strengthened his waning vanity. Something of the loose shuffle went out of his stride and he threw back his shoulders. "What I have done here amounts to something. I'm all right," he thought, and had almost reached the old corn-cutter plant when several men came out of a side door and getting upon the tracks, walked before him.

In the corn-cutter plant something had happened that excited the men. Ed Hall the superintendent had played a trick on his fellow townsmen. He had put on overalls and gone to work at a bench in a long room with some fifty other men. "I'm going to show you up," he said, laughing. "You watch me. We're behind on the work and I'm going to show you up."

The pride of the workmen had been touched, and for two weeks they had worked like demons to outdo the boss. At night when the amount of work done was calculated, they laughed at Ed. Then they heard that the piece-work plan was to be installed in the factory, and were afraid they would be paid by a scale calculated on the amount of work done during the two weeks of furious effort.

The workman who stumbled along the tracks cursed Ed Hall and the men for whom he worked. "I lost six hundred dollars in the plant-setting machine failure and this is all I get, to be played a trick on by a young suck like Ed Hall," a voice grumbled. Another voice took up the refrain. In the dim light Hugh could see the speaker, a man with a bent back, a product of the cabbage fields, who had come to town to find employment. Although he did not recognize it, he had heard the voice before. It came from a son of the cabbage farmer, Ezra French and was the same voice he had once heard complaining at night as the French boys crawled across a cabbage field in the moonlight. The man now said something that startled Hugh. "Well," he declared, "it's a joke on me. I quit Dad and made him sore; now he won't take me back again. He says I'm a quitter and no good. I thought I'd come to town to a factory and find it easier here. Now I've got married and have to stick to my job no matter what they do. In the country I worked like a dog a few weeks a year, but here I'll probably have to work like that all the time. It's the way things go. I thought it was mighty funny, all this talk about the factory work being so easy. I wish the old days were back. I don't see how that inventor or his inventions ever helped us workers. Dad was right about him. He said an inventor wouldn't do nothing for workers. He said it would be better to tar and feather that telegraph operator. I guess Dad was right."

The swagger went out of Hugh's walk and he stopped to let the men pass out of sight and hearing along the track. When they had gone a little away a quarrel broke out. Each man felt the others must be in some way responsible for his betrayal in the matter of the contest with Ed Hall and accusations flew back and forth. One of the men threw a heavy stone that ran down along the tracks and jumped into a ditch filled with dry weeds. It made a heavy crashing sound. Hugh heard heavy footsteps running. He was afraid the men were going to attack him, and climbed over a fence, crossed a barnyard, and got into an empty street. As he went along trying to understand what had happened and why the men were angry, he met Clara Butterworth, standing and apparently waiting for him under a street lamp.

* * * * *

Hugh walked beside Clara, too perplexed to attempt to understand the new impulses crowding in upon his mind. She explained her presence in the street by saying she had been to town to mail a letter and intended walking home by a side road. "You may come with me if you're just out for a walk," she said. The two walked in silence. Hugh's mind, unaccustomed to traveling in wide circles, centered on his companion. Life seemed suddenly to be crowding him along strange roads. In two days he had felt more new emotions and had felt them more deeply than he would have thought possible to a human being. The hour through which he had just passed had been extraordinary. He had started out from his boarding-house sad and depressed. Then he had come by the factories and pride in what he thought he had accomplished swept in on him. Now it was apparent the workers in the factories were not happy, that there was something the matter. He wondered if Clara would know what was wrong and would tell him if he asked. He wanted to ask many questions. "That's what I want a woman for. I want some one close to me who understands things and will tell me about them," he thought. Clara remained silent and Hugh decided that she, like the complaining workman stumbling along the tracks, did not like him. The man had said he wished Hugh had never come to town. Perhaps every one in Bidwell secretly felt that way.

Hugh was no longer proud of himself and his achievements. Perplexity had captured him. When he and Clara got out of town into a country road, he began thinking of Sarah Shepard, who had been friendly and kind to him when he was a lad, and wished she were with him, or better yet that Clara would take the attitude toward him she had taken. Had Clara taken it into her head to scold as Sarah Shepard had done he would have been relieved.

Instead Clara walked in silence, thinking of her own affairs and planning to use Hugh for her own ends. It had been a perplexing day for her. Late that afternoon there had been a scene between her and her father and she had left home and come to town because she could no longer bear being in his presence. When she had seen Hugh coming toward her she had stopped under a street lamp to wait for him. "I could set everything straight by getting him to ask me to marry him," she thought.

The new difficulty that had arisen between Clara and her father was something with which she had nothing to do. Tom, who thought himself so shrewd and crafty, had been taken in by the city man, Alfred Buckley. A federal officer had come to town during the afternoon to arrest Buckley. The man had turned out to be a notorious swindler wanted in several cities. In New York he had been one of a gang who distributed counterfeit money, and in other states he was wanted for swindling women, two of whom he married unlawfully.

The arrest had been like a shot fired at Tom by a member of his own household. He had almost come to think of Alfred Buckley as one of his family, and as he drove rapidly along the road toward home, he had been profoundly sorry for his daughter and had intended to ask her to forgive him for his part in betraying her into a false position. That he had not openly committed himself to any of Buckley's schemes, had signed no papers and written no letters that would betray the conspiracy he had entered into against Steve, filled him with joy. He had intended to be generous, and even, if necessary, confess to Clara his indiscretion in talking of a possible marriage, but when he got to the farm house and had taken Clara into the parlor and had closed the door, he changed his mind. He told her of Buckley's arrest, and then started tramping excitedly up and down in the room. Her coolness infuriated him. "Don't set there like a clam!" he shouted. "Don't you know what's happened? Don't you know you're disgraced, have brought disgrace on my name?"

The angry father explained that half the town knew of her engagement to marry Alfred Buckley, and when Clara declared they were not engaged and that she had never intended marrying the man, his anger did not abate. He had himself whispered the suggestion about town, had told Steve Hunter, Gordon Hart, and two or three others, that Alfred Buckley and his daughter would no doubt do what he spoke of as "hitting it off," and they had of course told their wives. The fact that he had betrayed his daughter into an ugly position gnawed at his consciousness. "I suppose the rascal told it himself," he said, in reply to her statement, and again gave way to anger. He glared at his daughter and wished she were a son so he could strike with his fists. His voice arose to a shout and could be heard in the barnyard where Jim Priest and a young farm hand were at work. They stopped work and listened. "She's been up to something. Do you suppose some man has got her in trouble?" the young farm hand asked.

In the house Tom expressed his old dissatisfaction with his daughter. "Why haven't you married and settled down like a decent woman?" he shouted. "Tell me that. Why haven't you married and settled down? Why are you always getting in trouble? Why haven't you married and settled down?"

* * * * *

Clara walked in the road beside Hugh and thought that all her troubles would come to an end if he would ask her to be his wife. Then she became ashamed of her thoughts. As they passed the last street lamp and prepared to set out by a roundabout way along a dark road, she turned to look at Hugh's long, serious face. The tradition that had made him appear different from other men in the eyes of the people of Bidwell began to affect her. Ever since she had come home she had been hearing people speak of him with something like awe in their voices. For her to marry the town's hero would, she knew, set her on a high place in the eyes of her people. It would be a triumph for her and would re-establish her, not only in her father's eyes but in the eyes of every one. Every one seemed to think she should marry; even Jim Priest had said so. He had said she was the marrying kind. Here was her chance. She wondered why she did not want to take it.

Clara had written her friend Kate Chanceller a letter in which she had declared her intention of leaving home and going to work, and had come to town afoot to mail it. On Main Street as she went through the crowds of men who had come to loaf the evening away before the stores, the force of what her father had said concerning the connection of her name with that of Buckley the swindler had struck her for the first time. The men were gathered together in groups, talking excitedly. No doubt they were discussing Buckley's arrest. Her own name was, no doubt, being bandied about. Her cheeks burned and a keen hatred of mankind had possession of her. Now her hatred of others awoke in her an almost worshipful attitude toward Hugh. By the time they had walked together for five minutes all thought of using him to her own ends had gone. "He's not like Father or Henderson Woodburn or Alfred Buckley," she told herself. "He doesn't scheme and twist things about trying to get the best of some one else. He works, and because of his efforts things are accomplished." The figure of the farm hand Jim Priest working in a field of corn came to her mind. "The farm hand works," she thought, "and the corn grows. This man sticks to his task in his shop and makes a town grow."

In her father's presence during the afternoon Clara had remained calm and apparently indifferent to his tirade. In town in the presence of the men she was sure were attacking her character, she had been angry, ready to fight. Now she wanted to put her head on Hugh's shoulder and cry.

They came to the bridge near where the road turned and led to her father's house. It was the same bridge to which she had come with the school teacher and to which John May had followed, looking for a fight. Clara stopped. She did not want any one at the house to know that Hugh had walked home with her. "Father is so set on my getting married, he would go to see him to-morrow," she thought. She put her arms upon the rail of the bridge and bending over buried her face between them. Hugh stood behind her, turning his head from side to side and rubbing his hands on his trouser legs, beside himself with embarrassment. There was a flat, swampy field beside the road and not far from the bridge, and after a moment of silence the voices of a multitude of frogs broke the stillness. Hugh became overwhelmingly sad. The notion that he was a big man and deserved to have a woman to live with and understand him went entirely away. For the moment he wanted to be a boy and put his head on the shoulder of the woman. He did not look at Clara but at himself. In the dim light his hands, nervously fumbling about, his long, loosely-put-together body, everything connected with his person, seemed ugly and altogether unattractive. He could see the woman's small firm hands that lay on the railing of the bridge. They were, he thought, like everything connected with her person, shapely and beautiful, just as everything connected with his own person was unshapely and ugly.

Clara aroused herself from the meditative mood that had taken possession of her, and after shaking Hugh's hand and explaining that she did not want him to go further went away. When he thought she had quite gone she came back. "You'll hear I was engaged to that Alfred Buckley who has got into trouble and has been arrested," she said. Hugh did not reply and her voice became sharp and a little challenging. "You'll hear we were going to be married. I don't know what you'll hear. It's a lie," she said and turning, hurried away.

CHAPTER XV

Hugh and Clara were married in less than a week after their first walk together. A chain of circumstances touching their two lives hurled them into marriage, and the opportunity for the intimacy with a woman for which Hugh so longed came to him with a swiftness that made him fairly dizzy.

It was a Wednesday evening and cloudy. After dining in silence with his landlady, Hugh started along Turner's Pike toward Bidwell, but when he had got almost into town, turned back. He had left the house intending to go through town to the Medina Road and to the woman who now occupied so large a place in his thoughts, but hadn't the courage. Every evening for almost a week he had taken the walk, and every evening and at almost the same spot he turned back. He was disgusted and angry with himself and went to his shop, walking in the middle of the road and kicking up clouds of dust. People passed along the path under the trees at the side of the road and turned to stare at him. A workingman with a fat wife, who puffed as she walked at his side, turned to look and then began to scold. "I tell you what, old woman, I shouldn't have married and had kids," he grumbled. "Look at me, then look at that fellow. He goes along there thinking big thoughts that will make him richer and richer. I have to work for two dollars a day, and pretty soon I'll be old and thrown on the scrap-heap. I might have been a rich inventor like him had I given myself a chance."

The workman went on his way, grumbling at his wife who paid no attention to his words. Her breath was needed for the labor of walking, and as for the matter of marriage, that had been attended to. She saw no reason for wasting words over the matter. Hugh went to the shop and stood leaning against the door frame. Two or three workmen were busy near the back door and had lighted gas lamps that hung over the work benches. They did not see Hugh, and their voices ran through the empty building. One of them, an old man with a bald head, entertained his fellows by giving an imitation of Steve Hunter. He lighted a cigar and putting on his hat tipped it a little to one side. Puffing out his chest he marched up and down talking of money. "Here's a ten-dollar cigar," he said, handing a long stogie to one of the other workmen. "I buy them by the thousands to give away. I'm interested in uplifting the lives of workmen in my home town. That's what takes all my attention."

The other workmen laughed and the little man continued to prance up and down and talk, but Hugh did not hear him. He stared moodily at the people going along the road toward town. Darkness was coming but he could still see dim figures striding along. Over at the foundry back of the corn-cutting machine plant the night shift was pouring off, and a sudden glare of light played across the heavy smoke cloud that lay over the town. The bells of the churches began to call people to the Wednesday evening prayer-meetings. Some enterprising citizen had begun to build workmen's houses in a field beyond Hugh's shop and these were occupied by Italian laborers. A crowd of them came past. What would some day be a tenement district was growing in a field beside a cabbage patch belonging to Ezra French who had said God would not permit men to change the field of their labors.

An Italian passed under a lamp near the Wheeling station. He wore a bright red handkerchief about his neck and was clad in a brightly colored shirt. Like the other people of Bidwell, Hugh did not like to see foreigners about. He did not understand them and when he saw them going about the streets in groups, was a little afraid. It was a man's duty, he thought, to look as much as possible like all his fellow men, to lose himself in the crowds, and these fellows did not look like other men. They loved color, and as they talked they made rapid gestures with their hands. The Italian in the road was with a woman of his own race, and in the growing darkness put his arm about her shoulder. Hugh's heart began to beat rapidly and he forgot his American prejudices. He wished he were a workman and that Clara were a workman's daughter. Then, he thought, he might find courage to go to her. His imagination, quickened by the flame of desire and running in new channels, made it possible for him, at the moment to see himself in the young Italian's place, walking in the road with Clara. She was clad in a calico dress and her soft brown eyes looked at him full of love and understanding.

The three workingmen had completed the job for which they had come back to work after the evening meal, and now turned out the lights and came toward the front of the shop. Hugh drew back from the door and concealed himself by standing in the heavy shadows by the wall. So realistic were his thoughts of Clara that he did not want them intruded upon.

The workmen went out of the shop door and stood talking. The bald-headed man was telling a tale to which the others listened eagerly. "It's all over town," he said. "From what I hear every one say it isn't the first time she's been in such a mess. Old Tom Butterworth claimed he sent her away to school three years ago, but now they say that isn't the truth. What they say is that she was in the family way to one of her father's farm hands and had to get out of town." The man laughed. "Lord, if Clara Butterworth was my daughter she'd be in a nice fix, wouldn't she, eh?" he said, laughing. "As it is, she's all right. She's gone now and got herself mixed up with this swindler Buckley, but her father's money will make it all right. If she's going to have a kid, no one'll know. Maybe she's already had the kid. They say she's a regular one for the men."

As the man talked Hugh came to the door and stood in the darkness listening. For a time the words would not penetrate his consciousness, and then he remembered what Clara had said. She had said something about Alfred Buckley and that there would be a story connecting her name with his. She had been hot and angry and had declared the story a lie. Hugh did not know what the story was about, but it was evident there was a story abroad, a scandalous story concerning her and Alfred Buckley. A hot, impersonal anger took possession of him. "She's in trouble—here's my chance," he thought. His tall figure straightened and as he stepped through the shop door his head struck sharply against the door frame, but he did not feel the blow that at another time might have knocked him down. During his whole life he had never struck any one with his fists, and had never felt a desire to do so, but now hunger to strike and even to kill took complete possession of him. With a cry of rage his fist shot out and the old man who had done the talking was knocked senseless into a clump of weeds that grew near the door. Hugh whirled and struck a second man who fell through the open doorway into the shop. The third man ran away into the darkness along Turner's Pike.

Hugh walked rapidly to town and through Main Street. He saw Tom Butterworth walking in the street with Steve Hunter, but turned a corner to avoid a meeting. "My chance has come," he kept saying to himself as he hurried along Medina Road. "Clara's in some kind of trouble. My chance has come."

By the time he got to the door of the Butterworth house, Hugh's new-found courage had almost left him, but before it had quite gone he raised his hand and knocked on the door. By good fortune Clara came to open it. Hugh took off his hat and turned it awkwardly in his hands. "I came out here to ask you to marry me," he said. "I want you to be my wife. Will you do it?"

Clara stepped out of the house and closed the door. A whirl of thoughts ran through her brain. For a moment she felt like laughing, and then what there was in her of her father's shrewdness came to her rescue. "Why shouldn't I do it?" she thought. "Here's my chance. This man is excited and upset now, but he is a man I can respect. It's the best marriage I'll ever have a chance to make. I do not love him, but perhaps that will come. This may be the way marriages are made."

Clara put out her hand and laid it on Hugh's arm. "Well," she said, hesitatingly, "you wait here a moment."

She went into the house and left Hugh standing in the darkness. He was terribly afraid. It seemed to him that every secret desire of his life had got itself suddenly and bluntly expressed. He felt naked and ashamed. "If she comes out and says she'll marry me, what will I do? What'll I do then?" he asked himself.

When she did come out Clara wore her hat and a long coat. "Come," she said, and led him around the house and through the barnyard to one of the barns. She went into a dark stall and led forth a horse and with Hugh's help pulled a buggy out of a shed into the barnyard. "If we're going to do it there's no use putting it off," she said with a trembling voice. "We might as well go to the county seat and do it at once."

The horse was hitched and Clara got into the buggy. Hugh climbed in and sat beside her. She had started to drive out of the barnyard when Jim Priest stepped suddenly out of the darkness and took hold of the horse's head. Clara held the buggy whip in her hand and raised it to hit the horse. A desperate determination that nothing should interfere with her marriage with Hugh had taken possession of her. "If necessary I'll ride the man down," she thought. Jim came to stand beside the buggy. He looked past Clara at Hugh. "I thought maybe it was that Buckley," he said. He put a hand on the buggy dash and laid the other on Clara's arm. "You're a woman now, Clara, and I guess you know what you're doing. I guess you know I'm your friend," he said slowly. "You been in trouble, I know. I couldn't help hearing what your father said to you about Buckley, he talked so loud. Clara, I don't want to see you get into trouble."

The farm hand stepped away from the buggy and then came back and again put his hand on Clara's arm. The silence that lay over the barnyard lasted until the woman felt she could speak without a break in her voice.

"I'm not going very far, Jim," she said, laughing nervously. "This is Mr. Hugh McVey and we're going over to the county seat to get married. We'll be back home before midnight. You put a candle in the window for us."

Hitting the horse a sharp blow, Clara drove quickly past the house and into the road. She turned south into the hill country through which lay the road to the county seat. As the horse trotted quickly along, the voice of Jim Priest called to her out of the darkness of the barnyard, but she did not stop. The afternoon and evening had been cloudy and the night was dark. She was glad of that. As the horse went swiftly along she turned to look at Hugh who sat up very stiffly on the buggy seat and stared straight ahead. The long horse-like face of the Missourian with its huge nose and deeply furrowed cheeks was ennobled by the soft darkness, and a tender feeling crept over her. When he had asked her to become his wife, Clara had pounced like a wild animal abroad seeking prey and the thing in her that was like her father, hard, shrewd and quick-witted, had led her to decide to see the thing through at once. Now she became ashamed, and her tender mood took the hardness and shrewdness away. "This man and I have a thousand things we should say to each other before we rush into marriage," she thought, and was half inclined to turn the horse and drive back. She wondered if Hugh had also heard the stories connecting her name with that of Buckley, the stories she was sure were now running from lip to lip through the streets of Bidwell, and what version of the tale had been carried to him. "Perhaps he came to propose marriage in order to protect me," she thought, and decided that if he had come for that reason she was taking an unfair advantage. "It is what Kate Chanceller would call 'doing the man a dirty, low-down trick,'" she told herself; but even as the thought came she leaned forward and touching the horse with the whip urged him even more swiftly along the road.

A mile south of the Butterworth farmhouse the road to the county seat crossed the crest of a hill, the highest point in the county, and from the road there was a magnificent view of the country lying to the south. The sky had begun to clear, and as they reached the point known as Lookout Hill, the moon broke through a tangle of clouds. Clara stopped the horse and turned to look down the hillside. Below lay the lights of her father's farmhouse—where he had come as a young man and to which long ago he had brought his bride. Far below the farmhouse a clustered mass of lights outlined the swiftly growing town. The determination that had carried Clara thus far wavered again and a lump came into her throat.

Hugh also turned to look but did not see the dark beauty of the country wearing its night jewels of lights. The woman he wanted so passionately and of whom he was so afraid had her face turned from him, and he dared to look at her. He saw the sharp curve of her breasts and in the dim light her cheeks seemed to glow with beauty. An odd notion came to him. In the uncertain light her face seemed to move independent of her body. It drew near him and then drew away. Once he thought the dimly seen white cheek would touch his own. He waited breathless. A flame of desire ran through his body.

Hugh's mind flew back through the years to his boyhood and young manhood. In the river town when he was a boy the raftsmen and hangers-on of the town's saloons, who had sometimes come to spend an afternoon on the river banks with his father John McVey, often spoke of women and marriage. As they lay on the burned grass in the warm sunlight they talked and the boy who lay half asleep nearby listened. The voices came to him as though out of the clouds or up out of the lazy waters of the great river and the talk of women awoke his boyhood lusts. One of the men, a tall young fellow with a mustache and with dark rings under his eyes, told in a lazy, drawling voice the tale of an adventure had with a woman one night when a raft on which he was employed had tied up near the city of St. Louis, and Hugh listened enviously. As he told the tale the young man a little awoke from his stupor, and when he laughed the other men lying about laughed with him. "I got the best of her after all," he boasted. "After it was all over we went into a little room at the back of a saloon. I watched my chance and when she went to sleep sitting in a chair I took eight dollars out of her stocking."

That night in the buggy beside Clara, Hugh thought of himself lying by the river bank on the summer days. Dreams had come to him there, sometimes gigantic dreams; but there had also come ugly thoughts and desires. By his father's shack there was always the sharp rancid smell of decaying fish and swarms of flies filled the air. Out in the clean Ohio country, in the hills south of Bidwell, it seemed to him that the smell of decaying fish came back, that it was in his clothes, that it had in some way worked its way into his nature. He put up his hand and swept it across his face, an unconscious return of the perpetual movement of brushing flies away from his face as he lay half asleep by the river.

Little lustful thoughts kept coming to Hugh and made him ashamed. He moved restlessly in the buggy seat and a lump came into his throat. Again he looked at Clara. "I'm a poor white," he thought. "It isn't fitten I should marry this woman."

From the high spot in the road Clara looked down at her father's house and below at the lights of the town, that had already spread so far over the countryside, and up through the hills toward the farm where she had spent her girlhood and where, as Jim Priest had said, "the sap had begun to run up the tree." She began to love the man who was to be her husband, but like the dreamers of the town, saw him as something a little inhuman, as a man almost gigantic in his bigness. Many things Kate Chanceller had said as the two developing women walked and talked in the streets of Columbus came back to her mind. When they had started again along the road she continually worried the horse by tapping him with the whip. Like Kate, Clara wanted to be fair and square. "A woman should be fair and square, even with a man," Kate had said. "The man I'm going to have as a husband is simple and honest," she thought. "If there are things down there in town that are not square and fair, he had nothing to do with them." Realizing a little Hugh's difficulty in expressing what he must feel, she wanted to help him, but when she turned and saw how he did not look at her but continually stared into the darkness, pride kept her silent. "I'll have to wait until he's ready. Already I've taken things too much into my own hands. I'll put through this marriage, but when it comes to anything else he'll have to begin," she told herself, and a lump came into her throat and tears to her eyes.

CHAPTER XVI

As he stood alone in the barnyard, excited at the thought of the adventure on which Clara and Hugh had set out, Jim Priest remembered Tom Butterworth. For more than thirty years Jim had worked for Tom and they had one strong impulse that bound them together—their common love of fine horses. More than once the two men had spent an afternoon together in the grand stand at the fall trotting meeting at Cleveland. In the late morning of such a day Tom found Jim wandering from stall to stall, looking at the horses being rubbed down and prepared for the afternoon's races. In a generous mood he bought his employee's lunch and took him to a seat in the grand stand. All afternoon the two men watched the races, smoked and quarreled. Tom contended that Bud Doble, the debonair, the dramatic, the handsome, was the greatest of all race horse drivers, and Jim Priest held Bud Doble in contempt. For him there was but one man of all the drivers he whole-heartedly admired, Pop Geers, the shrewd and silent. "That Geers of yours doesn't drive at all. He just sits up there like a stick," Tom grumbled. "If a horse can win all right, he'll ride behind him all right. What I like to see is a driver. Now you look at that Doble. You watch him bring a horse through the stretch."

Jim looked at his employer with something like pity in his eyes. "Huh," he exclaimed. "If you haven't got eyes you can't see."

The farm hand had two strong loves in his life, his employer's daughter and the race horse driver, Geers. "Geers," he declared, "was a man born old and wise." Often he had seen Geers at the tracks on a morning before some important race. The driver sat on an upturned box in the sun before one of the horse stalls. All about him there was the bantering talk of horsemen and grooms. Bets were made and challenges given. On the tracks nearby horses, not entered in the races for that day, were being exercised. Their hoofbeats made a kind of music that made Jim's blood tingle. Negroes laughed and horses put their heads out at stall doors. The stallions neighed loudly and the heels of some impatient steed rattled against the sides of a stall.

Every one about the stalls talked of the events of the afternoon and Jim leaned against the front of one of the stalls and listened, filled with happiness. He wished the fates had made him a racing man. Then he looked at Pop Geers, the silent one, who sat for hours dumb and uncommunicative on a feed box, tapping lightly on the ground with his racing whip and chewing straw. Jim's imagination was aroused. He had once seen that other silent American, General Grant, and had been filled with admiration for him.

That was on a great day in Jim's life, the day on which he had seen Grant going to receive Lee's surrender at Appomattox. There had been a battle with the Union men pursuing the fleeing Rebs out of Richmond, and Jim, having secured a bottle of whisky, and having a chronic dislike of battles, had managed to creep away into a wood. In the distance he heard shouts and presently saw several men riding furiously down a road. It was Grant with his aides going to the place where Lee waited. They rode to the place near where Jim sat with his back against a tree and the bottle between his legs; then stopped. Then Grant decided not to take part in the ceremony. His clothes were covered with mud and his beard was ragged. He knew Lee and knew he would be dressed for the occasion. He was that kind of a man; he was one fitted for historic pictures and occasions. Grant wasn't. He told his aides to go on to the spot where Lee waited, told them what arrangements were to be made, then jumped his horse over a ditch and rode along a path under the trees toward the spot where Jim lay.

That was an event Jim never forgot. He was fascinated at the thought of what the day meant to Grant and by his apparent indifference. He sat silently by the tree and when Grant got off his horse and came near, walking now in the path where the sunlight sifted down through the trees, he closed his eyes. Grant came to where he sat and stopped, apparently thinking him dead. His hand reached down and took the bottle of whisky. For a moment they had something between them, Grant and Jim. They both understood that bottle of whisky. Jim thought Grant was about to drink, and opened his eyes a little. Then he closed them. The cork was out of the bottle and Grant clutched it in his hand tightly. From the distance there came a vast shout that was picked up and carried by voices far away. The wood seemed to rock with it. "It's done. The war's over," Jim thought. Then Grant reached over and smashed the bottle against the trunk of the tree above Jim's head. A piece of the flying glass cut his cheek and blood came. He opened his eyes and looked directly into Grant's eyes. For a moment the two men stared at each other and the great shout again rolled over the country. Grant went hurriedly along the path to where he had left his horse, and mounting, rode away.

Standing in the race track looking at Geers, Jim thought of Grant. Then his mind came back to this other hero. "What a man!" he thought. "Here he goes from town to town and from race track to race track all through the spring, summer and fall, and he never loses his head, never gets excited. To win horse races is the same as winning battles. When I'm at home plowing corn on summer afternoons, this Geers is away somewhere at some track with all the people gathered about and waiting. To me it would be like being drunk all the time, but you see he isn't drunk. Whisky could make him stupid. It couldn't make him drunk. There he sits hunched up like a sleeping dog. He looks as though he cared about nothing on earth, and he'll sit like that through three-quarters of the hardest race, waiting, taking advantage of every little stretch of firm hard ground on the track, saving his horse, watching, watching his horse too, waiting. What a man! He works the horse into fourth place, into third, into second. The crowd in the grand stand, such fellows as Tom Butterworth, have not seen what he's doing. He sits still. By God, what a man! He waits. He looks half asleep. If he doesn't have to do it, he makes no effort. If the horse has it in him to win without help he sits still. The people are shouting and jumping up out of their seats in the grand stand, and if that Bud Doble has a horse in the race he's leaning forward in the sulky, shouting at his horse and making a holy show of himself.

"Ha, that Geers! He waits. He doesn't think of the people but of the horse he's driving. When the time comes, just the right time, that Geers, he lets the horse know. They are one at that moment, like Grant and I were over that bottle of whisky. Something happens between them. Something inside the man says, 'now,' and the message runs along the reins to the horse's brain. It flies down into his legs. There is a rush. The head of the horse has just worked its way out in front by inches—not too soon, nothing wasted. Ha, that Geers! Bud Doble, huh!"

On the night of Clara's marriage after she and Hugh had disappeared down the county seat road, Jim hurried into the barn and, bringing out a horse, sprang on his back. He was sixty-three but could mount a horse like a young man. As he rode furiously toward Bidwell he thought, not of Clara and her adventure, but of her father. To both men the right kind of marriage meant success in life for a woman. Nothing else really mattered much if that were accomplished. He thought of Tom Butterworth, who, he told himself, had fussed with Clara just as Bud Doble often fussed with a horse in a race. He had himself been like Pop Geers. All along he had known and understood the mare colt, Clara. Now she had come through; she had won the race of life.

"Ha, that old fool!" Jim whispered to himself as he rode swiftly down the dark road. When the horse ran clattering over a small wooden bridge and came to the first of the houses of the town, he felt like one coming to announce a victory, and half expected a vast shout to come out of the darkness, as it had come in the moment of Grant's victory over Lee.

Jim could not find his employer at the hotel or in Main Street, but remembered a tale he had heard whispered. Fanny Twist the milliner lived in a little frame house in Garfield Street, far out at the eastern edge of town, and he went there. He banged boldly on the door and the woman appeared. "I've got to see Tom Butterworth," he said. "It's important. It's about his daughter. Something has happened to her."

The door closed and presently Tom came around the corner of the house. He was furious. Jim's horse stood in the road, and he went straight to him and took hold of the bit. "What do you mean by coming here?" he asked sharply. "Who told you I was here? What business you got coming here and making a show of yourself? What's the matter of you? Are you drunk or out of your head?"

Jim got off the horse and told Tom the news. For a moment the two stood
looking at each other. "Hugh McVey—Hugh McVey, by crackies, are you right,
Jim?" Tom exclaimed. "No missfire, eh? She's really gone and done it? Hugh
McVey, eh? By crackies!"

"They're on the way to the county seat now," Jim said softly. "Missfire! Not on your life." His voice lost the cool, quiet tone he had so often dreamed of maintaining in great emergencies. "I figure they'll be back by twelve or one," he said eagerly. "We got to blow 'em out, Tom. We got to give that girl and her husband the biggest blowout ever seen in this county, and we got just about three hours to get ready for it."

"Get off that horse and give me a boost," Tom commanded. With a grunt of satisfaction he sprang to the horse's back. The belated impulse to philander that an hour before sent him creeping through back streets and alleyways to the door of Fanny Twist's house was all gone, and in its place had come the spirit of the man of affairs, the man who, as he himself often boasted, made things move and kept them on the move. "Now look here, Jim," he said sharply, "there are three livery stables in this town. You engage every horse they've got for the night. Have the horses hitched to any kind of rigs you can find, buggies, surreys, spring wagons, anything. Have them get drivers off the streets, anywhere. Then have them all brought around in front of the Bidwell House and held for me. When you've done that, you go to Henry Heller's house. I guess you can find it. You found this house where I was fast enough. He lives on Campus Street just beyond the new Baptist Church. If he's gone to bed you get him up. Tell him to get his orchestra together and have him bring all the lively music he's got. Tell him to bring his men to the Bidwell House as fast as he can get them there."

Tom rode off along the street followed by Jim Priest, running at the horse's heels. When he had gone a little way he stopped. "Don't let any one fuss with you about prices to-night, Jim," he called. "Tell every one it's for me. Tell 'em Tom Butterworth'll pay what they ask. The sky's the limit to-night, Jim. That's the word, the sky's the limit."

To the older citizens of Bidwell, those who lived there when every citizen's affairs were the affair of the town, that evening will be long remembered. The new men, the Italians, Greeks, Poles, Rumanians, and many other strange-talking, dark-skinned men who had come with the coming of the factories, went on with their lives on that evening as on all others. They worked in the night shift at the Corn-Cutting Machine Plant, at the foundry, the bicycle factory or at the big new Tool Machine Factory that had just moved to Bidwell from Cleveland. Those who were not at work lounged in the streets or wandered aimlessly in and out of saloons. Their wives and children were housed in the hundreds of new frame houses in the streets that now crept out in all directions. In those days in Bidwell new houses seemed to spring out of the ground like mushrooms. In the morning there was a field or an orchard on Turner Pike or on any one of a dozen roads leading out of town. On the trees in the orchard green apples hung down waiting, ready to ripen. Grasshoppers sang in the long grass beneath the trees.

Then appeared Ben Peeler with a swarm of men. The trees were cut and the song of the grasshopper choked beneath piles of boards. There was a great shouting and rattling of hammers. A whole street of houses, all alike, universally ugly, had been added to the vast number of new houses already built by that energetic carpenter and his partner Gordon Hart.

To the people who lived in these houses, the excitement of Tom Butterworth and Jim Priest meant nothing. Half sullenly they worked, striving to make money enough to take them back to their native lands. In the new place they had not, as they had hoped, been received as brothers. A marriage or a death there meant nothing to them.

To the old townsmen however, those who remembered Tom when he was a simple farmer and when Steve Hunter was looked upon with contempt as a boasting young squirt, the night rocked with excitement. Men ran through the streets. Drivers lashed their horses along roads. Tom was everywhere. He was like a general in charge of the defenses of a besieged town. The cooks at all three of the town's hotels were sent back into their kitchens, waiters were found and hurried out to the Butterworth house, and Henry Heller's orchestra was instructed to get out there at once and to start playing the liveliest possible music.

Tom asked every man and woman he saw to the wedding party. The hotel keeper was invited with his wife and daughter and two or three keepers of stores who came to the hotel to bring supplies were asked, commanded to come. Then there were the men of the factories, the office men and superintendents, new men who had never seen Clara. They also, with the town bankers and other solid fellows with money in the banks, who were investors in Tom's enterprises, were invited. "Put on the best clothes you've got in the world and have your women folks do the same," he said laughing. "Then you get out to my house as soon as you can. If you haven't any way to get there, come to the Bidwell House. I'll get you out."

Tom did not forget that in order to have his wedding party go as he wished, he would need to serve drinks. Jim Priest went from bar to bar. "What wine you got—good wine? How much you got?" he asked at each place. Steve Hunter had in the cellar of his house six cases of champagne kept there against a time when some important guest, the Governor of the State or a Congressman, might come to town. He felt that on such occasions it was up to him to see that the town, as he said, "did itself proud." When he heard what was going on he hurried to the Bidwell House and offered to send his entire stock of wine out to Tom's house, and his offer was accepted.

* * * * *

Jim Priest had an idea. When the guests were all assembled and when the farm kitchen was filled with cooks and waiters who stumbled over each other, he took his idea to Tom. There was, he explained, a short-cut through fields and along lanes to a point on the county seat road, three miles from the house. "I'll go there and hide myself," he said. "When they come along, suspecting nothing, I'll cut out on horseback and get here a half hour before them. You make every one in the house hide and keep still when they drive into the yard. We'll put out all the lights. We'll give that pair the surprise of their lives."

Jim had concealed a quart bottle of wine in his pocket and, as he rode away on his mission, stopped from time to time to take a hearty drink. As his horse trotted along lanes and through fields, the horse that was bringing Clara and Hugh home from their adventure cocked his ears and remembered the comfortable stall filled with hay in the Butterworth barn. The horse trotted swiftly along and Hugh in the buggy beside Clara was lost in the same dense silence that all the evening had lain over him like a cloak. In a dim way he was resentful and felt that time was running too fast. The hours and the passing events were like the waters of a river in flood time, and he was like a man in a boat without oars, being carried helplessly forward. Occasionally he thought courage had come to him and he half turned toward Clara and opened his mouth, hoping words would come to his lips, but the silence that had taken hold of him was like a disease whose grip on its victim could not be broken. He closed his mouth and wet his lips with his tongue. Clara saw him do the thing several times. He began to seem animal-like and ugly to her. "It's not true that I thought of her and asked her to be my wife only because I wanted a woman," Hugh reassured himself. "I've been lonely, all my life I've been lonely. I want to find my way into some one's heart, and she is the one."

Clara also remained silent. She was angry. "If he didn't want to marry me, why did he ask me? Why did he come?" she asked herself. "Well, I'm married. I've done the thing we women are always thinking about," she told herself, her mind taking another turn. The thought frightened her and a shiver of dread ran over her body. Then her mind went to the defense of Hugh. "It isn't his fault. I shouldn't have rushed things as I have. Perhaps I'm not meant for marriage at all," she thought.

The ride homeward dragged on indefinitely. The clouds were blown out of the sky, the moon came out and the stars looked down on the two perplexed people. To relieve the feeling of tenseness that had taken hold of her Clara's mind resorted to a trick. Her eyes sought out a tree or the lights of a farmhouse far ahead and she tried to count the hoof beats of the horse until they had come to it. She wanted to hurry homeward and at the same time looked forward with dread to the night alone in the dark farmhouse with Hugh. Not once during the homeward drive did she take the whip out of its socket or speak to the horse.

When at last the horse trotted eagerly across the crest of the hill, from which there was such a magnificent view of the country below, neither Clara nor Hugh turned to look. With bowed heads they rode, each trying to find courage to face the possibilities of the night.

* * * * *

In the farmhouse Tom and his guests waited in winelit suspense, and at last Jim Priest rode shouting out of a lane to the door. "They're coming— they're coming," he shouted, and ten minutes later and after Tom had twice lost his temper and cursed the girl waitresses from the town hotels who were inclined to giggle, all was silent and dark about the house and the barnyard. When all was quiet Jim Priest crept into the kitchen, and stumbling over the legs of the guests, made his way to a front window where he placed a lighted candle. Then he went out of the house to lie on his back beneath a bush in the yard. In the house he had secured for himself a second bottle of wine, and as Clara with her husband turned in at the gate and drove into the barnyard, the only sound that broke the intense silence came from the soft gurgle of the wine finding its way down his throat.

CHAPTER XVII

As in most older American homes, the kitchen at the rear of the Butterworth farmhouse was large and comfortable. Much of the life of the house had been led there. Clara sat in a deep window that looked out across a little gully where in the spring a small stream ran down along the edge of the barnyard. She was then a quiet child and loved to sit for hours unobserved and undisturbed. At her back was the kitchen with the warm, rich smells and the soft, quick, persistent footsteps of her mother. Her eyes closed and she slept. Then she awoke. Before her lay a world into which her fancy could creep out. Across the stream before her eyes went a small, wooden bridge and over this in the spring horses went away to the fields or to sheds where they were hitched to milk or ice wagons. The sound of the hoofs of the horses pounding on the bridge was like thunder, harnesses rattled, voices shouted. Beyond the bridge was a path leading off to the left and along the path were three small houses where hams were smoked. Men came from the wagon sheds bearing the meat on their shoulders and went into the little houses. Fires were lighted and smoke crawled lazily up through the roofs. In a field that lay beyond the smoke houses a man came to plow. The child, curled into a little, warm ball in the window seat, was happy. When she closed her eyes fancies came like flocks of white sheep running out of a green wood. Although she was later to become a tomboy and run wild over the farm and through the barns, and although all her life she loved the soil and the sense of things growing and of food for hungry mouths being prepared, there was in her, even as a child, a hunger for the life of the spirit. In her dreams women, beautifully gowned and with rings on their hands, came to brush the wet, matted hair back from her forehead. Across the little wooden bridge before her eyes came wonderful men, women, and children. The children ran forward. They cried out to her. She thought of them as brothers and sisters who were to come to live in the farmhouse and who were to make the old house ring with laughter. The children ran toward her with outstretched hands, but never arrived at the house. The bridge extended itself. It stretched out under their feet so that they ran forward forever on the bridge.

And behind the children came men and women, sometimes together, sometimes walking alone. They did not seem like the children to belong to her. Like the women who came to touch her hot forehead, they were beautifully gowned and walked with stately dignity.

The child climbed out of the window and stood on the kitchen floor. Her mother hurried about. She was feverishly active and often did not hear when the child spoke. "I want to know about my brothers and sisters: where are they, why don't they come here?" she asked, but the mother did not hear, and if she did, had nothing to say. Sometimes she stopped to kiss the child and tears came to her eyes. Then something cooking on the kitchen stove demanded attention. "You run outside," she said hurriedly, and turned again to her work.

* * * * *

From the chair where Clara sat at the wedding feast provided by the energy of her father and the enthusiasm of Jim Priest, she could see over her father's shoulder into the farm house kitchen. As when she was a child, she closed her eyes and dreamed of another kind of feast. With a growing sense of bitterness she realized that all her life, all through her girlhood and young womanhood, she had been waiting for this, her wedding night, and that now, having come, the occasion for which she had waited so long and concerning which she had dreamed so many dreams, had aborted into an occasion for the display of ugliness and vulgarity. Her father, the only other person in the room in any way related to her, sat at the other end of the long table. Her aunt had gone away on a visit, and in the crowded, noisy room there was no woman to whom she could turn for understanding. She looked past her father's shoulder and directly into the wide window seat where she had spent so many hours of her childhood. Again she wanted brothers and sisters. "The beautiful men and women of the dreams were meant to come at this time, that's what the dreams were about; but, like the unborn children that ran with outstretched hands, they cannot get over the bridge and into the house," she thought vaguely. "I wish Mother had lived, or that Kate Chanceller were here," she whispered to herself as, raising her eyes, she looked at her father.

Clara felt like an animal driven into a corner and surrounded by foes. Her father sat at the feast between two women, Mrs. Steve Hunter who was inclined to corpulency, and a thin woman named Bowles, the wife of an undertaker of Bidwell. They continually whispered, smiled, and nodded their heads. Hugh sat on the opposite side of the same table, and when he raised his eyes from the plate of food before him, could see past the head of a large, masculine-looking woman into the farmhouse parlor where there was another table, also filled with guests. Clara turned from looking at her father to look at her husband. He was merely a tall man with a long face, who could not raise his eyes. His long neck stuck itself out of a stiff white collar. To Clara he was, at the moment, a being without personality, one that the crowd at the table had swallowed up as it so busily swallowed food and wine. When she looked at him he seemed to be drinking a good deal. His glass was always being filled and emptied. At the suggestion of the woman who sat beside him, he performed the task of emptying it, without raising his eyes, and Steve Hunter, who sat on the other side of the table, leaned over and filled it again. Steve like her father whispered and winked. "On the night of my wedding I was piped, you bet, as piped as a hatter. It's a good thing. It gives a man nerve," he explained to the masculine-looking woman to whom he was telling, with a good deal of attention to details, the tale of his own marriage night.

Clara did not look at Hugh again. What he did seemed no concern of hers. Bowles the Bidwell undertaker had surrendered to the influence of the wine that had been flowing freely since the guests arrived and now got to his feet and began to talk. His wife tugged at his coat and tried to force him back into his seat, but Tom Butterworth jerked her arm away. "Ah, let him alone. He's got a story to tell," he said to the woman, who blushed and put her handkerchief over her face. "Well, it's a fact, that's how it happened," the undertaker declared in a loud voice. "You see the sleeves of her nightgown were tied in hard knots by her rascally brothers. When I tried to unfasten them with my teeth I bit big holes in the sleeves."

Clara gripped the arm of her chair. "If I can let the night pass without showing these people how much I hate them I'll do well enough," she thought grimly. She looked at the dishes laden with food and wished she could break them one by one over the heads of her father's guests. As a relief to her mind, she again looked past her father's head and through a doorway into the kitchen.

In the big room three or four cooks were busily engaged in the preparation of food, and waitresses continually brought steaming dishes and put them on the tables. She thought of her mother's life, the life led in that room, married to the man who was her own father and who no doubt, but for the fact that circumstances had made him a man of wealth, would have been satisfied to see his daughter led into just such another life.

"Kate was right about men. They want something from women, but what do they care what kind of lives we lead after they get what they want?" she thought grimly.

The more to separate herself from the feasting, laughing crowd, Clara tried to think out the details of her mother's life. "It was the life of a beast," she thought. Like herself, her mother had come to the house with her husband on the night of her marriage. There was just such another feast. The country was new then and the people for the most part desperately poor. Still there was drinking. She had heard her father and Jim Priest speak of the drinking bouts of their youth. The men came as they had come now, and with them came women, women who had been coarsened by the life they led. Pigs were killed and game brought from the forests. The men drank, shouted, fought, and played practical jokes. Clara wondered if any of the men and women in the room would dare go upstairs into her sleeping room and tie knots in her night clothes. They had done that when her mother came to the house as a bride. Then they had all gone away and her father had taken his bride upstairs. He was drunk, and her own husband Hugh was now getting drunk. Her mother had submitted. Her life had been a story of submission. Kate Chanceller had said it was so married women lived, and her mother's life had proven the truth of the statement. In the farmhouse kitchen, where now three or four cooks worked so busily, she had worked her life out alone. From the kitchen she had gone directly upstairs and to bed with her husband. Once a week on Saturday afternoons she went into town and stayed long enough to buy supplies for another week of cooking. "She must have been kept going until she dropped down dead," Clara thought, and her mind taking another turn, added, "and many others, both men and women, must have been forced by circumstances to serve my father in the same blind way. It was all done in order that prosperity and money with which to do vulgar things might be his."

Clara's mother had brought but one child into the world. She wondered why. Then she wondered if she would become the mother of a child. Her hands no longer gripped the arms of her chair, but lay on the table before her. She looked at them and they were strong. She was herself a strong woman. After the feast was over and the guests had gone away, Hugh, given courage by the drinks he continued to consume, would come upstairs to her. Some twist of her mind made her forget her husband, and in fancy she felt herself about to be attacked by a strange man on a dark road at the edge of a forest. The man had tried to take her into his arms and kiss her and she had managed to get her hands on his throat. Her hands lying on the table twitched convulsively.

In the big farmhouse dining-room and in the parlor where the second table of guests sat, the wedding feast went on. Afterward when she thought of it, Clara always remembered her wedding feast as a horsey affair. Something in the natures of Tom Butterworth and Jim Priest, she thought, expressed itself that night. The jokes that went up and down the table were horsey, and Clara thought the women who sat at the tables heavy and mare-like.

Jim did not come to the table to sit with the others, was in fact not invited, but all evening he kept appearing and reappearing and had the air of a master of ceremonies. Coming into the dining room he stood by the door, scratching his head. Then he went out. It was as though he had said to himself, "Well, it's all right, everything is going all right, everything is lively, you see." All his life Jim had been a drinker of whisky and knew his limitations. His system as a drinking man had always been quite simple. On Saturday afternoons, when the work about the barns was done for the day and the other employees had gone away, he went to sit on the steps of a corncrib with the bottle in his hand. In the winter he went to sit by the kitchen fire in a little house below the apple orchard where he and the other employees slept. He took a long drink from the bottle and then holding it in his hand sat for a time thinking of the events of his life. Whisky made him somewhat sentimental. After one long drink he thought of his youth in a town in Pennsylvania. He had been one of six children, all boys, and at an early age his mother had died. Jim thought of her and then of his father. When he had himself come west into Ohio, and later when he was a soldier in the Civil War, he despised his father and reverenced the memory of his mother. In the war he had found himself physically unable to stand up before the enemy during a battle. When the report of guns was heard and the other men of his company got grimly into line and went forward, something happened to his legs and he wanted to run away. So great was the desire in him that craftiness grew in his brain. Watching his chance, he pretended to have been shot and fell to the ground, and when the others had gone on crept away and hid himself. He found it was not impossible to disappear altogether and reappear in another place. The draft went into effect and many men not liking the notion of war were willing to pay large sums to the men who would go in their places. Jim went into the business of enlisting and deserting. All about him were men talking of the necessity of saving the country, and for four years he thought only of saving his own hide. Then suddenly the war was over and he became a farm hand. As he worked all week in the fields, and in the evening sometimes, as he lay in his bed and the moon came up, he thought of his mother and of the nobility and sacrifice of her life. He wished to be such another. After having two or three drinks out of the bottle, he admired his father, who in the Pennsylvania town had borne the reputation of being a liar and a rascal. After his mother's death his father had managed to marry a widow who owned a farm. "The old man was a slick one," he said aloud, tipping up the bottle and taking another long drink. "If I had stayed at home until I got more understanding, the old man and I together might have done something." He finished the bottle and went away to sleep on the hay, or if it were winter, threw himself into one of the bunks in the bunk house. He dreamed of becoming one who went through life beating people out of money, living by his wits, getting the best of every one.

Until the night of Clara's wedding Jim had never tasted wine, and as it did not bring on a desire for sleep, he thought himself unaffected. "It's like sweetened water," he said, going into the darkness of the barnyard and emptying another half bottle down his throat. "The stuff has no kick. Drinking it is like drinking sweet cider."

Jim got into a frolicsome mood and went through the crowded kitchen and into the dining room where the guests were assembled. At the moment the rather riotous laughter and story telling had ceased and everything was quiet. He was worried. "Things aren't going well. Clara's party is becoming a frost," he thought resentfully. He began to dance a heavy-footed jig on a little open place by the kitchen door and the guests stopped talking to watch. They shouted and clapped their hands. A thunder of applause arose. The guests who were seated in the parlor and who could not see the performance got up and crowded into the doorway that connected the two rooms. Jim became extraordinarily bold, and as one of the young women Tom had hired as waitresses at that moment went past bearing a large dish of food, he swung himself quickly about and took her into his arms. The dish flew across the floor and broke against a table leg and the young woman screamed. A farm dog that had found its way into the kitchen rushed into the room and barked loudly. Henry Heller's orchestra, concealed under a stairway that led to the upper part of the house, began to play furiously. A strange animal fervor swept over Jim. His legs flew rapidly about and his heavy feet made a great clatter on the floor. The young woman in his arms screamed and laughed. Jim closed his eyes and shouted. He felt that the wedding party had until that moment been a failure and that he was transforming it into a success. Rising to their feet the men shouted, clapped their hands and beat with their fists on the table. When the orchestra came to the end of the dance, Jim stood flushed and triumphant before the guests, holding the woman in his arms. In spite of her struggles he held her tightly against his breast and kissed her eyes, cheeks, and mouth. Then releasing her he winked and made a gesture for silence. "On a wedding night some one's got to have the nerve to do a little love-making," he said, looking pointedly toward the place where Hugh sat with head bent and with his eyes staring at a glass of wine that sat at his elbow.

* * * * *

It was past two o'clock when the feast came to an end. When the guests began to depart, Clara stood for a moment alone and tried to get herself in hand. Something inside her felt cold and old. If she had often thought she wanted a man, and that life as a married woman would put an end to her problems, she did not think so at that moment. "What I want above everything else is a woman," she thought. All the evening her mind had been trying to clutch and hold the almost forgotten figure of her mother, but it was too vague and shadowy. With her mother she had never walked and talked late at night through streets of towns when the world was asleep and when thoughts were born in herself. "After all," she thought, "Mother may also have belonged to all this." She looked at the people preparing to depart. Several men had gathered in a group by the door. One of them told a story at which the others laughed loudly. The women standing about had flushed and, Clara thought, coarse faces. "They have gone into marriage like cattle," she told herself. Her mind, running out of the room, began to caress the memory of her one woman friend, Kate Chanceller. Often on late spring afternoons as she and Kate had walked together something very like love-making had happened between them. They went along quietly and evening came on. Suddenly they stopped in the street and Kate had put her arms about Clara's shoulders. For a moment they stood thus close together and a strange gentle and yet hungry look came into Kate's eyes. It only lasted a moment and when it happened both women were somewhat embarrassed. Kate laughed and taking hold of Clara's arm pulled her along the sidewalk. "Let's walk like the devil," she said, "come on, let's get up some speed."

Clara put her hands to her eyes as though to shut out the scene in the room. "If I could have been with Kate this evening I could have come to a man believing in the possible sweetness of marriage," she thought.

CHAPTER XVIII

Jim Priest was very drunk, but insisted on hitching a team to the Butterworth carriage and driving it loaded with guests to town. Every one laughed at him, but he drove up to the farmhouse door and in a loud voice declared he knew what he was doing. Three men got into the carriage and beating the horses furiously Jim sent them galloping away.

When an opportunity offered, Clara went silently out of the hot dining-room and through a door to a porch at the back of the house. The kitchen door was open and the waitresses and cooks from town were preparing to depart. One of the young women came out into the darkness accompanied by a man, evidently one of the guests. They had both been drinking and stood for a moment in the darkness with their bodies pressed together. "I wish it were our wedding night," the man's voice whispered, and the woman laughed. After a long kiss they went back into the kitchen.

A farm dog appeared and going up to Clara licked her hand. She went around the house and stood back of a bush in the darkness near where the carriages were being loaded. Her father with Steve Hunter and his wife came and got into a carriage. Tom was in an expansive, generous mood. "You know, Steve, I told you and several others my Clara was engaged to Alfred Buckley," he said. "Well, I was mistaken. The whole thing was a lie. The truth is I shot off my mouth without talking to Clara. I had seen them together and now and then Buckley used to come out here to the house in the evening, although he never came except when I was here. He told me Clara had promised to marry him, and like a fool I took his word. I never even asked. That's the kind of a fool I was and I was a bigger fool to go telling the story. All the time Clara and Hugh were engaged and I never suspected. They told me about it to-night."

Clara stood by the bush until she thought the last of the guests had gone. The lie her father had told seemed only a part of the evening's vulgarity. Near the kitchen door the waitresses, cooks and musicians were being loaded into the bus that had been driven out from the Bidwell House. She went into the dining-room. Sadness had taken the place of the anger in her, but when she saw Hugh the anger came back. Piles of dishes filled with food lay all about the room and the air was heavy with the smell of food. Hugh stood by a window looking out into the dark farmyard. He held his hat in his hand. "You might put your hat away," she said sharply. "Have you forgotten you're married to me and that you now live here in this house?" She laughed nervously and walked to the kitchen door.

Her mind still clung to the past and to the days when she was a child and had spent so many hours in the big, silent kitchen. Something was about to happen that would take her past away—destroy it, and the thought frightened her. "I have not been very happy in this house but there have been certain moments, certain feelings I've had," she thought. Stepping through the doorway she stood for a moment in the kitchen with her back to the wall and with her eyes closed. Through her mind went a troop of figures, the stout determined figure of Kate Chanceller who had known how to love in silence; the wavering, hurrying figure of her mother; her father as a young man coming in after a long drive to warm his hands by the kitchen fire; a strong, hard-faced woman from town who had once worked for Tom as cook and who was reported to have been the mother of two illegitimate children; and the figures of her childhood fancy walking over the bridge toward her, clad in beautiful raiment.

Back of these figures were other figures, long forgotten but now sharply remembered—farm girls who had come to work by the day; tramps who had been fed at the kitchen door; young farm hands who suddenly disappeared from the routine of the farm's life and were never seen again, a young man with a red bandana handkerchief about his neck who had thrown her a kiss as she stood with her face pressed against a window.

Once a high school girl from town had come to spend the night with Clara. After the evening meal the two girls walked into the kitchen and stood by a window, looking out. Something had happened within them. Moved by a common impulse they went outside and walked for a long way under the stars along the silent country roads. They came to a field where men were burning brush. Where there had been a forest there was now only a stump field and the figures of the men carrying armloads of the dry branches of trees and throwing them on the fire. The fire made a great splash of color in the gathering darkness and for some obscure reason both girls were deeply moved by the sight, sound, and perfume of the night. The figures of the men seemed to dance back and forth in the light. Instinctively Clara turned her face upward and looked at the stars. She was conscious of them and of their beauty and the wide sweeping beauty of night as she had never been before. A wind began to sing in the trees of a distant forest, dimly seen far away across fields. The sound was soft and insistent and crept into her soul. In the grass at her feet insects sang an accompaniment to the soft, distant music.

How vividly Clara now remembered that night! It came sharply back as she stood with closed eyes in the farm kitchen and waited for the consummation of the adventure on which she had set out. With it came other memories. "How many fleeting dreams and half visions of beauty I have had!" she thought.

Everything in life that she had thought might in some way lead toward beauty now seemed to Clara to lead to ugliness. "What a lot I've missed," she muttered, and opening her eyes went back into the dining-room and spoke to Hugh, still standing and staring out into the darkness.

"Come," she said sharply, and led the way up a stairway. The two went silently up the stairs, leaving the lights burning brightly in the rooms below. They came to a door leading to a bedroom, and Clara opened it. "It's time for a man and his wife to go to bed," she said in a low, husky voice. Hugh followed her into the room. He walked to a chair by a window and sitting down, took off his shoes and sat holding them in his hand. He did not look at Clara but into the darkness outside the window. Clara let down her hair and began to unfasten her dress. She took off an outer dress and threw it over a chair. Then she went to a drawer and pulling it out looked for a night dress. She became angry and threw several garments on the floor. "Damn!" she said explosively, and went out of the room.

Hugh sprang to his feet. The wine he had drunk had not taken effect and Steve Hunter had been forced to go home disappointed. All the evening something stronger than wine had been gripping him. Now he knew what it was. All through the evening thoughts and desires had whirled through his brain. Now they were all gone. "I won't let her do it," he muttered, and running quickly to the door closed it softly. With the shoes still held in his hand he crawled through a window. He had expected to leap into the darkness, but by chance his stocking feet alighted on the roof of the farm kitchen that extended out from the rear of the house. He ran quickly down the roof and jumped, alighting in a clump of bushes that tore long scratches on his cheeks.

For five minutes Hugh ran toward the town of Bidwell, then turned, and climbing a fence, walked across a field. The shoes were still gripped tightly in his hand and the field was stony, but he did not notice and was unconscious of pain from his bruised feet or from the torn places on his cheeks. Standing in the field he heard Jim Priest drive homeward along the road.

  "My bonny lies over the ocean,
  My bonny lies over the sea,
  My bonny lies over the ocean,
  O, bring back my bonny to me."

sang the farm hand.

Hugh walked across several fields, and when he came to a small stream, sat down on the bank and put on his shoes. "I've had my chance and missed it," he thought bitterly. Several times he repeated the words. "I've had my chance and I've missed," he said again as he stopped by a fence that separated the fields in which he had been walking. At the words he stopped and put his hand to his throat. A half-stifled sob broke from him. "I've had my chance and missed," he said again.

CHAPTER XIX

On the day after the feast managed by Tom and Jim, it was Tom who brought Hugh back to live with his wife. The older man had come to the farmhouse on the next morning bringing three women from town who were, as he explained to Clara, to clear away the mess left by the guests. The daughter had been deeply touched by what Hugh had done, and at the moment loved him deeply, but did not choose to let her father know how she felt. "I suppose you got him drunk, you and your friends," she said. "At any rate, he's not here."

Tom said nothing, but when Clara had told the story of Hugh's disappearance, drove quickly away. "He'll come to the shop," he thought and went there, leaving his horse tied to a post in front. At two o'clock his son-in-law came slowly over the Turner's Pike bridge and approached the shop. He was hatless and his clothes and hair were covered with dust, while in his eyes was the look of a hunted animal. Tom met him with a smile and asked no questions. "Come," he said, and taking Hugh by the arm led him to the buggy. As he untied the horse he stopped to light a cigar. "I'm going down to one of my lower farms. Clara thought you would like to go with me," he said blandly.

Tom drove to the McCoy house and stopped.

"You'd better clean up a little," he said without looking at Hugh. "You go in and shave and change your clothes. I'm going up-town. I got to go to a store."

Driving a short distance along the road, Tom stopped and shouted. "You might pack your grip and bring it along," he called. "You'll be needing your things. We won't be back here to-day."

The two men stayed together all that day, and in the evening Tom took Hugh to the farmhouse and stayed for the evening meal. "He was a little drunk," he explained to Clara. "Don't be hard on him. He was a little drunk."

For both Clara and Hugh that evening was the hardest of their lives. After the servants had gone, Clara sat under a lamp in the dining-room and pretended to read a book and in desperation Hugh also tried to read.

Again the time came to go upstairs to the bedroom, and again Clara led the way. She went to the door of the room from which Hugh had fled and opening it stepped aside. Then she put out her hand. "Good-night," she said, and going down a hallway went into another room and closed the door.

Hugh's experience with the school teacher was repeated on that second night in the farmhouse. He took off his shoes and prepared for bed. Then he crept out into the hallway and went softly to the door of Clara's room. Several times he made the journey along the carpeted hallway, and once his hand was on the knob of the door, but each time he lost heart and returned to his own room. Although he did not know it Clara, like Rose McCoy on that other occasion, expected him to come to her, and knelt on the floor just inside the door, waiting, hoping for, and fearing the coming of the man.

Unlike the school teacher, Clara wanted to help Hugh. Marriage had perhaps given her that impulse, but she did not follow it, and when at last Hugh, shaken and ashamed, gave up the struggle with himself, she arose and went to her bed where she threw herself down and wept, as Hugh had wept standing in the darkness of the fields on the night before.

CHAPTER XX

It was a hot, dusty day, a week after Hugh's marriage to Clara, and Hugh was at work in his shop at Bidwell. How many days, weeks, and months he had already worked there, thinking in iron—twisted, turned, tortured to follow the twistings and turnings of his mind—standing all day by a bench beside other workmen—before him always the little piles of wheels, strips of unworked iron and steel, blocks of wood, the paraphernalia of the inventor's trade. Beside him, now that money had come to him, more and more workmen, men who had invented nothing, who were without distinction in the life of the community, who had married no rich man's daughter.

In the morning the other workmen, skillful fellows, who knew as Hugh had never known, the science of their iron craft, came straggling through the shop door into his presence. They were a little embarrassed before him. The greatness of his name rang in their minds.

Many of the workmen were husbands, fathers of families. In the morning they left their houses gladly but nevertheless came somewhat reluctantly to the shop. As they came along the street, past other houses, they smoked a morning pipe. Groups were formed. Many legs straggled along the street. At the door of the shop each man stopped. There was a sharp tapping sound. Pipe bowls were knocked out against the door sill. Before he came into the shop, each man looked out across the open country that stretched away to the north.

For a week Hugh had been married to a woman who had not yet become his wife. She belonged, still belonged, to a world he had thought of as outside the possibilities of his life. Was she not young, strong, straight of body? Did she not array herself in what seemed unbelievably beautiful clothes? The clothes she wore were a symbol of herself. For him she was unattainable.

And yet she had consented to become his wife, had stood with him before a man who had said words about honor and obedience.

Then there had come the two terrible evenings—when he had gone back to the farmhouse with her to find the wedding feast set in their honor, and that other evening when old Tom had brought him to the farmhouse a defeated, frightened man who hoped the woman would put out her hand, would reassure him.

Hugh was sure he had missed the great opportunity of his life. He had married, but his marriage was not a marriage. He had got himself into a position from which there was no possibility of escaping. "I'm a coward," he thought, looking at the other workmen in the shop. They, like himself, were married men and lived in a house with a woman. At night they went boldly into the presence of the woman. He had not done that when the opportunity offered, and Clara could not come to him. He could understand that. His hands had builded a wall and the passing days were huge stones put on top of the wall. What he had not done became every day a more and more impossible thing to do.

Tom, having taken Hugh back to Clara, was still concerned over the outcome of their adventure. Every day he came to the shop and in the evening came to see them at the farmhouse. He hovered about, was like a mother bird whose offspring had been prematurely pushed out of the nest. Every morning he came into the shop to talk with Hugh. He made jokes about married life. Winking at a man standing nearby he put his hand familiarly on Hugh's shoulder. "Well, how does married life go? It seems to me you're a little pale," he said laughing.

In the evening he came to the farmhouse and sat talking of his affairs, of the progress and growth of the town and his part in it. Without hearing his words both Clara and Hugh sat in silence, pretending to listen, glad of his presence.

Hugh came to the shop at eight. On other mornings, all through that long week of waiting, Clara had driven him to his work, the two riding in silence down Medina Road and through the crowded streets of the town; but on that morning he had walked.

On Medina Road, near the bridge where he had once stood with Clara and where he had seen her hot with anger, something had happened, a trivial thing. A male bird pursued a female among the bushes beside the road. The two feathered, living creatures, vividly colored, alive with life, pitched and swooped through the air. They were like moving balls of light going in and out of the dark green of foliage. There was in them a madness, a riot of life.

Hugh had been tricked into stopping by the roadside. A tangle of things that had filled his mind, the wheels, cogs, levers, all the intricate parts of the hay-loading machine, the things that lived in his mind until his hand had made them into facts, were blown away like dust. For a moment he watched the living riotous things and then, as though jerking himself back into a path from which his feet had wandered, hurried onward to the shop, looking as he went not into the branches of trees, but downward at the dust of the road.

In the shop Hugh tried all morning to refurnish the warehouse of his mind, to put back into it the things blown so recklessly away. At ten Tom came in, talked for a moment and then flitted away. "You are still there. My daughter still has you. You have not run away again," he seemed to be saying to himself.

The day grew warm and the sky, seen through the shop window by the bench where Hugh tried to work, was overcast with clouds.

At noon the workmen went away, but Clara, who on other days had come to drive Hugh to the farmhouse for lunch, did not appear. When all was silent in the shop he stopped work, washed his hands and put on his coat.

He went to the shop door and then came back to the bench. Before him lay an iron wheel on which he had been at work. It was intended to drive some intricate part of the hay-loading machine. Hugh took it in his hand and carried it to the back of the shop where there was an anvil. Without consciousness and scarcely realizing what he did he laid it on the anvil and taking a great sledge in his hand swung it over his head.

The blow struck was terrific. Into it Hugh put all of his protest against the grotesque position into which he had been thrown by his marriage to Clara.

The blow accomplished nothing. The sledge descended and the comparatively delicate metal wheel was twisted, knocked out of shape. It spurted from under the head of the sledge and shot past Hugh's head and out through a window, breaking a pane of glass. Fragments of the broken glass fell with a sharp little tinkling sound upon a heap of twisted pieces of iron and steel lying beside the anvil….

Hugh did not eat lunch that day nor did he go to the farmhouse or return to work at the shop. He walked, but this time did not walk in country roads where male and female birds dart in and out of bushes. An intense desire to know something intimate and personal concerning men and women and the lives they led in their houses had taken possession of him. He walked in the daylight up and down in the streets of Bidwell.

To the right, over the bridge leading out of Turner's Road, the main street of Bidwell ran along a river bank. In that direction the hills out of the country to the south came down to the river's edge and there was a high bluff. On the bluff and back of it on a sloping hillside many of the more pretentious new houses of the prosperous Bidwell citizens had been built. Facing the river were the largest houses, with grounds in which trees and shrubs had been planted and in the streets along the hill, less and less pretentious as they receded from the river, were other houses built and being built, long rows of houses, long streets of houses, houses in brick, stone, and wood.

Hugh went from the river front back into this maze of streets and houses. Some instinct led him there. It was where the men and women of Bidwell who had prospered and had married went to live, to make themselves houses. His father-in-law had offered to buy him a river front place and already that meant much in Bidwell.

He wanted to see women who, like Clara, had got themselves husbands, what they were like. "I've seen enough of men," he thought half resentfully as he went along.

All afternoon he walked in streets, going up and down before houses in which women lived with their men. A detached mood had possession of him. For an hour he stood under a tree idly watching workmen engaged in building another house. When one of the workmen spoke to him he walked away and went into a street where men were laying a cement pavement before a completed house.

In a furtive way he kept looking about for women, hungering to see their faces. "What are they up to? I'd like to find out," his mind seemed to be saying.

The women came out of the doors of the houses and passed him as he went slowly along. Other women in carriages drove in the streets. They were well-dressed women and seemed sure of themselves. "Things are all right with me. For me things are settled and arranged," they seemed to say. All the streets in which he walked seemed to be telling the story of things settled and arranged. The houses spoke of the same things. "I am a house. I am not built until things are settled and arranged. I mean that," they said.

Hugh grew very tired. In the later afternoon a small bright-eyed woman—no doubt she had been one of the guests at his wedding feast—stopped him. "Are you planning to buy or build up our way, Mr. McVey?" she asked. He shook his head. "I'm looking around," he said and hurried away.

Anger took the place of perplexity in him. The women he saw in the streets and in the doors of the houses were such women as his own woman Clara. They had married men—"no better than myself," he told himself, growing bold.

They had married men and something had happened to them. Something was settled. They could live in streets and in houses. Their marriages had been real marriages and he had a right to a real marriage. It was not too much to expect out of life.

"Clara has a right to that also," he thought and his mind began to idealize the marriages of men and women. "On every hand here I see them, the neat, well-dressed, handsome women like Clara. How happy they are!

"Their feathers have been ruffled though," he thought angrily. "It was with them as with that bird I saw being pursued through the trees. There has been pursuit and a pretense of trying to escape. There has been an effort made that was not an effort, but feathers have been ruffled here."

When his thoughts had driven him into a half desperate mood Hugh went out of the streets of bright, ugly, freshly built, freshly painted and furnished houses, and down into the town. Several men homeward bound at the end of their day of work called to him. "I hope you are thinking of buying or building up our way," they said heartily.

* * * * *

It began to rain and darkness came, but Hugh did not go home to Clara. It did not seem to him that he could spend another night in the house with her, lying awake, hearing the little noises of the night, waiting—for courage. He could not sit under the lamp through another evening pretending to read. He could not go with Clara up the stairs only to leave her with a cold "good-night" at the top of the stairs.

Hugh went up the Medina Road almost to the house and then retraced his steps and got into a field. There was a low swampy place in which the water came up over his shoetops, and after he had crossed that there was a field overgrown with a tangle of vines. The night became so dark that he could see nothing and darkness reigned over his spirit. For hours he walked blindly, but it did not occur to him that as he waited, hating the waiting, Clara also waited; that for her also it was a time of trial and uncertainty. To him it seemed her course was simple and easy. She was a white pure thing—waiting—for what? for courage to come in to him in order that an assault be made upon her whiteness and purity.

That was the only answer to the question Hugh could find within himself.
The destruction of what was white and pure was a necessary thing in life.
It was a thing men must do in order that life go on. As for women, they
must be white and pure—and wait.

* * * * *

Filled with inward resentment Hugh at last did go to the farmhouse. Wet and with dragging, heavy feet he turned out of the Medina Road to find the house dark and apparently deserted.

Then a new and puzzling situation arose. When he stepped over the threshold and into the house he knew Clara was there.

On that day she had not driven him to work in the morning or gone for him at noon hour because she did not want to look at him in the light of day, did not want again to see the puzzled, frightened look in his eyes. She had wanted him in the darkness alone, had waited for darkness. Now it was dark in the house and she waited for him.

How simple it was! Hugh came into the living-room, stumbled forward into the darkness, and found the hat-rack against the wall near the stairway leading to the bedrooms above. Again he had surrendered what he would no doubt have called the manhood in himself, and hoped only to be able to escape the presence he felt in the room, to creep off upstairs to his bed, to lie awake listening to noises, waiting miserably for another day to come. But when he had put his dripping hat on one of the pegs of the rack and had found the lower step with his foot thrust into darkness, a voice called to him.

"Come here, Hugh," Clara said softly and firmly, and like a boy caught doing a forbidden act he went toward her. "We have been very silly, Hugh," he heard her voice saying softly.

* * * * *

Hugh went to where Clara sat in a chair by a window. From him there was no protest and no attempt to escape the love-making that followed. For a moment he stood in silence and could see her white figure below him in the chair. It was like something still far away, but coming swiftly as a bird flies to him—upward to him. Her hand crept up and lay in his hand. It seemed unbelievably large. It was not soft, but hard and firm. When her hand had rested in his for a moment she arose and stood beside him. Then the hand went out of his and touched, caressed his wet coat, his wet hair, his cheeks. "My flesh must be white and cold," he thought, and then he did not think any more.

Gladness took hold of him, a gladness that came up out of the inner parts of himself as she had come up to him out of the chair. For days, weeks, he had been thinking of his problem as a man's problem, his defeat had been a man's defeat.

Now there was no defeat, no problem, no victory. In himself he did not exist. Within himself something new had been born or another something that had always lived with him had stirred to life. It was not awkward. It was not afraid. It was a thing as swift and sure as the flight of the male bird through the branches of trees and it was in pursuit of something light and swift in her, something that would fly through light and darkness but fly not too swiftly, something of which he need not be afraid, something that without the need of understanding he could understand as one understands the need of breath in a close place.

With a laugh as soft and sure as her own Hugh took Clara into his arms. A few minutes later they went up stairs and twice Hugh stumbled on the stairway. It did not matter. His long awkward body was a thing outside himself. It might stumble and fall many times but the new thing he had found, the thing inside himself that responded to the thing inside the shell that was Clara his wife, did not stumble. It flew like a bird out of darkness into the light. At the moment he thought the sweeping flight of life thus begun would run on forever.

BOOK SIX

CHAPTER XXI

It was a summer night in Ohio and the wheat in the long, flat fields that stretched away to the north from the town of Bidwell was ripe for the cutting. Between the wheat fields lay corn and cabbage fields. In the corn fields the green stalks stood up like young trees. Facing the fields lay the white roads, once the silent roads, hushed and empty through the nights and often during many hours of the day, the night silence broken only at long intervals by the clattering hoofs of homeward bound horses and the silence of days by creaking wagons. Along the roads on a summer evening went the young farm hand in his buggy for which he had spent a summer's wage, a long summer of sweaty toil in hot fields. The hoofs of his horse beat a soft tattoo on the roads. His sweetheart sat beside him and he was in no hurry. All day he had been at work in the harvest and on the morrow he would work again. It did not matter. For him the night would last until the cocks in isolated farmyards began to hail the dawn. He forgot the horse and did not care what turning he took. All roads led to happiness for him.

Beside the long roads was an endless procession of fields broken now and then by a strip of woodland, where the shadows of trees fell upon the roads and made pools of an inky blackness. In the long, dry grass in fence corners insects sang; in the young cabbage fields rabbits ran, flitting away like shadows in the moonlight. The cabbage fields were beautiful too.

Who has written or sung of the beauties of corn fields in Illinois, Indiana, Iowa, or of the vast Ohio cabbage fields? In the cabbage fields the broad outer leaves fall down to make a background for the shifting, delicate colors of soils. The leaves are themselves riotous with color. As the season advances they change from light to dark greens, a thousand shades of purples, blues and reds appear and disappear.

In silence the cabbage fields slept beside the roads in Ohio. Not yet had the motor cars come to tear along the roads, their flashing lights—beautiful too, when seen by one afoot on the roads on a summer night—had not yet made the roads an extension of the cities. Akron, the terrible town, had not yet begun to roll forth its countless millions of rubber hoops, filled each with its portion of God's air compressed and in prison at last like the farm hands who have gone to the cities. Detroit and Toledo had not begun to send forth their hundreds of thousands of motor cars to shriek and scream the nights away on country roads. Willis was still a mechanic in an Indiana town, and Ford still worked in a bicycle repair shop in Detroit.

It was a summer night in the Ohio country and the moon shone. A country doctor's horse went at a humdrum pace along the roads. Softly and at long intervals men afoot stumbled along. A farm hand whose horse was lame walked toward town. An umbrella mender, benighted on the roads, hurried toward the lights of the distant town. In Bidwell, the place that had been on other summer nights a sleepy town filled with gossiping berry pickers, things were astir.

Change, and the thing men call growth, was in the air. Perhaps in its own way revolution was in the air, the silent, the real revolution that grew with the growth of the towns. In the stirring, bustling town of Bidwell that quiet summer night something happened that startled men. Something happened, and then in a few minutes it happened again. Heads wagged, special editions of daily newspapers were printed, the great hive of men was disturbed, under the invisible roof of the town that had so suddenly become a city, the seeds of self-consciousness were planted in new soil, in American soil.

Before all this began, however, something else happened. The first motor car ran through the streets of Bidwell and out upon the moonlit roads. The motor car was driven by Tom Butterworth and in it sat his daughter Clara with her husband Hugh McVey. During the week before, Tom had brought the car from Cleveland, and the mechanic who rode with him had taught him the art of driving. Now he drove alone and boldly. Early in the evening he had run out to the farmhouse to take his daughter and son-in-law for their first ride. Hugh sat in the seat beside him and after they had started and were clear of the town, Tom turned to him. "Now watch me step on her tail," he said proudly, using for the first time the motor slang he had picked up from the Cleveland mechanic.

As Tom sent the car hurling over the roads, Clara sat alone in the back seat unimpressed by her father's new acquisition. For three years she had been married and she felt that she did not yet know the man she had married. Always the story had been the same, moments of light and then darkness again. A new machine that went along roads at a startlingly increased rate of speed might change the whole face of the world, as her father declared it would, but it did not change certain facts of her life. "Am I a failure as a wife, or is Hugh impossible as a husband?" she asked herself for perhaps the thousandth time as the car, having got into a long stretch of clear, straight road, seemed to leap and sail through the air like a bird. "At any rate I have married me a husband and yet I have no husband, I have been in a man's arms but I have no lover, I have taken hold of life, but life has slipped through my fingers."

Like her father, Hugh seemed to Clara absorbed in only the things outside himself, the outer crust of life. He was like and yet unlike her father. She was baffled by him. There was something in the man she wanted and could not find. "The fault must be in me," she told herself. "He's all right, but what's the matter with me?"

After that night when he ran away from her bridal bed, Clara had more than once thought the miracle had happened. It did sometimes. On that night when he came to her out of the rain it had happened. There was a wall a blow could shatter, and she raised her hand to strike the blow. The wall was shattered and then builded itself again. Even as she lay at night in her husband's arms the wall reared itself up in the darkness of the sleeping room.

Over the farmhouse on such nights dense silence brooded and she and Hugh, as had become their habit together, were silent. In the darkness she put up her hand to touch her husband's face and hair. He lay still and she had the impression of some great force holding him back, holding her back. A sharp sense of struggle filled the room. The air was heavy with it.

When words came they did not break the silence. The wall remained.

The words that came were empty, meaningless words. Hugh suddenly broke forth into speech. He spoke of his work at the shop and of his progress toward the solution of some difficult, mechanical problem. If it were evening when the thing happened the two people got out of the lighted house where they had been sitting together, each feeling darkness would help the effort they were both making to tear away the wall. They walked along a lane, past the barns and over the little wooden bridge across the stream that ran down through the barnyard. Hugh did not want to talk of the work at the shop, but could find words for no other talk. They came to a fence where the lane turned and from where they could look down the hillside and into the town. He did not look at Clara but stared down the hillside and the words, in regard to the mechanical difficulties that had occupied his mind all day, ran on and on. When later they went back to the house he felt a little relieved. "I've said words. There is something achieved," he thought.

* * * * *

And now after the three years as a married woman Clara sat in the motor with her father and husband and with them was sent whirling swiftly through the summer night. The car ran down the hill road from the Butterworth farm, through a dozen residence streets in town and then out upon the long, straight roads in the rich, flat country to the north. It had skirted the town as a hungry wolf might have encircled silently and swiftly the fire-lit camp of a hunter. To Clara the machine seemed like a wolf, bold and cunning and yet afraid. Its great nose pushed through the troubled air of the quiet roads, frightening horses, breaking the silence with its persistent purring, drowning the song of insects. The headlights also disturbed the slumbers of the night. They flashed into barnyards where fowls slept on the lower branches of trees, played on the sides of barns sent the cattle in fields galloping away into darkness, and frightened horribly the wild things, the red squirrels and chipmunks that live in wayside fences in the Ohio country. Clara hated the machine and began to hate all machines. Thinking of machinery and the making of machines had, she decided, been at the bottom of her husband's inability to talk with her. Revolt against the whole mechanical impulse of her generation began to take possession of her.

And as she rode another and more terrible kind of revolt against the machine began in the town of Bidwell. It began in fact before Tom with his new motor left the Butterworth farm, it began before the summer moon came up, before the gray mantle of night had been laid over the shoulders of the hills south of the farmhouse.

Jim Gibson, the journeyman harness maker who worked in Joe Wainsworth's shop, was beside himself on that night. He had just won a great victory over his employer and felt like celebrating. For several days he had been telling the story of his anticipated victory in the saloons and store, and now it had happened. After dining at his boarding-house he went to a saloon and had a drink. Then he went to other saloons and had other drinks, after which he swaggered through the streets to the door of the shop. Although he was in his nature a spiritual bully, Jim did not lack energy, and his employer's shop was filled with work demanding attention. For a week both he and Joe had been returning to their work benches every evening. Jim wanted to come because some driving influence within made him love the thought of keeping the work always on the move, and Joe because Jim made him come.

Many things were on the move in the striving, hustling town on that evening. The system of checking on piece work, introduced by the superintendent Ed Hall in the corn-cutting machine plant, had brought on Bidwell's first industrial strike. The discontented workmen were not organized, and the strike was foredoomed to failure, but it had stirred the town deeply. One day, a week before, quite suddenly some fifty or sixty men had decided to quit. "We won't work for a fellow like Ed Hall," they declared. "He sets a scale of prices and then, when we have driven ourselves to the limit to make a decent day's pay, he cuts the scale." Leaving the shop the men went in a body to Main Street and two or three of them, developing unexpected eloquence, began delivering speeches on street corners. On the next day the strike spread and for several days the shop had been closed. Then a labor organizer came from Cleveland and on the day of his arrival the story ran through the street that strike breakers were to be brought in.

And on that evening of many adventures another element was introduced into the already disturbed life of the community. At the corner of Main and McKinley Streets and just beyond the place where three old buildings were being torn down to make room for the building of a new hotel, appeared a man who climbed upon a box and attacked, not the piece work prices at the corn-cutting machine plant, but the whole system that built and maintained factories where the wage scale of the workmen could be fixed by the whim or necessity of one man or a group of men. As the man on the box talked, the workmen in the crowd who were of American birth began to shake their heads. They went to one side and gathering in groups discussed the stranger's words. "I tell you what," said a little old workman, pulling nervously at his graying mustache, "I'm on strike and I'm for sticking out until Steve Hunter and Tom Butterworth fire Ed Hall, but I don't like this kind of talk. I'll tell you what that man's doing. He's attacking our Government, that's what he's doing." The workmen went off to their homes grumbling. The Government was to them a sacred thing, and they did not fancy having their demands for a better wage scale confused by the talk of anarchists and socialists. Many of the laborers of Bidwell were sons and grandsons of pioneers who had opened up the country where the great sprawling towns were now growing into cities. They or their fathers had fought in the great Civil War. During boyhood they had breathed a reverence for government out of the very air of the towns. The great men of whom the school-books talked had all been connected with the Government. In Ohio there had been Garfield, Sherman, McPherson the fighter and others. From Illinois had come Lincoln and Grant. For a time the very ground of the mid-American country had seemed to spurt forth great men as now it was spurting forth gas and oil. Government had justified itself in the men it had produced.

And now there had come among them men who had no reverence for government. What a speaker for the first time dared say openly on the streets of Bidwell, had already been talked in the shops. The new men, the foreigners coming from many lands, had brought with them strange doctrines. They began to make acquaintances among the American workmen. "Well," they said, "you've had great men here; no doubt you have; but you're getting a new kind of great men now. These new men are not born out of people. They're being born out of capital. What is a great man? He's one who has the power. Isn't that a fact? Well, you fellows here have got to find out that nowadays power comes with the possession of money. Who are the big men of this town?—not some lawyer or politician who can make a good speech, but the men who own the factories where you have to work. Your Steve Hunter and Tom Butterworth are the great men of this town."

The socialist, who had come to speak on the streets of Bidwell, was a Swede, and his wife had come with him. As he talked his wife made figures on a blackboard. The old story of the trick by which the citizens of the town had lost their money in the plant-setting machine company was revived and told over and over. The Swede, a big man with heavy fists, spoke of the prominent citizens of the town as thieves who by a trick had robbed their fellows. As he stood on the box beside his wife, and raising his fists shouted crude sentences condemning the capitalist class, men who had gone away angry came back to listen. The speaker declared himself a workman like themselves and, unlike the religious salvationists who occasionally spoke on the streets, did not beg for money. "I'm a workman like yourselves," he shouted. "Both my wife and myself work until we've saved a little money. Then we come out to some town like this and fight capital until we're busted. We've been fighting for years now and we'll keep on fighting as long as we live."

As the orator shouted out his sentences he raised his fist as though to strike, and looked not unlike one of his ancestors, the Norsemen, who in old times had sailed far and wide over unknown seas in search of the fighting they loved. The men of Bidwell began to respect him. "After all, what he says sounds like mighty good sense," they declared, shaking their heads. "Maybe Ed Hall isn't any worse than any one else. We got to break up the system. That's a fact. Some of these days we got to break up the system."

* * * * *

Jim Gibson got to the door of Joe's shop at half-past seven o'clock. Several men stood on the sidewalk and he stopped and stood before them, intending to tell again the story of his triumph over his employer. Inside the shop Joe was already at his bench and at work. The men, two of them strikers from the corn-cutting machine plant, complained bitterly of the difficulty of supporting their families, and a third man, a fellow with a big black mustache who smoked a pipe, began to repeat some of the axioms in regard to industrialism and the class war he had picked up from the socialist orator. Jim listened for a moment and then, turning, put his thumb on his buttocks and wriggled his fingers. "Oh, hell," he sneered, "what are you fools talking about? You're going to get up a union or get into the socialist party. What're you talking about? A union or a party can't help a man who can't look out for himself."

The blustering and half intoxicated harness maker stood in the open shop door and told again and in detail the story of his triumph over his employer. Then another thought came and he spoke of the twelve hundred dollars Joe had lost in the stock, of the plant-setting machine company. "He lost his money and you fellows are going to get licked in this fight," he declared. "You're all wrong, you fellows, when you talk about unions or joining the socialist party. What counts is what a man can do for himself. Character counts. Yes, sir, character makes a man what he is."

Jim pounded on his chest and glared about him.

"Look at me," he said. "I was a drunkard and down and out when I came to this town; a drunkard, that's what I was and that's what I am. I came here to this shop to work, and now, if you want to know, ask any one in town who runs this place. The socialist says money is power. Well, there's a man inside here who has the money, but you bet I've got the power."

Slapping his knees with his hands Jim laughed heartily. A week before, a traveling man had come to the shop to sell machine-made harness. Joe had ordered the man out and Jim had called him back. He had placed an order for eighteen sets of the harness and had made Joe sign the order. The harness had arrived that afternoon and was now hung in the shop. "It's hanging in the shop now," Jim cried. "Go see for yourself."

Triumphantly Jim walked up and down before the men on the sidewalk, and his voice rang through the shop where Joe sat on his harness-maker's horse under a swinging lamp hard at work. "I tell you, character's the thing that counts," the roaring voice cried. "You see I'm a workingman like you fellows, but I don't join a union or a socialist party. I get my way. My boss Joe in there's a sentimental old fool, that's what he is. All his life he's made harnesses by hand and he thinks that's the only way. He claims he has pride in his work, that's what he claims."

Jim laughed again. "Do you know what he did the other day when that traveler had gone out of the shop and after I had made him sign that order?" he asked. "Cried, that's what he did. By God, he did,—sat there and cried."

Again Jim laughed, but the workmen on the sidewalk did not join in his merriment. Going to one of them, the one who had declared his intention of joining the union, Jim began to berate him. "You think you can lick Ed Hall with Steve Hunter and Tom Butterworth back of him, eh?" he asked sharply. "Well, I'll tell you what—you can't. All the unions in the world won't help you. You'll get licked—for why?

"For why? Because Ed Hall is like me, that's for why. He's got character, that's what he's got."

Growing weary of his boasting and the silence of his audience, Jim started to walk in at the door, but when one of the workmen, a pale man of fifty with a graying mustache, spoke, he turned to listen. "You're a suck, a suck and a lickspittle, that's what you are," said the pale man, his voice trembling with passion.

Jim ran through the crowd of men and knocked the speaker to the sidewalk with a blow of his fist. Two of the other workmen seemed about to take up the cause of their fallen brother, but when in spite of their threats Jim stood his ground, they hesitated. They went to help the pale workman to his feet, and Jim went into the shop and closed the door. Climbing onto his horse he went to work, and the men went off along the sidewalk, still threatening to do what they had not done when the opportunity offered.

Joe worked in silence beside his employee and night began to settle down over the disturbed town. Above the clatter of many voices in the street outside could be heard the loud voice of the socialist orator who had taken up his stand for the evening at a nearby corner. When it had become quite dark outside, the old harness maker climbed down from his horse and going to the front door opened it softly and looked up and down the street. Then he closed it again and walked toward the rear of the shop. In his hand he held his harness-maker's knife, shaped like a half moon and with an extraordinarily sharp circular edge. The harness maker's wife had died during the year before and since that time he had not slept well at night. Often for a week at a time he did not sleep at all, but lay all night with wide-open eyes, thinking strange, new thoughts. In the daytime and when Jim was not about, he sometimes spent hours sharpening the moon-shaped knife on a piece of leather; and on the day after the incident of the placing of the order for the factory-made harness he had gone into a hardware store and bought a cheap revolver. He had been sharpening the knife as Jim talked to the workmen outside. When Jim began to tell the story of his humiliation he had stopped sewing at the broken harness in his vise and, getting up, had taken the knife from its hiding-place under a pile of leather on a bench to give its edge a few last caressing strokes.

Holding the knife in his hand Joe went with shambling steps toward the place where Jim sat absorbed in his work. A brooding silence seemed to lie over the shop and even outside in the street all noises suddenly ceased. Old Joe's gait changed. As he passed behind the horse on which Jim sat, life came into his figure and he walked with a soft, cat-like tread. Joy shone in his eyes. As though warned of something impending, Jim turned and opened his mouth to growl at his employer, but his words never found their way to his lips. The old man made a peculiar half step, half leap past the horse, and the knife whipped through the air. At one stroke he had succeeded in practically severing Jim Gibson's head from his body.

There was no sound in the shop. Joe threw the knife into a corner and ran quickly past the horse where the body of Jim Gibson sat upright. Then the body fell to the floor with a thump and there was the sharp rattle of heels on the board floor. The old man locked the front door and listened impatiently. When all was again quiet he went to search for the knife he had thrown away, but could not find it. Taking Jim's knife from a bench under the hanging lamp, he stepped over the body and climbed upon his horse to turn out the lights.

For an hour Joe stayed in the shop with the dead man. The eighteen sets of harness shipped from a Cleveland factory had been received that morning, and Jim had insisted they be unpacked and hung on hooks along the shop walls. He had bullied Joe into helping hang the harnesses, and now Joe took them down alone. One by one they were laid on the floor and with Jim's knife the old man cut each strap into little pieces that made a pile of litter on the floor reaching to his waist. When that was done he went again to the rear of the shop, again stepping almost carelessly over the dead man, and took the revolver out of the pocket of an overcoat that hung by the door.

Joe went out of the shop by the back door, and having locked it carefully, crept through an alleyway and into the lighted street where people walked up and down. The next place to his own was a barber shop, and as he hurried along the sidewalk, two young men came out and called to him. "Hey," they called, "do you believe in factory-made harness now-days, Joe Wainsworth? Hey, what do you say? Do you sell factory-made harness?"

Joe did not answer, but stepping off the sidewalk, walked in the road. A group of Italian laborers passed, talking rapidly and making gestures with their hands. As he went more deeply into the heart of the growing city, past the socialist orator and a labor organizer who was addressing a crowd of men on another corner, his step became cat-like as it had been in the moment before the knife flashed at the throat of Jim Gibson. The crowds of people frightened him. He imagined himself set upon by a crowd and hanged to a lamp-post. The voice of the labor orator arose above the murmur of voices in the street. "We've got to take power into our hands. We've got to carry on our own battle for power," the voice declared.

The harness maker turned a corner into a quiet street, his hand caressing affectionately the revolver in the side pocket of his coat. He intended to kill himself, but had not wanted to die in the same room with Jim Gibson. In his own way he had always been a very sensitive man and his only fear was that rough hands fall upon him before he had completed the evening's work. He was quite sure that had his wife been alive she would have understood what had happened. She had always understood everything he did or said. He remembered his courtship. His wife had been a country girl and on Sundays, after their marriage, they had gone together to spend the day in the wood. After Joe had brought his wife to Bidwell they continued the practice. One of his customers, a well-to-do farmer, lived five miles north of town, and on his farm there was a grove of beech trees. Almost every Sunday for several years he got a horse from the livery stable and took his wife there. After dinner at the farmhouse, he and the farmer gossiped for an hour, while the women washed the dishes, and then he took his wife and went into the beech forest. No underbrush grew under the spreading branches of the trees, and when the two people had remained silent for a time, hundreds of squirrels and chipmunks came to chatter and play about them. Joe had brought nuts in his pocket and threw them about. The quivering little animals drew near and then with a flip of their tails scampered away. One day a boy from a neighboring farm came to the wood and shot one of the squirrels. It happened just as Joe and his wife came from the farmhouse and he saw the wounded squirrel hang from the branch of a tree, and then fall. It lay at his feet and his wife grew ill and leaned against him for support. He said nothing, but stared at the quivering thing on the ground. When it lay still the boy came and picked it up. Still Joe said nothing. Taking his wife's arm he walked to where they were in the habit of sitting, and reached in his pocket for the nuts to scatter on the ground. The farm boy, who had felt the reproach in the eyes of the man and woman, had gone out of the wood. Suddenly Joe began to cry. He was ashamed and did not want his wife to see, and she pretended she had not seen.

On the night when he had killed Jim, Joe decided he would walk to the farm and the beech forest and there kill himself. He hurried past a long row of dark stores and warehouses in the newly built section of town and came to a residence street. He saw a man coming toward him and stepped into the stairway of a store building. The man stopped under a street lamp to light a cigar, and the harness maker recognized him. It was Steve Hunter, who had induced him to invest the twelve hundred dollars in the stock of the plant-setting machine company, the man who had brought the new times to Bidwell, the man who was at the bottom of all such innovations as machine-made harnesses. Joe had killed his employee, Jim Gibson, in cold anger, but now a new kind of anger took possession of him. Something danced before his eyes and his hands trembled so that he was afraid the gun he had taken out of his pocket would fall to the sidewalk. It wavered as he raised it and fired, but chance came to his assistance. Steve Hunter pitched forward to the sidewalk.

Without stopping to pick up the revolver that had fallen out of his hand, Joe now ran up a stairway and got into a dark, empty hall. He felt his way along a wall and came presently to another stairway, leading down. It brought him into an alleyway, and going along this he came out near the bridge that led over the river and into what in the old days had been Turner's Pike, the road out which he had driven with his wife to the farm and the beech forest.

But one thing now puzzled Joe Wainsworth. He had lost his revolver and did not know how he was to manage his own death. "I must do it some way," he thought, when at last, after nearly three hours steady plodding and hiding in fields to avoid the teams going along the road he got to the beech forest. He went to sit under a tree near the place where he had so often sat through quiet Sunday afternoons with his wife beside him. "I'll rest a little and then I'll think how I can do it," he thought wearily, holding his head in his hands. "I mustn't go to sleep. If they find me they'll hurt me. They'll hurt me before I have a chance to kill myself. They'll hurt me before I have a chance to kill myself," he repeated, over and over, holding his head in his hands and rocking gently back and forth.

CHAPTER XXII

The car driven by Tom Butterworth stopped at a town, and Tom got out to fill his pockets with cigars and incidentally to enjoy the wonder and admiration of the citizens. He was in an exalted mood and words flowed from him. As the motor under its hood purred, so the brain under the graying old head purred and threw forth words. He talked to the idlers before the drug stores in the towns and, when the car started again and they were out in the open country, his voice, pitched in a high key to make itself heard above the purring engine, became shrill. Having struck the shrill tone of the new age the voice went on and on.

But the voice and the swift-moving car did not stir Clara. She tried not to hear the voice, and fixing her eyes on the soft landscape flowing past under the moon, tried to think of other times and places. She thought of nights when she had walked with Kate Chanceller through the streets of Columbus, and of the silent ride she had taken with Hugh that night they were married. Her mind went back into her childhood and she remembered the long days she had spent riding with her father in this same valley, going from farm to farm to haggle and dicker for the purchase of calves and pigs. Her father had not talked then but sometimes, when they had driven far and were homeward bound in the failing light of evening, words did come to him. She remembered one evening in the summer after her mother died and when her father often took her with him on his drives. They had stopped for the evening meal at the house of a farmer and when they got on the road again, the moon came out. Something present in the spirit of the night stirred Tom, and he spoke of his life as a boy in the new country and of his fathers and brothers. "We worked hard, Clara," he said. "The whole country was new and every acre we planted had to be cleared." The mind of the prosperous farmer fell into a reminiscent mood and he spoke of little things concerning his life as a boy and young man; the days of cutting wood alone in the silent, white forest when winter came and it was time for getting out firewood and logs for new farm buildings, the log rollings to which neighboring farmers came, when great piles of logs were made and set afire that space might be cleared for planting. In the winter the boy went to school in the village of Bidwell and as he was even then an energetic, pushing youth, already intent on getting on in the world, he set traps in the forest and on the banks of streams and walked the trap line on his way to and from school. In the spring he sent his pelts to the growing town of Cleveland where they were sold. He spoke of the money he got and of how he had finally saved enough to buy a horse of his own.

Tom had talked of many other things on that night, of the spelling-downs at the schoolhouse in town, of huskings and dances held in the barns and of the evening when he went skating on the river and first met his wife. "We took to each other at once," he said softly. "There was a fire built on the bank of the river and after I had skated with her we went and sat down to warm ourselves.

"We wanted to get married to each other right away," he told Clara. "I walked home with her after we got tired of skating, and after that I thought of nothing but how to get my own farm and have a home of my own."

As the daughter sat in the motor listening to the shrill voice of the father, who now talked only of the making of machines and money, that other man talking softly in the moonlight as the horse jogged slowly along the dark road seemed very far away. All such men seemed very far away. "Everything worth while is very far away," she thought bitterly. "The machines men are so intent on making have carried them very far from the old sweet things."

The motor flew along the roads and Tom thought of his old longing to own and drive fast racing horses. "I used to be half crazy to own fast horses," he shouted to his son-in-law. "I didn't do it, because owning fast horses meant a waste of money, but it was in my mind all the time. I wanted to go fast: faster than any one else." In a kind of ecstasy he gave the motor more gas and shot the speed up to fifty miles an hour. The hot, summer air, fanned into a violent wind, whistled past his head. "Where would the damned race horses be now," he called, "where would your Maud S. or your J.I.C. be, trying to catch up with me in this car?"

Yellow wheat fields and fields of young corn, tall now and in the light breeze that was blowing whispering in the moonlight, flashed past, looking like squares on a checker board made for the amusement of the child of some giant. The car ran through miles of the low farming country, through the main streets of towns, where the people ran out of the stores to stand on the sidewalks and look at the new wonder, through sleeping bits of woodlands—remnants of the great forests in which Tom had worked as a boy—and across wooden bridges over small streams, beside which grew tangled masses of elderberries, now yellow and fragrant with blossoms.

At eleven o'clock having already achieved some ninety miles Tom turned the car back. Running more sedately he again talked of the mechanical triumphs of the age in which he had lived. "I've brought you whizzing along, you and Clara," he said proudly. "I tell you what, Hugh, Steve Hunter and I have brought you along fast in more ways that one. You've got to give Steve credit for seeing something in you, and you've got to give me credit for putting my money back of your brains. I don't want to take no credit from Steve. There's credit enough for all. All I got to say for myself is that I saw the hole in the doughnut. Yes, sir, I wasn't so blind. I saw the hole in the doughnut."

Tom stopped to light a cigar and then drove on again. "I'll tell you what, Hugh," he said, "I wouldn't say so to any one not of my family, but the truth is, I'm the man that's been putting over the big things there in Bidwell. The town is going to be a city now and a mighty big city. Towns in this State like Columbus, Toledo and Dayton, had better look out for themselves. I'm the man has always kept Steve Hunter steady and going straight ahead down the track, as this car goes with my hand at the steering wheel.

"You don't know anything about it, and I don't want you should talk, but there are new things coming to Bidwell," he added. "When I was in Chicago last month I met a man who has been making rubber buggy and bicycle tires. I'm going in with him and we're going to start a plant for making automobile-tires right in Bidwell. The tire business is bound to be one of the greatest on earth and they ain't no reason why Bidwell shouldn't be the biggest tire center ever known in the world." Although the car now ran quietly, Tom's voice again became shrill. "There'll be hundreds of thousands of cars like this tearing over every road in America," he declared. "Yes, sir, they will; and if I calculate right Bidwell'll be the great tire town of the world."

For a long time Tom drove in silence, and when he again began to talk it was a new mood. He told a tale of life in Bidwell that stirred both Hugh and Clara deeply. He was angry and had Clara not been in the car would have become violently profane.

"I'd like to hang the men who are making trouble in the shops in town," he broke forth. "You know who I mean, I mean the labor men who are trying to make trouble for Steve Hunter and me. There's a socialist talking every night on the street over there. I'll tell you, Hugh, the laws of this country are wrong." For ten minutes he talked of the labor difficulties in the shops.

"They better look out," he declared, and was so angry that his voice rose to something like a suppressed scream. "We're inventing new machines pretty fast now-days," he cried. "Pretty soon we'll do all the work by machines. Then what'll we do? We'll kick all the workers out and let 'em strike till they're sick, that's what we'll do. They can talk their fool socialism all they want, but we'll show 'em, the fools."

His angry mood passed, and as the car turned into the last fifteen-mile stretch of road that led to Bidwell, he told the tale that so deeply stirred his passengers. Chuckling softly he told of the struggle of the Bidwell harness maker, Joe Wainsworth, to prevent the sale of machine-made harness in the community, and of his experience with his employee, Jim Gibson. Tom had heard the tale in the bar-room of the Bidwell House and it had made a profound impression on his mind. "I'll tell you what," he declared, "I'm going to get in touch with Jim Gibson. That's the kind of man to handle workers. I only heard about him to-night, but I'm going to see him to-morrow."

Leaning back in his seat Tom laughed heartily as he told of the traveling man who had visited Joe Wainsworth's shop and the placing of the order for the factory-made harness. In some intangible way he felt that when Jim Gibson laid the order for the harness on the bench in the shop and by the force of his personality compelled Joe Wainsworth to sign, he justified all such men as himself. In imagination he lived in that moment with Jim, and like Jim the incident aroused his inclination to boast. "Why, a lot of cheap laboring skates can't down such men as myself any more than Joe Wainsworth could down that Jim Gibson," he declared. "They ain't got the character, you see, that's what the matter, they ain't got the character." Tom touched some mechanism connected with the engine of the car and it shot suddenly forward. "Suppose one of them labor leaders were standing in the road there," he cried. Instinctively Hugh leaned forward and peered into the darkness through which the lights of the car cut like a great scythe, and on the back seat Clara half rose to her feet. Tom shouted with delight and as the car plunged along the road his voice rose in triumph. "The damn fools!" he cried. "They think they can stop the machines. Let 'em try. They want to go on in their old hand-made way. Let 'em look out. Let 'em look out for such men as Jim Gibson and me."

Down a slight incline in the road shot the car and swept around a wide curve, and then the jumping, dancing light, running far ahead, revealed a sight that made Tom thrust out his foot and jam on the brakes.

In the road and in the very center of the circle of light, as though performing a scene on the stage, three men were struggling. As the car came to a stop, so sudden that it pitched both Clara and Hugh out of their seats, the struggle came to an end. One of the struggling figures, a small man without coat or hat, had jerked himself away from the others and started to run toward the fence at the side of the road and separating it from a grove of trees. A large, broad-shouldered man sprang forward and catching the tail of the fleeing man's coat pulled him back into the circle of light. His fist shot out and caught the small man directly on the mouth. He fell like a dead thing, face downward in the dust of the road.

Tom ran the car slowly forward and its headlight continued to play over the three figures. From a little pocket at the side of his driver's seat he took a revolver. He ran the car quickly to a position near the group in the road and stopped.

"What's up?" he asked sharply.

Ed Hall the factory superintendent, the man who had struck the blow that had felled the little man, stepped forward and explained the tragic happenings of the evening in town. The factory superintendent had remembered that as a boy he had once worked for a few weeks on the farm of which the wood beside the road was a part, and that on Sunday afternoons the harness maker had come to the farm with his wife and the two people had gone to walk in the very place where he had just been found. "I had a hunch he would be out here," he boasted. "I figured it out. Crowds started out of town in all directions, but I cut out alone. Then I happened to see this fellow and just for company I brought him along." He put up his hand and, looking at Tom, tapped his forehead. "Cracked," he declared, "he always was. A fellow I knew saw him once in that woods," he said pointing. "Somebody had shot a squirrel and he took on about it as though he had lost a child. I said then he was crazy, and he has sure proved I was right."

At a word from her father Clara went to sit on the front seat on Hugh's knees. Her body trembled and she was cold with fear. As her father had told the story of Jim Gibson's triumph over Joe Wainsworth she had wanted passionately to kill that blustering fellow. Now the thing was done. In her mind the harness maker had come to stand for all the men and women in the world who were in secret revolt against the absorption of the age in machines and the products of machines. He had stood as a protesting figure against what her father had become and what she thought her husband had become. She had wanted Jim Gibson killed and it had been done. As a child she had gone often to Wainsworth's shop with her father or some farm hand, and she now remembered sharply the peace and quiet of the place. At the thought of the same place, now become the scene of a desperate killing, her body shook so that she clutched at Hugh's arms, striving to steady herself.

Ed Hall took the senseless figure of the old man in the road into his arms and half threw it into the back seat of the car. To Clara it was as though his rough, misunderstanding hands were on her own body. The car started swiftly along the road and Ed told again the story of the night's happenings. "I tell you, Mr. Hunter is in mighty bad shape, he may die," he said. Clara turned to look at her husband and thought him totally unaffected by what had happened. His face was quiet like her father's face. The factory superintendent's voice went on explaining his part in the adventures of the evening. Ignoring the pale workman who sat lost in the shadows in a corner of the rear seat, he spoke as though he had undertaken and accomplished the capture of the murderer single-handed. As he afterwards explained to his wife, Ed felt he had been a fool not to come alone. "I knew I could handle him all right," he explained. "I wasn't afraid, but I had figured it all out he was crazy. That made me feel shaky. When they were getting up a crowd to go out on the hunt, I says to myself, I'll go alone. I says to myself, I'll bet he's gone out to that woods on the Riggly farm where he and his wife used to go on Sundays. I started and then I saw this other man standing on a corner and I made him come with me. He didn't want to come and I wish I'd gone alone. I could have handled him and I'd got all the credit."

In the car Ed told the story of the night in the streets of Bidwell. Some one had seen Steve Hunter shot down in the street and had declared the harness maker had done it and had then run away. A crowd had gone to the harness shop and had found the body of Jim Gibson. On the floor of the shop were the factory-made harnesses cut into bits. "He must have been in there and at work for an hour or two, stayed right in there with the man he had killed. It's the craziest thing any man ever done."

The harness maker, lying on the floor of the car where Ed had thrown him, stirred and sat up. Clara turned to look at him and shivered. His shirt was torn so that the thin, old neck and shoulders could be plainly seen in the uncertain light, and his face was covered with blood that had dried and was now black with dust. Ed Hall went on with the tale of his triumph. "I found him where I said to myself I would. Yes, sir, I found him where I said to myself I would."

The car came to the first of the houses of the town, long rows of cheaply built frame houses standing in what had once been Ezra French's cabbage patch, where Hugh had crawled on the ground in the moonlight, working out the mechanical problems that confronted him in the building of his plant-setting machine. Suddenly the distraught and frightened man crouched on the floor of the car, raised himself on his hands and lurched forward, trying to spring over the side. Ed Hall caught him by the arm and jerked him back. He drew back his arm to strike again but Clara's voice, cold and intense with passion, stopped him. "If you touch him, I'll kill you," she said. "No matter what he does, don't you dare strike him again."

Tom drove the car slowly through the streets of Bidwell to the door of a police station. Word of the return of the murderer had run ahead, and a crowd had gathered. Although it was past two o'clock the lights still burned in stores and saloons, and crowds stood at every corner. With the aid of a policeman, Ed Hall, with one eye fixed cautiously on the front seat where Clara sat, started to lead Joe Wainsworth away. "Come on now, we won't hurt you," he said reassuringly, and had got his man free of the car when he broke away. Springing back into the rear seat the crazed man turned to look at the crowd. A sob broke from his lips. For a moment he stood trembling with fright, and then turning, he for the first time saw Hugh, the man in whose footsteps he had once crept in the darkness in Turner's Pike, the man who had invented the machine by which the earnings of a lifetime had been swept away. "It wasn't me. You did it. You killed Jim Gibson," he screamed, and springing forward sank his fingers and teeth into Hugh's neck.

CHAPTER XXIII

One day in the month of October, four years after the time of his first motor ride with Clara and Tom, Hugh went on a business trip to the city of Pittsburgh. He left Bidwell in the morning and got to the steel city at noon. At three o'clock his business was finished and he was ready to return.

Although he had not yet realized it, Hugh's career as a successful inventor had received a sharp check. The trick of driving directly at the point, of becoming utterly absorbed in the thing before him, had been lost. He went to Pittsburgh to see about the casting of new parts for the hay-loading machine, but what he did in Pittsburgh was of no importance to the men who would manufacture and sell that worthy, labor-saving tool. Although he did not know it, a young man from Cleveland, in the employ of Tom and Steve, had already done what Hugh was striving half-heartedly to do. The machine had been finished and ready to market in October three years before, and after repeated tests a lawyer had made formal application for patent. Then it was discovered that an Iowa man had already made application for and been granted a patent on a similar apparatus.

When Tom came to the shop and told him what had happened Hugh had been ready to drop the whole matter, but that was not Tom's notion. "The devil!" he said. "Do you think we're going to waste all this money and labor?"

Drawings of the Iowa man's machine were secured, and Tom set Hugh at the task of doing what he called "getting round" the other fellow's patents. "Do the best you can and we'll go ahead," he said. "You see we've got the money and that means power. Make what changes you can and then we'll go on with our manufacturing plans. We'll whipsaw this other fellow through the courts. We'll fight him till he's sick of fight and then we'll buy him out cheap. I've had the fellow looked up and he hasn't any money and is a boozer besides. You go ahead. We'll get that fellow all right."

Hugh had tried valiantly to go along the road marked out for him by his father-in-law and had put aside other plans to rebuild the machine he had thought of as completed and out of the way. He made new parts, changed other parts, studied the drawings of the Iowa man's machine, did what he could to accomplish his task.

Nothing happened. A conscientious determination not to infringe on the work of the Iowa man stood in his way.

Then something did happen. At night as he sat alone in his shop after a long study of the drawings of the other man's machine, he put them aside and sat staring into the darkness beyond the circle of light cast by his lamp. He forgot the machine and thought of the unknown inventor, the man far away over forests, lakes and rivers, who for months had worked on the same problem that had occupied his mind. Tom had said the man had no money and was a boozer. He could be defeated, bought cheap. He was himself at work on the instrument of the man's defeat.

Hugh left his shop and went for a walk, and the problem connected with the twisting of the iron and steel parts of the hay-loading apparatus into new forms was again left unsolved. The Iowa man had become a distinct, almost understandable personality to Hugh. Tom had said he drank, got drunk. His own father had been a drunkard. Once a man, the very man who had been the instrument of his own coming to Bidwell, had taken it for granted he was a drunkard. He wondered if some twist of life might not have made him one.

Thinking of the Iowa man, Hugh began to think of other men. He thought of his father and of himself. When he was striving to come out of the filth, the flies, the poverty, the fishy smells, the shadowy dreams of his life by the river, his father had often tried to draw him back into that life. In imagination he saw before him the dissolute man who had bred him. On afternoons of summer days in the river town, when Henry Shepard was not about, his father sometimes came to the station where he was employed. He had begun to earn a little money and his father wanted it to buy drinks. Why?

There was a problem for Hugh's mind, a problem that could not be solved in wood and steel. He walked and thought about it when he should have been making new parts for the hay-loading apparatus. He had lived but little in the life of the imagination, had been afraid to live that life, had been warned and re-warned against living it. The shadowy figure of the unknown inventor in the state of Iowa, who had been brother to himself, who had worked on the same problems and had come to the same conclusions, slipped away, followed by the almost equally shadowy figure of his father. Hugh tried to think of himself and his own life.

For a time that seemed a simple and easy way out of the new and intricate task he had set for his mind. His own life was a matter of history. He knew about himself. Having walked far out of town, he turned and went back toward his shop. His way led through the new city that had grown up since his coming to Bidwell. Turner's Pike that had been a country road along which on summer evenings lovers strolled to the Wheeling station and Pickleville was now a street. All that section of the new city was given over to workers' homes and here and there a store had been built. The Widow McCoy's place was gone and in its place was a warehouse, black and silent under the night sky. How grim the street in the late night! The berry pickers who once went along the road at evening were now gone forever. Like Ezra French's sons they had perhaps become factory hands. Apple and cherry trees once grew along the road. They had dropped their blossoms on the heads of strolling lovers. They also were gone. Hugh had once crept along the road at the heels of Ed Hall, who walked with his arm about a girl's waist. He had heard Ed complaining of his lot in life and crying out for new times. It was Ed Hall who had introduced the piecework plan in the factories of Bidwell and brought about the strike, during which three men had been killed and ill-feeling engendered in hundreds of silent workers. That strike had been won by Tom and Steve and they had since that time been victorious in a larger and more serious strike. Ed Hall was now at the head of a new factory being built along the Wheeling tracks. He was growing fat and was prosperous.

When Hugh got to his shop he lighted his lamp and again got out the drawings he had come from home to study. They lay unnoticed on the desk. He looked at his watch. It was two o'clock. "Clara may be awake. I must go home," he thought vaguely. He now owned his own motor car and it stood in the road before the shop. Getting in he drove away into the darkness over the bridge, out of Turner's Pike and along a street lined with factories and railroad sidings. Some of the factories were working and were ablaze with lights. Through lighted windows he could see men stationed along benches and bending over huge, iron machines. He had come from home that evening to study the work of an unknown man from the far away state of Iowa, to try to circumvent that man. Then he had gone to walk and to think of himself and his own life. "The evening has been wasted. I have done nothing," he thought gloomily as his car climbed up a long street lined with the homes of the wealthier citizens of his town and turned into the short stretch of Medina Road still left between the town and the Butterworth farmhouse.

* * * * *

On the day when he went to Pittsburgh, Hugh got to the station where he was to take the homeward train at three, and the train did not leave until four. He went into a big waiting-room and sat on a bench in a corner. After a time he arose and going to a stand bought a newspaper, but did not read it. It lay unopened on the bench beside him. The station was filled with men, women, and children who moved restlessly about. A train came in and a swarm of people departed, were carried into faraway parts of the country, while new people came into the station from a nearby street. He looked at those who were going out into the train shed. "It may be that some of them are going to that town in Iowa where that fellow lives," he thought. It was odd how thoughts of the unknown Iowa man clung to him.

One day, during the same summer and but a few months earlier, Hugh had gone to the town of Sandusky, Ohio, on the same mission that had brought him to Pittsburgh. How many parts for the hay-loading machine had been cast and later thrown away! They did the work, but he decided each time that he had infringed on the other man's machine. When that happened he did not consult Tom. Something within him warned him against doing that. He destroyed the part. "It wasn't what I wanted," he told Tom who had grown discouraged with his son-in-law but did not openly voice his dissatisfaction. "Oh, well, he's lost his pep, marriage has taken the life out of him. We'll have to get some one else on the job," he said to Steve, who had entirely recovered from the wound received at the hands of Joe Wainsworth.

On that day when he went to Sandusky, Hugh had several hours to wait for his homebound train and went to walk by the shores of a bay. Some brightly colored stones attracted his attention and he picked several of them up and put them in his pockets. In the station at Pittsburgh he took them out and held them in his hand. A light came in at a window, a long, slanting light that played over the stones. His roving, disturbed mind was caught and held. He rolled the stones back and forth. The colors blended and then separated again. When he raised his eyes, a woman and a child on a nearby bench, also attracted by the flashing bit of color held like a flame in his hand, were looking at him intently.

He was confused and walked out of the station into the street. "What a silly fellow I have become, playing with colored stones like a child," he thought, but at the same time put the stones carefully into his pockets.

Ever since that night when he had been attacked in the motor, the sense of some indefinable, inner struggle had been going on in Hugh, as it went on that day in the station at Pittsburgh and on the night in the shop, when he found himself unable to fix his attention on the prints of the Iowa man's machine. Unconsciously and quite without intent he had come into a new level of thought and action. He had been an unconscious worker, a doer and was now becoming something else. The time of the comparatively simple struggle with definite things, with iron and steel, had passed. He fought to accept himself, to understand himself, to relate himself with the life about him. The poor white, son of the defeated dreamer by the river, who had forced himself in advance of his fellows along the road of mechanical development, was still in advance of his fellows of the growing Ohio towns. The struggle he was making was the struggle his fellows of another generation would one and all have to make.

Hugh got into his home-bound train at four o'clock and went into the smoking car. The somewhat distorted and twisted fragment of thoughts that had all day been playing through his mind stayed with him. "What difference does it make if the new parts I have ordered for the machine have to be thrown away?" he thought. "If I never complete the machine, it's all right. The one the Iowa man had made does the work."

For a long time he struggled with that thought. Tom, Steve, all the Bidwell men with whom he had been associated, had a philosophy into which the thought did not fit. "When you put your hand to the plow do not turn back," they said. Their language was full of such sayings. To attempt to do a thing and fail was the great crime, the sin against the Holy Ghost. There was unconscious defiance of a whole civilization in Hugh's attitude toward the completion of the parts that would help Tom and his business associates "get around" the Iowa man's patent.

The train from Pittsburgh went through northern Ohio to a junction where Hugh would get another train for Bidwell. Great booming towns, Youngstown, Akron, Canton, Massillon—manufacturing towns all—lay along the way. In the smoker Hugh sat, again playing with the colored stones held in his hand. There was relief for his mind in the stones. The light continually played about them, and their color shifted and changed. One could look at the stones and get relief from thoughts. Raising his eyes he looked out of the car window. The train was passing through Youngstown. His eyes looked along grimy streets of worker's houses clustered closely about huge mills. The same light that had played over the stones in his hand began to play over his mind, and for a moment he became not an inventor but a poet. The revolution within had really begun. A new declaration of independence wrote itself within him. "The gods have thrown the towns like stones over the flat country, but the stones have no color. They do not burn and change in the light," he thought.

Two men who sat in a seat in the westward bound train began to talk, and Hugh listened. One of them had a son in college. "I want him to be a mechanical engineer," he said. "If he doesn't do that I'll get him started in business. It's a mechanical age and a business age. I want to see him succeed. I want him to keep in the spirit of the times."

Hugh's train was due in Bidwell at ten, but did not arrive until half after eleven. He walked from the station through the town toward the Butterworth farm.

At the end of their first year of marriage a daughter had been born to Clara, and some time before his trip to Pittsburgh she had told him she was again pregnant. "She may be sitting up. I must get home," he thought, but when he got to the bridge near the farmhouse, the bridge on which he had stood beside Clara that first time they were together, he got out of the road and went to sit on a fallen log at the edge of a grove of trees.

"How quiet and peaceful the night!" he thought and leaning forward held his long, troubled face in his hands. He wondered why peace and quiet would not come to him, why life would not let him alone. "After all, I've lived a simple life and have done good work," he thought. "Some of the things they've said about me are true enough. I've invented machines that save useless labor, I've lightened men's labor."

Hugh tried to cling to that thought, but it would not stay in his mind. All the thoughts that gave his mind peace and quiet flew away like birds seen on a distant horizon at evening. It had been so ever since that night when he was suddenly and unexpectedly attacked by the crazed harness maker in the motor. Before that his mind had often been unsettled, but he knew what he wanted. He wanted men and women and close association with men and women. Often his problem was yet more simple. He wanted a woman, one who would love him and lie close to him at night. He wanted the respect of his fellows in the town where he had come to live his life. He wanted to succeed at the particular task to which he had set his hand.

The attack made upon him by the insane harness maker had at first seemed to settle all his problems. At the moment when the frightened and desperate man sank his teeth and fingers into Hugh's neck, something had happened to Clara. It was Clara who, with a strength and quickness quite amazing, had torn the insane man away. All through that evening she had been hating her husband and father, and then suddenly she loved Hugh. The seeds of a child were already alive in her, and when the body of her man was furiously attacked, he became also her child. Swiftly, like the passing of a shadow over the surface of a river on a windy day, the change in her attitude toward her husband took place. All that evening she had been hating the new age she had thought so perfectly personified in the two men, who talked of the making of machines while the beauty of the night was whirled away into the darkness with the cloud of dust thrown into the air by the flying motor. She had been hating Hugh and sympathizing with the dead past he and other men like him were destroying, the past that was represented by the figure of the old harness maker who wanted to do his work by hand in the old way, by the man who had aroused the scorn and derision of her father.

And then the past rose up to strike. It struck with claws and teeth, and the claws and teeth sank into Hugh's flesh, into the flesh of the man whose seed was already alive within her.

At that moment the woman who had been a thinker stopped thinking. Within her arose the mother, fierce, indomitable, strong with the strength of the roots of a tree. To her then and forever after Hugh was no hero, remaking the world, but a perplexed boy hurt by life. He never again escaped out of boyhood in her consciousness of him. With the strength of a tigress she tore the crazed harness maker away from Hugh, and with something of the surface brutality of another Ed Hall, threw him to the floor of the car. When Ed and the policeman, assisted by several bystanders, came running forward, she waited almost indifferently while they forced the screaming and kicking man through the crowd and in at the door of the police station.

For Clara the thing for which she had hungered had, she thought, happened. In quick, sharp tones she ordered her father to drive the car to a doctor's house and later stood by while the torn and lacerated flesh of Hugh's cheek and neck was bandaged. The thing for which Joe Wainsworth stood and that she had thought was so precious to herself no longer existed in her consciousness, and if later she was for some weeks nervous and half ill, it was not because of any thought given to the fate of the old harness maker.

The sudden attack out of the town's past had brought Hugh to Clara, had made him a living if not quite satisfying companion to her, but it had brought something quite different to Hugh. The bite of the man's teeth and the torn places on his cheeks left by the tense fingers had mended, leaving but a slight scar; but a virus had got into his veins. The disease of thinking had upset the harness maker's mind and the germ of that disease had got into Hugh's blood. It had worked up into his eyes and ears. Words men dropped thoughtlessly and that in the past had been blown past his ears, as chaff is blown from wheat in the harvest, now stayed to echo and re-echo in his mind. In the past he had seen towns and factories grow and had accepted without question men's word that growth was invariably good. Now his eyes looked at the towns, at Bidwell, Akron, Youngstown, and all the great, new towns scattered up and down mid-western America as on the train and in the station at Pittsburgh he had looked at the colored stones held in his hand. He looked at the towns and wanted light and color to play over them as they played over the stones, and when that did not happen, his mind, filled with strange new hungers engendered by the disease of thinking, made up words over which lights played. "The gods have scattered towns over the flat lands," his mind had said, as he sat in the smoking car of the train, and the phrase came back to him later, as he sat in the darkness on the log with his head held in his hands. It was a good phrase and lights could play over it as they played over the colored stones, but it would in no way answer the problem of how to "get around" the Iowa's man patent on the hay loading device.

Hugh did not get to the Butterworth farmhouse until two o'clock in the morning, but when he got there his wife was awake and waiting for him. She heard his heavy, dragging footsteps in the road as he turned in at the farm gate, and getting quickly out of bed, threw a cloak over her shoulders and came out to the porch facing the barns. A late moon had come up and the barnyard was washed with moonlight. From the barns came the low, sweet sound of contented animals nibbling at the hay in the mangers before them, from a row of sheds back of one of the barns came the soft bleating of sheep and in a far away field a calf bellowed loudly and was answered by its mother.

When Hugh stepped into the moonlight around the corner of the house, Clara ran down the steps to meet him, and taking his arm, led him past the barns and over the bridge where as a child she had seen the figures of her fancy advancing towards her. Sensing his troubled state her mother spirit was aroused. He was unfilled by the life he led. She understood that. It was so with her. By a lane they went to a fence where nothing but open fields lay between the farm and the town far below. Although she sensed his troubled state, Clara was not thinking of Hugh's trip to Pittsburgh nor of the problems connected with the completion of the hay-loading machine. It may be that like her father she had dismissed from her mind all thoughts of him as one who would continue to help solve the mechanical problems of his age. Thoughts of his continued success had never meant much to her, but during the evening something had happened to Clara and she wanted to tell him about it, to take him into the joy of it. Their first child had been a girl and she was sure the next would be a man child. "I felt him to-night," she said, when they had got to the place by the fence and saw below the lights of the town. "I felt him to-night," she said again, "and oh, he was strong! He kicked like anything. I am sure this time it's a boy."

For perhaps ten minutes Clara and Hugh stood by the fence. The disease of thinking that was making Hugh useless for the work of his age had swept away many old things within him and he was not self-conscious in the presence of his woman. When she told him of the struggle of the man of another generation, striving to be born he put his arm about her and held her close against his long body. For a time they stood in silence, and then started to return to the house and sleep. As they went past the barns and the bunkhouse where several men now slept they heard, as though coming out of the past, the loud snoring of the rapidly ageing farm hand, Jim Priest, and then above that sound and above the sound of the animals stirring in the barns arose another sound, a sound shrill and intense, greetings perhaps to an unborn Hugh McVey. For some reason, perhaps to announce a shift in crews, the factories of Bidwell that were engaged in night work set up a great whistling and screaming. The sound ran up the hillside and rang in the ears of Hugh as, with his arm about Clara's shoulders, he went up the steps and in at the farmhouse door.

End of the Project Gutenberg EBook of Poor White, by Sherwood Anderson

*** END OF THE PROJECT GUTENBERG EBOOK POOR WHITE ***

This file should be named pwhit10.txt or pwhit10.zip
Corrected EDITIONS of our eBooks get a new NUMBER, pwhit11.txt
VERSIONS based on separate sources get new LETTER, pwhit10a.txt

Produced by Eric Eldred, William Flis and the Online Distributed Proofreading Team

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance of the official release dates, leaving time for better editing. Please be encouraged to tell us about any error or corrections, even years after the official publication date.

Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg eBooks is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so.

Most people start at our Web sites at: http://gutenberg.net or http://promo.net/pg

These Web sites include award-winning information about Project Gutenberg, including how to donate, how to help produce our new eBooks, and how to subscribe to our email newsletter (free!).

Those of you who want to download any eBook before announcement can get to them as follows, and just download by date. This is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want, as it appears in our Newsletters.

Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any eBook selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. Our projected audience is one hundred million readers. If the value per text is nominally estimated at one dollar then we produce $2 million dollars per hour in 2002 as we release over 100 new text files per month: 1240 more eBooks in 2001 for a total of 4000+ We are already on our way to trying for 2000 more eBooks in 2002 If they reach just 1-2% of the world's population then the total will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! This is ten thousand titles each to one hundred million readers, which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1 1971 July
   10 1991 January
  100 1994 January
 1000 1997 August
 1500 1998 October
 2000 1999 December
 2500 2000 December
 3000 2001 November
 4000 2001 October/November
 6000 2002 December*
 9000 2003 November*
10000 2004 January*

The Project Gutenberg Literary Archive Foundation has been created to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones that have responded.

As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally request donations in all 50 states. If your state is not listed and you would like to know if we have added it since the list you have, just ask.

While we cannot solicit donations from people in states where we are not yet registered, we know of no prohibition against accepting donations from donors in these states who approach us with an offer to donate.

International donations are accepted, but we don't know ANYTHING about how to make them tax-deductible, or even if they CAN be made deductible, and don't have the staff to handle it even if there are ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by the US Internal Revenue Service as a 501(c)(3) organization with EIN [Employee Identification Number] 64-622154. Donations are tax-deductible to the maximum extent permitted by law. As fund-raising requirements for other states are met, additions to this list will be made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www.gutenberg.net/donation.html

***

If you can't reach Project Gutenberg, you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.

**The Legal Small Print**

(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this eBook, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK By using or reading any part of this PROJECT GUTENBERG-tm eBook, you indicate that you understand, agree to and accept this "Small Print!" statement. If you do not, you can receive a refund of the money (if any) you paid for this eBook by sending a request within 30 days of receiving it to the person you got it from. If you received this eBook on a physical medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, is a "public domain" work distributed by Professor Michael S. Hart through the Project Gutenberg Association (the "Project"). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this eBook under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market any commercial products without permission.

To create these eBooks, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's eBooks and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other eBook medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the "Right of Replacement or Refund" described below, [1] Michael Hart and the Foundation (and any other party you may receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.

INDEMNITY You will indemnify and hold Michael Hart, the Foundation, and its trustees and agents, and any volunteers associated with the production and distribution of Project Gutenberg-tm texts harmless, from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this eBook, [2] alteration, modification, or addition to the eBook, or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" You may distribute copies of this eBook electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or:

[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the eBook or this "small print!" statement. You may however, if you wish, distribute this eBook in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as *EITHER*:

[*] The eBook, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR

[*] The eBook may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the eBook (as is the case, for instance, with most word processors); OR

[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the eBook in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).

[2] Honor the eBook refund and replacement provisions of this "Small Print!" statement.

[3] Pay a trademark license fee to the Foundation of 20% of the gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Literary Archive Foundation" the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? Project Gutenberg is dedicated to increasing the number of public domain and licensed works that can be freely distributed in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only when distributed free of all fees. Copyright (C) 2001, 2002 by Michael S. Hart. Project Gutenberg is a TradeMark and may not be used in any sales of Project Gutenberg eBooks or other materials be they hardware or software or any other related product without express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*